The Radio Kitchen

This is the second installment of an edited collection of radio recorded on a 1988 roadtrip from Detroit to New Orleans and back. It was initially made (and edited) for my own entertainment and there was no log, and many stations are unidentified. However, twenty years later I think there’s enough radio history to make it worth sharing with you. The first post (and further explanation) can be found here.

In the 1980’s, I became infatuated with black radio. Not only was the music better than the commercial pop and rock stations at the time, but the overall approach was more sincere and spontaneous. And in Detroit we had the genius of Electrifying Mojo on WGPR, mixing Prince and the Gap Band with the B-52’s and all the George Clinton you could handle. But by the mid-80’s I was rediscovering AM radio, and when the funk and groove on the FM “urban” stations was overrun by sequencers, beatbox rhythms and banal production the AM dial was still a refuge for many of the heritage R&B where an oldies heavy contemporary soul/blues format had emerged. Through the 80’s around Detroit there were two retro-black choices on the AM dial– WCHB and WQBH, and they were the most popular presets in my car for a few years. (I have recordings I plan to post.)

My infatuation at the time with the last vestiges of soul broadcasting on the AM dial actually influenced the routing of the initial trip south, adding just a few more miles to trip by strategically driving through a few large southern cities. And this section of this aircheck montage contains the fruits of that plan, as my Buick wagon rolls by Nashville, Memphis and Jackson. 

While the old Mason-Dixon line never stretched this far west, the defacto border of where the American south begins in the Midwest would have to be the Ohio River. That’s where this segment of the trip begins, either right before or right after crossing the river at Cincinnati. It’s hard to say exactly where we were. The signals don’t stop at the river. And once you get within an hour of the river (which is also the Kentucky border) the locals may have a drawl and you’re more likely to find grits or hush puppies on a diner menu. As rust-belt kid, the gradual changes in culture and inclinations once you rolled deeper into the old confederacy was always kind of invigorating. Even exotic.

With no written records of the trip or the stations I recorded, I’m left to depend on memory and the re-edited recorded record. What I do know is that we entered Kentucky sometime in the mid to late afternoon and that by the time we got to Tennessee it was dark outside. The sun didn’t rise until sometime in Southern Mississippi or Louisiana. As I mentioned in the last post, my radio recording along the way was impulsive and intermittent. What you hear in this post is what I edited together from the rest of the nonstop drive to Louisiana.

1988 Trip to New Orleans (part 1) - Into the South  14:29

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If was going to pick a logo or a mascot for a radio station, I wouldn’t be thinkin’ of semi-aquatic rodents. But then again I’m not from Kentucky. This clip kicks off with a full promotional dispatch from “The Beaver” (WBVE) a country FM not far downriver from Cincinnati in Hamilton, KY. If you didn’t have anything to do that weekend you could have gone out to Campbell County Equipment to hang out with one of their DJ’s for day and taken home some Beaver bumper stickers or keychains. Perhaps a coffee mug! And if you got really lucky, you might have loaded up a new lawn mower in your trunk before the end of the afternoon.

I always find it kind of sad when a radio station never really captures the imagination of a community and keeps changing its call letters (and usually the format) to reboot its fate in the marketplace. This north Kentucky outlet at 96.5 MHz had already been through several sets of call letters and format changes by 1986 when it scabbed over into the incarnation you hear on this recording– “The Beaver” (“The Real Country Giant”) in September of 1986. A couple years later the station would switch to format again, and then call letters, and then format, and then call letters once more. Then, I think it may have even changed call letters one more time.  But right now the station is back to a country format as “The Wolf,” which seems to offer a little more animal charisma than a rodent. However, the beaver concept itself lives on. Another FM station in Kentucky grabbed up the catchy WBVE call letters, and is proudly “The Beaver.” And there’s a sister Beaver– WVVE, also in Kentucky. And you can hear country music on either one.

Then the next signal comes from Dayton– WING. And as you might guess, there’s a legacy that goes along with memorable call letters like that. From the mid-50’s until the 1970’s WING was the hottest radio station in that expanse of Ohio– a community media hub with hit music, regional and national news and DJ’s who were local stars. By 1988, the radio group had spun off the top-40 format to wacky Z-93 on the FM band (which I came across in the first post in this series) and WING was a hybrid oldies/talk station at the time. And in this brief clip you hear a promo that sounds kind of strange today:“news doesn’t happen in newsrooms, it happens out there"… (ya think?)

By the late 1980’s, the AM band had become desperate territory. Many stations left out in the cold by the massive listener migration to the FM band were desperately seeking a profitable programming niche that would keep luring listeners to their AM frequencies. And the point of this promo is to point out that WING still had a news department (with real reporters and everything). Which certainly counts for some bragging rights, compared to getting by with a canned oldies music format. This was the era when music radio stations were jettisoning their news divisions, leaving all news and news/talk stations in the market to continue to offer the headlines and the local stories. In fact, a few years later WING switched to a CNN-based news format, which sadly didn’t work out either.

Today WING and its 5000 watts at 1410kHz has met the pitiful fate of many forgotten frequencies– it’s another ESPN sports drone (with another two or three sports stations already on the dial). For many years, people loved this station and depended on it, now it’s an anonymous portal for gossip about spectator sports. I’ll never understand the appeal of that. This is the last verifiable station from Ohio in this trip south. The next few stations may also be from the Dayton/Cincinnati area, or they may have been recorded near Nashville, where I seem to have started recording again.

Want something good in your hair? This wacky ad for B.B. hair products was probably grabbed from a black AM radio station between Dayton and Nashville. I love the relaxed reverb baritone and cheap audience response bits straight out of a sound effects package. I believe B.B. stands for “Bronner Bros. Enterprise,” one of the large African American hair and skin care corporation based in Georgia. (However, the company’s website has recently disappeared.) This is followed by some canned feature about women in the workplace. Are you more likely to get that promotion if you’re hot and flashy? Or kinda fat? Apparently, both have their drawbacks.

Then you get some rural voices of the Caucasian persuasion. Like the Beaver people coming to the Equipment depot, this seems to be a radio remote already underway. These traditional pseudo-events are promotional orgies where a business sponsors a live radio broadcast at a retail site, and the radio station and the business both seduce listeners in for free crap and alleged bargains, while they sell their brand-name into the broadcast zone. It’s a radio tradition. Hard to say what service or goods these good old boys were selling, but it was a family operation. They helped each other. They had their problems, but they work good. That’s the way it should be.

The next ad confirms it, we were in Tennessee. John Watson, the owner of Jay’s Wilderness Outfitters wanted us to “come on in and browse around.” Makes sense. From the address (465 Bell Road) it appears that we were somewhere near Nashville. John is no longer luring browsers. There’s a cleaners there now. This is followed by an ID for Nashville’s WNAH and a short discussion regarding Smitty’s Restaurant, “now with two Nashville locations!” Today an ad like this would be pushin’ a grilled chicken salad or some other vaguely healthy foodstuff. But back in 1988, offering a big cheese burger, batter-dipped fries and jumbo soft drink for a buck fifty was a point of pride. The intro jingle and music under the announcer is a canned and corny “donut” production  where the announcer reads the Smitty’s commercial over the the instrumental break with finger snaps (the “hole” of the donut) of a generic pre-produced restaurant-style advertisement, that will end with more jingle or an announcer. It’s like "just add voice talent" instant spot production. And Smitty’s? I believe there are no longer any Nashville locations.

Then something more substantial, a "classic soul sweep" on WVOL. The song intro under the sultry female announcer sounds like typical 80’s style soul-blues from a label like Malaco. Then a barrage of wacky electro radio sounders, that are still part of radio production today. Then cut to a drop-in. The big baritone R&B voice of god intones– “W-V-O-L - Here yesterday, today and tomorrow.” Damn straight. This black music outlet is indeed still alive and well at 1470 AM. Not every heritage frequency has surrendered to sports, or right wing talk, or the Jesus problem. And you can hear their "Urban Oldies" format by going here. As I was writing this I tuned into "The Mighty 147" online and I heard the Dramatics, which still warms the heart of a middle-aged kid who grew up in the shadow of the Motor City.

This clip is followed by a low-pitched pitch man doing some serious promotional push for the Y-107 Visa Card from the radio station on "the cutting edge of innovation." This bit of bragging set off my internal radio sniffer, and thought I might have gotten a whiff of… Jacor! And a little research bears me out. This station was one of Jacor’s big success stories in the 1980’s, turning a bumbling-along ordinary adult contemporary station into an aggressive CHR (top 40) monster. And by 1987 it had become the number one station in Nashville. A pretty big deal. And the radio station Visa card? Long gone, just like Y-107. And I don’t know that radio station credit cards ever meant much in the scheme of things, but what it does tell me when I hear this brief promotional bit from the past is that it probably came from a sales and promotional staff on overdrive. And Jacor was always on overdrive.

And here’s where digging around in the past led me to the future, or at least today. The programmer that made Y-107 a smash in Nashville, Marc Chase, moved on to Tampa to create "The Power Pig," an even more aggressive and raunchy CHR powerhouse that also took the number one spot in Tampa and killed Q105, the previous CHR champion there. It was quite a time. I don’t know if Jacor had a bigger success story with a station make-over before they merged with Clear Channel, but it’s the one I know. And two of the men (Randy Michaels and Marc Chase) who made the Pig so big have both defected from Clear Channel (and so have others) to rejoin their old Jacor boss brash billionaire Sam Zell over at his Tribune Corporation (the 2nd biggest newspaper publisher in the U.S. and a major media operation which Zell recently purchased). Chase just came over recently (and brought a couple associates along), and Clear Channel is pissed off enough to file a suit against Tribune for stealing company secrets. And if you know anything about how Jacor used to operate, and then take a look at a recent flippant press release announcing bringing Chase on board and you get a feeling that Zell might be looking for a way to get in as a major radio player once again. So far, he only has one station.

Meanwhile, back to the radio. After the "outrageous FM" we have Marcia Griffiths chugging along with the "Electric Boogie.’ As a northern record collector, to me this song was just some side project from that odd funky disco album Bunny Wailer did in the early 80’s, "Hook, Line and Sinker," which I happened to like but went nowhere on the charts. However, the night I heard this on my way to New Orleans I discovered that this Marcia Griffiths dance number (produced by Bunny) had become a huge hit down south. And specifically the dance it created– "The Electric Slide," which was the hit. But no identification on this one. Certainly a black station, probably in Nashville. The DJ is buried pretty deep into the boogie as he signs off. And what an impressive bleepy electronic waterfall flowing around that WXXS, Memphis station ID. I’m not sure if WXSS was still R&B at the time, or had switched to gospel. But these days at 1030kHz in Memphis you’ll hear Español on WGSF.

After that, a happy bland mic break from a young lady on what I believe was the Satellite Music Network’s "Heart & Soul" service back then. It was a syndicated oldies-based black hits format that had some success in the 1980’s. "Well you all tightened up now? Got some George Benson for ya right now…"

And now, Bill Mack, "The Midnight Cowboy" doing his long-running trucker show from 50 thousand watt WBAP in Dallas. One of the legendary big trucking radio DJ’s since the 70’s, Mack now has his own spot on the XM trucker’s channel, "The Open Road." But here’s he’s lusting after his producer’s feet. It’s well past midnight at this point, and we were probably tooling down 1-55 in northern Mississippi. Unfortunately, Memphis radio (still an interesting and vital scene) is barely sampled in this collage. I guess I was at the wheel by that time. Something I haven’t mentioned about this trip– by the midpoint of this nonstop drive from Michigan to New Orleans I had tired of repeatedly asking my friend to stop gradually veering the Buick toward the shoulder of the highway. I don’t know if it was white line fever or what, but it was driving me insane. The lesson I learned was to never go a roadtrip with someone until you’re familiar with their driving skills. I ended up doing most of the driving for the rest of the trip, and didn’t record nearly as much radio on the road as I had intended.

After the Midnight Cowboy you hear a WBAP Metrocel Cellular Phone promo (Those were big clunky "car phones" back then. Nothing like that shiny sliver of wonders you carry around these days…) and a couple bites of cracklin’ holy roller oratory, which is ubiquitous on the AM dial in the deep south. Then there’s a little harbinger of good things to come, a static-ridden station ID for 13-Kixie, WKXI– "Your power music station." Then there’s something about Martha Reeves and Ben E. King singin’ in Little Rock for a tour of historic houses. Then it’s "67 beautiful degrees with the Chi-Lites on Little Rock’s Favorite, K-Lite" (which I’m sure was on the FM band where there was a lot of "lite" radio back then). And ever so briefly, you hear a station ID for the great WDIA in Memphis.

This is followed by a little talk radio interlude. My best guess is that this is Ray Briem, an overnight talk host based in L.A. (KABC) who was doing a syndicated show around this time for the ABC Talk Network. (I’m not familiar with Briem and could find no clips online. Leave a comment if you can verify if this is him, or some other talk host.) And I believe the conversation is regarding the Civil Liberties Act of 1988, which was getting its finishing touches in the legislature around this time, and in a few months would pass with broad bipartisan support and the signature of President Reagan. The bill served as a giant apology to the thousands of Japanese Families living in America (a majority who were U.S. citizens) who were forcibly relocated into internment camps during World War Two, as well as providing them with over a billion dollars in reparations.

However, Betty doesn’t like the idea. Full of rum and rancor and barely able to complete a sentence, Betty’s angry half-thoughts have stumbled onto Ray’s late night radio show, and it’s not pretty. Instead of taking Betty to task or having fun with her ignorance, Ray just milks the call for all the outrage he can squeeze out of it– "We didn’t start that war Ray." And while Betty didn’t advocate dropping a few more A-bombs on Japan, and never referred to them as "nips" or "japs," but you know she probably has. And Ray (who’s apparently rather conservative and not in favor of allotting much cash to the cause) seems taken aback that Betty wouldn’t even sanction an apology to the victims. And if old Betty’s still up and around (which seems in doubt) she probably feels right at home in today’s era of terror-racism, border xenophobia, and the new growing fear of "they." After all, they attacked us.

Then, late late into the night, the whole kooky idea of recording radio in transit with a boombox really paid off.  Even if I wasn’t making these recordings I think the moment I turned in loud clear and clear Lightnin’ Hopkins while crossing the country in the middle of the night might have been etched in my memory anyway. But it’s nice to have the memory archived. Either way, it’s home cooked amplitude modulation of southern music and culture. It was the "Mid-South Power Connection, 13-Kixie."  This was the station I’d hoped to find. At the coolest darkest time of the night and after sixteen hours on the road, the Blues was all right.

The DJ, Paul Anthony Hickey, has a great night vibe and voice– clipped and warm, with a little urgency to keep you awake. Perfect. I find no reference to him on the web, but i like to think he’s still doing radio somewhere, possibly under another name. Following the talking blues of Lightning Hopkins, the funky Bar-Keys fueled blues of Detroit harp man Little Sonny kicks in hot and thick and the drums hit like a round of gun fire. And if you want to hear an example of why I still love the sound of music mutated through AM broadcasting, just listen to the intro to Sonny’s "A Woman Named Trouble." And then if you compare it to the CD or vinyl and the keyboards, harp and drums will certainly sound more correct or real, but the compression and limiting of AM brings the funky sound up front and center– meaty, the way I like it. So clear, that we must have been pretty close to that 1K transmitter when this was recorded. And then there’s the beginning of a Jimmy Reed track. Jimmy Reed was made to be heard on an AM radio.

Anyway the recording is scoped, so you don’t get the full song. If I had made this collage today (instead of twenty years ago) I probably would have let Little Sonny play on. However, I did keep a lot of the flavor. I kept a couple commercials from the stop set that followed the music, and they’re both representative of a radio station that’s more connected to its community and culture than most are today. And speaking of meaty? If you like delicious home-cooked food (and who doesn’t) you might enjoy the ad for "Jobe’s Family Restaurant." Unless you’re a vegetarian, you may have a little Pavlovian response as you listen to this savory list of soul food fare. And yes, you could get your chitlins fried or boiled.

However twenty years after the fact, Jobe’s Family Restaurant is ancient history. Not only is there no references to it on the web, but the photo snapping vans of Google Maps’ "Street View" division archived the visual information from that strip of Jackson, Mississippi not long ago, and as you can see from the image at right, the lot at 1940 J R Lynch Street in Jackson has been stripped of its building. Looking at this blank sad piece of land reminded me of so many similar empty lots where the good times used to roll in Michigan cities like Detroit, Pontiac and Flint. That said, I’m sure you can still find plenty of home grown diners where you can order a hot greasy plate of ribs or fried chicken in Jackson, Mississippi. Just not at that piece of land on J R Lynch Street.

What can I say about the ad promoting the "Big Kickapoo Blues Festival." I lived in the deep south for a spell and was fortunate enough to attend a few of these big blues festivals in the summertime. The line-up at this one was typical– Little Milton, Artie "Blues Boy" White and Gary B.B. Coleman. Other regulars on a bill like this would be legendary artists like Denise LaSalle, Bobby Bland, Tyrone Davis, Johnnie Taylor, Betty Wright or Marvin Sease. It’s hard for me to tell you how much fun I had at these events, and the memories of total strangers sharing fried chicken, ribs, hard liquor and good times lives on somewhere at a cherished picnic table in my memory. Yes, there really is something about the south…

And WKXI is still broadcasting blues and soul in Jackson, although a few years ago a frequency swap with sister station WOAD moved them a hundred kilohertz down the dial to 1400 AM (which I guess would make them 14-Kixie these days). They used to have a website, and you can’t listen to them online either. But if you’re driving down I-55 that way you might consider turning on your AM radio.

As my friend and I approached New Orleans in the predawn hours, I had no idea that I’d actually be moving there in a few months and would end up spending the next ten years bouncing around the Gulf Coast. How that all happened is a rather convoluted tale that probably doesn’t really belong in a blog post. But beyond the personal journey, all my time in the south was also a radio journey for me. And thankfully, it came at a time when I was mindful of capturing some of that radio from the yawning jaws of time. And all those cassettes have provided a hell of a lot more pleasure than those old baseball cards I used to covet. And they’ve provided me the with options, like sharing them here with you. And it all began with this brief vacation.

The next few installments in this series will be recordings made within the city limits of New Orleans. And then eventually, some aircheck bits from the trip back north. So, if you’re in the neighborhood come back again to 1988 again and we’ll browse around the dial.

Technorati Tags: blues, soul food, soul music, Talk Radio, the south

It’s a funny thing. Just ten years ago our country was wasting so much time and resources pursing the impeachment of a Democratic President for lying about a clownish series of sexual liaisons with an intern. And the righteous hordes of right-wing talk hosts were having a field day barking at the President’s heels for his dishonesty and depravity. And how history repeats itself. Finally, the tables have turned!

But there really are a cadre of liberal talkers across the land today, which really didn’t exist in the 1990’s. While the far right wing and the neocons are way ahead of the game (with many more hosts, affiliates, and listeners ), and all the syndicated warmongers, xenophobes and anti-environmentalists are sitting pretty on stations with the best AM signals in almost every market, more and more there are competing voices out there separating facts from fictions and directly challenging the mouthpieces of the powerful and malevolent all across the dial.

The truth is, commercial left-wing talk radio is an unlikely American invention– a relatively new creation born of necessity. And contrary to what you might read from conservative clowns and stooges around the web, it isn’t going away anytime soon. But it is a work in progress. Some of it is sloppy, some great, some is just satisfying as a prescription for your outrage burden. And sometimes it’s just good to actually hear it, because affiliates do come and go. And often the liberal talk stations have ended up with some of the shabbiest signals in their market. Even with some success with certain shows in some markets, Progressive Talk remains a series of politically powered radio experiments looking for a stable business model.

In this demented and urgent media environment, the “progressive talk” radio format became a reality as a reaction to (and a bulwark against) this expansive and oppressive dominance of right-wing talk radio on the AM dial. Actually, it’s been almost eight years since the UAW’s i.e. America first toyed with the idea, and roughly four years since Air America and Clear Channel made it real. And there’s been new energy and enmity crackling through the broadcasts, that’s to the protracted and convoluted race for the Democratic Presidential nomination. And the question remains, whether a radio format that combines activism and entertainment from a left wing perspective (which is often explicitly anti-corporate) can thrive in the marketplace.

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Seder was filling in for Rhodes during this week long disengagement between Air America and their most popular talk host. By April 10, it was over. And Seder again was given the official duty of announcing that Rhodes would never again appear on Air America. (Just imagine those smokin’ board meetings at Air America…) He took calls. It’s actually very rare to hear a radio station (let alone a radio network) allow their talent (or worse, former talent) to get on the air and openly trash the station. But like I said, progressive talk is unlikely and experimental. What you’ll hear in this clip is some messy and somewhat intriguing radio, including a phone-in walk-on from Seder’s former co-host, Janeane Garofalo. And while he used to defer to her wacky outbursts when they were a team, after Garofalo has put all her complaints against Air America on the table Seder quickly motions her call toward the exit.

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Now Rhodes has since moved on to Nova M, a fledgling progressive talk network started by the Sheldon Drobney, who was one of the original founders of Air America. Nova M really only has two significant talk show hosts, Rhodes and Mike Malloy. Interestingly, both of them were more or less cast off by Air America for controversial behavior. Right-wing talk hosts really never have this problem. (Unless you consider Don Imus right-wing. But he’s really more of a libertarian old grump…) And although Malloy and Rhodes tend to mouth off, they were actually the two Air America hosts who actually were radio veterans. The fact is, these two Nova M talk hosts probably have more collected years of experience behind the microphone than all the rest of Air America’s talent roster. Not only that, but they seem to have full control of their “flagship” station in Phoenix. So far, with a network run on a shoestring, Nova M has proven to be a more agile and thoughtful operation than the bloated and overwrought Air America.

Have a listen to Mike Malloy on the day Rhodes Air America suspension was announced. Not only does he express his anger at his former employers for screwing Ms. Rhodes, but he also recounts the strange day he was let go by Air America,.And what I find most enlightening of all in this screed is how Al Franken (the vastly overpaid AAR poster-boy who never figured out talk radio) insisted that no Malloy promos run during his program (which would make him both boring and gutless).

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One thing for sure, Malloy invests more raw id into his broadcasts than any liberal talk host you’ll hear. Once he begins to unload you can feel the burden lift and perhaps experience a chuckle escaping from under the load. Here’s an inspired Malloy roasting of Hillary Clinton that certainly warmed my heart.

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What you get in investing your time into Malloy’s show is to feel that warm glow of having your outrage voiced. Although Malloy can occasionally get a little hysterical for me, in general I find Malloy’s nightly rages medicinal, and look upon his complete and total disrespect for the "Bush Crime Family" as the most legitimate and clear-headed treatment of this administration than I hear just about anywhere.

And did you notice how Malloy passionately plugged Nova M’s “Founder’s Fund?” Nova M charges a little more than most radio operations for its podcasts, selling the fee as more of a contribution to the cause. And the podcasts and occasional online videos are just gravy. In fact the CEO of Nova M, young Clear Channel/Jacor vet John Manzo, has made this public-radio style “listener support” part of his business model to help his upstart syndication outfit afford experienced radio hosts like Rhodes and Malloy.

Meanwhile, Seder was left to hold down the Rhodes’ slot while the dispute between talk network and talk host carried on. Sam Seder has been the good soldier in the many battles between Air America and their disgruntled hosts, somehow staying loyal to the company and their former air personalities. After Malloy was fired, Seder actually had him come in as a guest on his program. And after Marc Maron and AAR parted ways, Seder continued to have him as a phone-in guest and still has a regular video webcast (on his website, not affiliated with AAR) with Maron. Not only that, but he’s been the only Air America employee to do fill-in slots (for Malloy) on the competing Nova M network.

When Air America launched, their big innovation (and often their downfall) was to take on a lot of talent from cable television comedy. Although this proved to be a big budget drain on the fledgling network (and SOME TV talent never translated well to radio), the successful transformation of comedian Marc Maron into a new breed of talk host was a real success story. He’s spontaneous and twisted and honest, and really funny. When “Morning Sedition” (the AAR show he co-founded) was kind of drowned in the bathtub in late 2005 by former AAR CEO Danny Goldberg. The show had a hardcore following, and a fan website remains where you can find a continuous stream of comedy bits and interviews from the defunct show. I’ve written plenty about the demise of this wonderful radio program, which you can read here and here.

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While Maron is pointedly curious about Randi’s allegations of Air America bad behavior, if you listen carefully you realize that he never really jumps in with Rhodes to twist the knife. Why not? Well, this isn’t the same Maron (or reality) in 2008. They’ve been through a few management configurations since then, and Maron’s going through a divorce and trolling for a radio gig. And while he sympathizes with Rhodes, and is certainly curious about her what happened between her and the network, he doesn’t pile on. In fact, a less then a month after this conversation on Nova M, Maron did a three-day tryout for Rhodes’ old afternoon slot on Air America. More on that in a minute.

In just a few days, Rhodes was back on the air broadcasting around the country from her old roost at WJNO in West Palm Beach. She still has her own home down there, and plenty of friends and family. And while she doesn’t have quite the affiliate reach she did with Air America, she already does have a majority of her old stations back in her camp. While it’s difficult to know how this will play out, right now Air America has lost a number of affiliates in the all-important afternoon drive slot (on the east coast), and some of their mojo along the way.

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And what’s Air America going to do without Rhodes? Not mourn, that’s for sure. Here’s Air America’s kooky and cosmic host of “Clout,” Richard Green. It’s a couple days after Rhodes and Air America have parted ways and he’s turned his show into “Healing Friday” for the evening and he’s taking calls from listeners so they can vent and share their feelings about Randi Rhodes departure. And this first caller is rather entertaining, she’s a middle-aged Hillary fan full of wine who’s quite upset about how Randi (and MSNBC and the media in general) aren’t giving the Clintons the respect they deserve.

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I’ve never been sure if I like “Clout” or not, but it’s not like any other show I’ve ever heard (but the Police bumper music is so tiresome). While I’ve never heard of Richard Green before he started doing a program on Air America, he seems artful at keeping close relationships with radio management types. In fact, he came in when the Green brothers took over Air America. And after I heard a show for a few days I assumed he was in the same family. Green often offers inside information on what’s going on at the network. And he says in this clip that he’s a loyal team player. And when Rennie Bishop moved Al Sharpton into the “Clout” time slot Green was quite good natured about in on the air. But more importantly, he was able to somehow make a deal with Bishop to remain on the air in the city by having his show time-shifted into a late night slot. Which is a better deal than Thom Hartmann got.

And you also hear Green announcing the stopgap solution to fill the Randi Rhodes slot– celebrity hosts! Oh oh… They’ve been through a number of them so far, and it’s been a mixed bag. Richard Belzer was bearable, but flat. Joy Behar? Rosanne Barr? Let’s just say they don’t seem to grasp the magic of radio. Lately it’s gotten better, as Air America has started giving a trial run to people who actually have some radio chops, including Ron Kuby and Ron Reagan. Not bad. Reagan’s a little too warm and cozy for my taste, but Kuby is a consummate radio professional and certainly deserves to find another gig since WABC gave him the boot. And somewhere in there they gave Sam Seder a tryout as well, even though he’s been on the network since the beginning. But his contract hasn’t been renewed, so his fate at AAR remains unknown at this writing.

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To be fair, Lionel’s show on Air America is more serious and political than he’s been in the past, and he’s had great guests and there are insightful moments and funny bits that aren’t naughty bits. But as far as Lionel on Air America, the writing’s already on the wall. And the fact that he wasn’t pegged to tryout for the afternoon drive hours seems to confirm it. It was already tragic when WWRL pulled the plug and Lionel lost his audience in New York, where he’s had his greatest successes, and unless he moves to another time and perhaps retools his show, it’s only a matter of time before Air America tries something new from nine to noon (eastern time). If I was consulting Air America, I would tell them to move him to an evening slot, or even late night where he was before. Then Lionel might have a chance to regain the affiliates (many beyond Air America) where he thrived while he was with the WOR Network.

While I think almost everything Bishop did to overhaul the WWRL schedule was misguided, moving Ed Schultz (with his respectable ratings track record) into the noon to three daypart has an undeniable logic you can probably understand, even if you don’t agree with the idea. But for me as a listener, taking Thom Hartmann completely off WWRL was the most painful change of all. It’s not that Schultz is  horrible (though not my cup of tea), it’s that Hartmann’s show can be such a daily gift. While there’s not as much "edge" as I might like in Hartmann’s style, his daily show is arguably more nutritious than any call-in radio show on commercial radio.

It was long suspected that Hartmann was on deck to replace Al Franken on Air America, once he got serious about running for the Senate. That finally happened last year, and what a relief it was. Franken’s slow and sloppy ego party had become the most smarmy and careless three-hours in radio. And it was costing the network a fortune. When Hartmann took his place it immediately made more sense. A writer and a thinker with a long list of respected books to his credit, Hartmann has a national conversation five days a week that is remarkably intelligent and without malice. He has many guests in small digestible segments, and always takes plenty of calls. And between smart screening, setting a respectful tones and good pacing, Hartmann’s show is bracing and thoughtful.  And conversationally he’s as apt to run with the news cycle as he is against it, depending on his mood and what he wants to talk about that day. Hartmann’s grasp of history and trends is impressive and topics and issues are often approached new ways with new ideas.

To offer a flavor of Hartmann’s program, here’s a recent "Brunch with Bernie" segment, which is a weekly Friday feature on the program. Almost every week, Vermont Senator Bernie Sanders talks with Thom about what’s happening in the legislature and other issues of the day and takes calls from listeners. As an independent and socialist who’s served the better part of twenty years on Capitol Hill, Sanders is the ultimate Washington insider and outsider with a unique take on American politics and social issues. A former Vermont resident and a declared independent as well, Hartmann is more political than partisan and his weekly hours with Sanders is always packed with insight and information beyond the headlines.

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And then the question becomes – can a brainy and thoughtful talk show host take on Rush Limbaugh in his time slot and beat him at his own game? He does in Portland, where his show is based, as well as Seattle. But WWRL’s signal in New York is mediocre at best (just listen to the WWRL clips on this post…), and it will be interesting to see if Ed Schultz makes any headway here in that same slot.

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Frankly, only the most loyal disciple of the “reverend” could find much to love Sharpton’s ham-handed talk radio vibe. Hardly a fount of information or insight, Sharpton offers nothing more and nothing less than the particular social issues he is pursuing on that day, period. It’s not progressive talk. It’s Sharpton talk. Instead of rising to the occasion, as a talk host Sharpton sinks to the bottom of the punch bowl every day. How long will it go on? Maybe another year or two, depending on how deep the pockets are over at Syndication One.

Strangely, Sharpton’s program is preceded by a disclaimer that the station isn’t responsible for anything Sharpton says, just like ones that run before the vapid infomercial blocks that glut the WWRL schedule. I don’t think I’ve ever heard a disclaimer before a political talk show. I suppose this means that either the WWRL management really doesn’t want to be responsible for anything he says, or if Sharpton is actually paying for his air time, just like an infomercial.

Then if you consider the big splashy over-staffed debut and all the financial treachery at the founding, you start to get an idea why the network has seen such rough times. And although it  remains the biggest brand name in the progressive radio business, with Rhodes gone the only significant daypart where Air America stands above their competitors (Jones Radio & Nova M) is Rachel Maddow’s slot from 6 to 9pm EDT. A lot rides on whether they will be able to find the right host and create a compelling afternoon drive package. But that alone isn’t going to be enough to get the network out of trouble.

Perhaps the greatest and most consistent flaw I hear in the overall sound of Air America’s programming is getting by on the cheap by using off-air staffers as co-hosts. While integrating subservient underlings and creative backstage types into a show can occasionally be fun and interesting, non-talent types rarely provide the chemistry and/or ego-balance that a real air-talent or partner can provide. Some hosts are better flying solo. Others benefit from having a sounding board, or just a partner on the air. And it shouldn’t be a surprise, it’s better to find a worthy co-talent and pay them accordingly, instead of letting the host try to milk some situation comedy out of banter with his or her producer.

Given their track record in taking on (and apparently succeeding with) Air America’s cast off talent, I’d bet that if either Marc Maron and/or Sam Seder are not integrated into Air America’s schedule sometime soon that they will end up over at Nova M. Possibly together. They’ve been working together on their own, and both have their own fan base in the progressive talk web-sphere. And while I’m offering suggestions (I had a pretty good scorecard the last time I tried this…) I’ll just repeat what I said about Lionel, that he might stand a fighting chance in a night slot. In the last slot he thrived, Lionel ran concurrently with Malloy, who certainly would attract a different kind of audience. And I’d bet quite a few of his old late night affiliates might be willing to take his show on again. Otherwise, when Lionel’s contract runs out he’ll probably be back on the block looking for yet another syndication deal.

But locally, it’s hard to be optimistic about WWRL. Once a radio station gets the strong stench of infomercial, rigor mortis is probably on the way. And WWRL’s schedule is loaded with snake oil. While cynical fake talk shows certainly bring in cash, they attract a demographic that is death during normal programming– the infirm and the aged. And beyond that, if Mr. Bishop really thinks the same people are going to listen to Shultz, Maddow and Sharpton, and perhaps enjoy endless hours of discussions on fish oil and the digestive track, he’s not thinking clearly. While Bishop does seem to have a vision, it seems as doomed and misguided as the "Sammy & Army Show."

And I don’t know where Air America might find opportunity on the AM dial in New York. Certainly the strongest underutilized frequency on the dial is the 50,000 watts of WQEW, the current home of Radio Disney. I mean, how many kids listen to AM radio? The New York Times sold this powerful NYC frequency to Disney a couple years ago. If the Times was actually as liberal as the right wing insists, it seems like they might have made Air America a reasonable offer. Instead, it’s a non-stop infomercial for Disney’s products and theme parks, which also happens to reach all the way to Canada and the Midwest after dark. 

To summarize, as a WWRL listener I feel like we’ve been seriously jerked around. And I don’t think I’m going to feel better about it anytime soon. Before Air America debuted here in 2004, I had to rely on the internet for the few liberal talk shows that were available. Now four years later, Bishop has finally created his masterwork– the worst progressive line-up in America. And personally I’m back to square one, and relying on the internet for my input of liberal talk all over again. In fact, I’ve ended converting an old computer with a wireless connection into a kitchen radio. WWRL used to be my main media source when I’m cooking, cleaning and hanging out at the dining room table. No longer.

I suppose that in the scheme of things, this is a bump in the road. How long can it be before we can stream internet streams in our cars? Or anywhere? But I’m a radio guy, and this is a radio blog. I mean, the public airwaves and all that. I prefer the convenience, the sound of amplitude modulation, and the fact that anybody within range of a transmitter can tune in for free. And where’s the piece of the broadcast band that’s supposed to be our birthright? Or just peace in general? How many radio stations are supporting that? I suppose that kind of summarizes where I’m coming from.

It seems like it was a long time ago (but it wasn’t) when I was fairly satiated through getting my radio news and information from NPR, or the BBC, or CBC, or any of the various sources on the shortwave band. And I would also glean a few shavings of fact and opinion from what I might hear on talk radio, which was increasingly of a right wing flavor (but not yet totally so). That media diet doesn’t work for me these days. Of course, getting news from international sources remains important, but public radio here at home has been shameful in the age of Bush. At least PBS has Bill Moyers speaking truth to power on the public TV airwaves. But I can’t think of anybody in all of NPR’s national talent roster who has begun to express the outrage and shame we should all feel as Americans (Daniel Schoor, is the only one there who seems to have balls in this regard.)

For example, there’s this sick angry feeling I get sometimes when I hear another news actuality of George W. Bush saying something incredibly stupid. It’s not just that his grammar and word choices are usually a mess, but that what he’s saying is patently a calculated lie he’s been spoon-fed by someone a little more intelligent. But he’s never challenged. And if he is, he makes up some non-response and there’s no follow-up to put him on the spot. And the NPR newscaster or show host will further reference the quote or talk about the responses to the quote, whatever.. But the simple facts are never noted– that the man speaks poorly at a third-grade level, or that what he just said was an obvious lie. No, they can’t say that. But Mike Malloy will. And just for fun, he’ll refer to Bush with nicknames like "chuckle nuts," bunny pants," and my favorite– "the giggling murderer." Call me crazy, but it’s something I crave now and then. I mean, if the congress can’t impeach him it seems our only recourse is to make fun of the rat bastard.

And if I didn’t make it clear, within progressive talk radio Malloy is the extreme. Other hosts are more diplomatic and less angry, but even a Hartmann, Rhodes, or Maddow are still likely to call a liar a liar, and a criminal a criminal, or point out any outstanding bit of hypocrisy without mincing words. And with the documented unpopularity of Bush, his policies and his ongoing wars, you don’t have to be a radical lefty or even a Democrat to have your anger verified, and to learn what is being hidden and obscured from us by compliant network TV news, newspaper chains and NPR. The need is there for a growing number of us. At least for now. And I’m not such a partisan. It’s just that I find living in a country directly responsible for so much indiscriminate death, torture , and  widespread despair profoundly depressing. And Then there’s the loss of our rights, the signing statements, the sinking economy and tragically bungling the disaster relief after Hurricane Katrina. The list of Bush Administration crimes and errors is much longer of course, and the side-effects of their policies– the spread of religious ignorance and intolerance and shameless xenophobia.

And so ends the blog post that couldn’t stop… I apologize for letting this burst of thought carrying on at such a length. But I’ve been typing this thing in circles for weeks, while election news and progressive talk itself has been going through a number of changes. I had originally planned on all this content becoming a series of posts here. Instead I decided just to boil down all the better parts into a full overview, and get it out before something else happens. And I’ll leave it that. I have other things I want to write about here besides all this pessimism and talk of Presidential politics. Although I’m sure I’ll return to these subjects again some time.

If you wanna check out (or keep up with) progressive American talk radio, but live in New York City or some other market where you’re poorly served or ignored by the liberal talk radio industry (such as it is), then you may have to either spend a little money and/or do a little research to listen. If you want to hear the shows broadcast live, and especially if you’re interested in participating in the programs that take calls, there’s two ways you can go. For many the most simple (and computer free) way to hear progressive talk shows is to subscribe to one of the two satellite radio services. Both XM and Sirius have liberal talk "stations" that feature the major hosts from Air America, Nova M and Jones Radio. Sirius also has a couple of their own shows with radio vets Alex Bennett and Lynn Samuels. Then again, the free digital solution is just to stream the shows live via the web. LTR (Liberal Talk Radio) is a good place to get started, with links to streams for just about every progressive talk show on the air, and information on when to listen. The site also has a blog ("The Latest Buzz") featuring the latest news and gossip surrounding left-wing talk.

However, for people with MP3 enabled lives the most convenient way to listen to these programs is to download podcasts. If you don’t know what podcasting is, you can look here or here, but suffice to say it’s a way you set up an online computer to automatically download radio programs after they’re broadcast. Then you can listen to them at your leisure on your computer or with your MP3 player. While you do have to pay for most of these podcasts, if you do they’re almost always commercial free

As I mentioned, Nova M has a "Founder’s Fund" which ostensibly supports the network financially and allows your podcasting software to download both Randi Rhodes and Mike Malloy for that one price. Air America has an "On Demand" service that gives you podcasts of just about all their programs. If you want Ed Schultz or Stephanie Miller, you have to pay for their podcasts individually. All that said, if you’re cheap and net savvy (or just want to sample some shows) there is software out there that will record the streams via scheduling like a VCR. Yes, it is possible to make your own podcasts.

However, two of my personal favorite programs are available as free podcasts– A daily podcast (with all the commercials) of Thom Hartman can be found here, and the best interview show in progressive talk, Air America’s "Ring of Fire" (with Mike Papantonio and Robert Kennedy Jr.) can be found here, and NO advertising! Lately, it’s the one show I never miss.

Although a lot can happen between now and November, at this writing we seem to stand a good chance of electing a decent human being to steer this country toward some semblance of sanity, but the chances of some high-profile war crime trials or a truth and reconciliation committee hearings or two seem pretty unlikely. And the right wing noise machine isn’t shutting down anytime soon. Yes, progressive talk will continue because we live in stupid times, in a country full of dumb people. But at least they’re hard working.

Speaking of that, it looks like Hillary’s long and tenacious campaign for the Democratic nomination has just about played out. Of course, that doesn’t mean she’ll admit it when it happens. But one can hope. And her bizarre campaign has certainly livened up the progressive talk radio scene, and made the call-in shows more dynamic than usual. However, once former first lady and the former first man have their big celebration of themselves at the party convention in Denver, it sure would be nice if they would dance their way off the world stage for a while. And maybe get a room or something. And you know, do not disturb…me.

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