Big Rig Tidings

Monday, December 22nd, 2008

Ho ho and happy happy! It’s getting to be that time of year (if you know what I mean). While I don’t hate Christmas and all the accompanying festivities– the absurd shopping rituals, the ripe holiday cliches and all immature spirituality of the season have always been not just problematic, but almost tragic to me every year. Even after having a kid a few years ago it didn’t completely quell the queasy feelings of the season. The coming of the winter holidays still feels more like a saccharine onslaught every year rather than something… sublime (Okay, I kinda like the dead tree thing. And all the lights…) But what really gets my gut churning is ALL that old-fashioned Christmas music.

So, with this post I wrestle against my better judgment and go beyond my personal limits of good taste and present you– Christmas music. And before I say anything else– I am sorry. But I won’t apologize for great radio. And that’s what you always got when John Parker was bumping around in the dark.

One of the most popular posts here at the Radio Kitchen has been “Trucking Radio As It Used To Was,” which included a few hours of the great John Parker as the weekend host of the Road Gang on WWL. Just look at the comments on this post and feel the love. Not for me (of course), but for Mr. Parker. And that makes me happy. While getting a web obit on an obscure radio blog isn’t exactly a star on the walk of fame, it’s better than nothing. When I went to write the piece I was saddened (and almost shocked that) there was almost no web presence representing John Parker and his legacy of great overnight radio across America.

If you’re not familiar with John Parker or the Road Gang, let me briefly explain. From the 1970’s into the 1990’s or so, there were three or so all-night radio shows that ran on clear channel AM stations in the south, with programming that specifically catered to cross country truck drivers. And while advertising from obscure trucker gear and services made them exotic and fun for kooky night owls like me and others, what made these shows truly wonderful was the music– lots of classic country and western music. And plenty of songs about trucking life.

These days, what’s left of that trucking and country music radio legacy has been compressed into one XM (now Sirius-XM) satellite radio station, known as “Open Road.” But sadly, old John Parker didn’t make the move up to the new technology, and has since passed on. And if you want to read more, check out my original post on the man and his music (and especially the comments).

While I’ve planned to put together another post (or maybe more) of Parker’s airchecks, the other day I recalled that I probably still had these particular tapes at the bottom of a closet here at headquarters.– a couple of Road Gang programs hosted by Parker from the 1988 Christmas season. And now they’re yours too (If you want ‘em).

WWL – The Road Gang w-John Parker 12-23-88 pt 1  47:14
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This first tape is actually not so painful, as far as holiday nausea potential. It’s still a couple days before Christmas, so the seasonal stuff is just part of the mix anyway. In fact there’s some deliciously weird stuff that I’d forgotten, like a Red Sovine holiday melodrama I haven’t heard in years. And lots of trucker-style corn (And I do mean corn).

WWL – The Road Gang w-John Parker 12-23-88 pt 2  45:34
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However, tape number two is full pedal to the metal Christmas carol baby Jesus birthday from end to end. After all, it is Christmas Eve 1988. I think even I might have been a little less seasonally cynical way back then. Maybe.

WWL – The Road Gang w-John Parker 12-25-88 pt 1  44:10
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So, if you like your holiday sounds maudlin and religious and soupy, you’re gonna have a good time with this hour and a half of the Road Gang. However, this Christmas Eve fell on a Saturday night, when Honest John offered his weekly music history lesson (AKA “Country Music The Way It Used To Was”) for the last two hours of the Road Gang. So the tunes may be hard for a Christmas curmudgeon such as myself to bear, but the second part of this aircheck does offer some the rarities, as well as Parker’s insights and historical perspective.

Unlike just about any other audio I might post here, when I encoded this deep Christmas aircheck I had to turn down the volume. Sorry. I couldn’t do it. But I hope you enjoy it, if you’ve got the stomach (or the spirit) for a big dose of xmas audio, you’ll probably have a good time.

WWL – The Road Gang w-John Parker 12-25-88 pt 2  46:49
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Meanwhile, I’m off to finish up some preparations. And to gather a little fortitude. I do wish you well, and hope you get and give all the jolly and joy and jingle that you can handle during these trying times. And thanks again to John Parker, for plenty of inspired overnight radio, and for sharing the love and lore of country music. Which reminds me, I have a New Years Eve tape of Parker on the Road Gang around here somewhere. When I get a chance, I’ll root though those boxes in the closet again soon and see if I can dig it up.

I do hope you have fun, however you interact with the solstice and the coming new year. And good luck to you (and yours)!

Trucking Radio, As It Used To Was

Friday, November 16th, 2007

Once you get the bug to DX the AM band, out of your expanded choice of stations you typically find yourself a regular listener to some far-flung station after the sun sets. When I was a kid in southeastern Michigan, I got hooked on WCFL in Chicago, specifically listening to Bob Dearborn night after night. He had this late-night feature “Long Gold" where he’d play the full album version of a song that would normally abbreviated on top 40 radio (or perhaps not played at all). Seems silly now, but hearing the full version of the Animal’s “House of the Rising Sun,” or “Sky Pilot” seemed pretty heavy back then. (Remember when “heavy” was a good thing?)

Anyway, my longest DX love affair with a far-off radio station came a few years later. While still in Michigan, I came across the “Road Gang” on WWL in New Orleans one night in the mid 70’s. And for the next twenty years or so, WWL was always a signal I’d seek out when I could get my nocturnal fingers on a tuning knob.

Booming up the Mississippi basin, WWL comes in like a local many nights in the Great Lakes region, around a thousand miles to the north of the transmitter. In my listening experience, WWL at 870kHz has been the most dependable long-distance DX on the AM band. Although the reception isn’t nearly as reliable or clear here in the northeast.

Certainly, the original appeal of picking up the Road Gang back then was just how exotic it was to a Midwestern kid in the suburbs. The host back then was a guy named Charlie Douglas, and the music was old shit-kickin’ country music. Better yet, I discovered a whole country sub-genretrucker music. Songs like “Girl on the Billboard” and “A Kiss and the Keys,” are still favorites here at the house.

Then there were national weather reports, given by state and interstate highway. And commercials for every aspect of the trucker lifestyle. There was a time travel appeal as well. The whole approach to radio was from an era before I was born. Each time check was tagged as “King Edward Cigar Time.”

Actually, The Road Gang kind of started a radio format– the all-night trucking show. Today there’s a number of them, and none nearly as good. Douglas hosted the program for 13 years, until moving into some big national gig in Nashville. And weekend host of the Road Gang, Dave Nemo, moved into Charlie’s weeknight spot. And despite the rambling chatter that got me this far into the post, I’ve finally gotten around to the subject at hand– The man who moved into Nemo’s weekend slot on the Road Gang: John Parker.

Now considered radio legends, Charlie Douglas and Mr. Nemo were fun to listen to at the helm of the Road Gang– homespun showmen for the working class. But for a bundle of reasons John Parker was absolutely my favorite host on the show. With a big rugged baritone and a grab-bag of cornball slang and 18-wheel idioms, Parker was a humble charismatic voice in the night. A true radio companion for truckers, night owls and country music lovers.

So, let’s get to the meat of the matter. Here’s a full ninety minutes or so of Parker on WWL (in two parts) from January of 1988. As I said, WWL in New Orleans has a heck of a signal into the Great Lakes Region. Hear for yourself. Radio waves traveling roughly 920 miles arrive amazingly intact upon arrival. One thing you get used to when spend much time listening to distant AM stations, is "fading." You find that even loud and clear signals sometimes slip away into near nothingness (or reveal other faint stations on the same frequency). But the gaps are usually brief, and like so many things with AM & SW listening, often unpredictable. But the fading in this reception is pretty forgiving, and and doesn’t happen all that often. I think I made this recording because the signal was just so damn strong that night.

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This aircheck is unscoped, meaning nothing was edited out, including the news and commercials. As you can hear from the “Interscan” weather reports, it was a cold snow flurry kind of night across America. And John himself was nursing a cold, but it hardly dampened his spirits. It’s Dave Nemo’s voice you hear on the truck stop commercials. I remember when I first set foot in the Slidell Union 76 trucks stop after hearing those ads from afar for so many years, I felt like I was on hollowed ground or something.

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Yes, all the the trucker trappings of the show were a lot of fun, both for the real working class authenticity, as well as the corny mythos of American Trucker. But it was all the the great music that kept me coming back to the Road Gang over the years. This one program is responsible for making me a lifelong country music fan. The music format of the Road Gang was deep into the history of C&W– pin-balling all night from honky-tonk to old-timey to western swing, bluegrass, Nashville, Outlaw… The whole 40 acres. Each night a unique rich patch of tunes.

Then late each Saturday night, Parker held court for two hours on the AM dial with one of the finest music programs I’ve ever heard on the AM dial– "Country Music The Way It Used To Was." No slouch in music history, Parker was assisted by a musicologist or two in putting the show together. And each week he conducted a freewheeling country and western seminar, featuring hits and rarities from the first 40 years of country recordings. What a great program this was. So often, a deep musicology driven radio show like is presented by some excitable geek host, or a dispassionate or unprofessional one. And they’re like shiny museum exhibits on FM. With Parker you get history, music and great radio, and his program is on the historic AM band, where the music was first heard.

So let me offer you a couple of 47 minute chunks of "Country Music The Way It Used To Was." This first aircheck comes over a year after the first two in this post. And in that time I had actually moved from Michigan to New Orleans. So instead of having to put a special radio in a special place at a special time to pick up WWL, it was now a loud and clear local. So these two episodes of "Country Music The Way It Used To Was" are crystal clear AM broadcasts. However these airchecks are slightly edited. When I made these recordings I edited out most of the commercials, as well as the weather and news.

The first selection comes from February 26, 1989. (You may note that Parker makes note of their new satellite connection/syndication with KRVN in Lexington, Nebraska. It was a way of opening up the west to the Road Gang (foreshadowing the show’s eventual national syndication).  Nice eclectic mix in this hour– some tasty Texas Playboys, wacky Lew Chlldre and a bit of very early Johnny Cash (Little Woolly Booger?).

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The next offering is from "Country Music The Way It Used To Was" broadcast August 13, 1989. Some solid from Hawkshaw Hawkins and Cowboy Copas, who were also passengers on the fatal plane crash that snuffed out Patsy Cline’s life as well. But what always gets my attention when I hear this archive are the songs by Hank William’s wife, Audrey. Wow. I never knew she was talented that way.

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In ended up in Florida for the first half of the 1990’s, and despite the fact that WWL’s transmitter is a few hundred miles closer to Tampa, the signal doesn’t have nearly the oomph it does beaming toward the north of New Orleans. I rarely picked it up while I was there. When I moved to New York City in ‘97 I totally lost track of the Road Gang until I got home internet a year or two later. Then when looking online I discovered the program itself had relocated to Nashville. And although it was still syndicated on WWL, Parker had fallen off the schedule

In the summer of 1999, I sent a few emails to some folks at WWL trying to find out what happened to Parker and whether he was still on the air somehow. When I finally did get a response, it wasn’t good news. “John Parker still works for us,” the woman wrote. “He’s the overnight board operator… on from 11pm to 5am.” Board operator? One of my favorite radio voices was reduced to pushing buttons and adjusting levels? Don’t get me wrong, I think radio engineering is a noble profession. But it was distressing to hear that a great radio talent was reduced to technical duties.

The email from WWL gave me the number to reach Parker at the controls and assured that if I called in the middle of the night “John might be inclined to pick up.” As much as John Parker was an inspiration, I wasn’t inclined to reach out as a fan on the phone. I mean, what would I say?: “I thought you were really great on the radio. What happened?”

One thing I did learn from my time in New Orleans is how hard it is to leave the Crescent City. Especially if it’s always been your home. If you’ve never been there you might not understand, but suffice to say New Orleans has a sustaining quailty for those who love its humid maternal grace. (Which made the Katrina fiasco all the more tragic.) So it’s only a guess, but tend to think Parker didn’t follow the show to Nashville because he wasn’t willing to run away from home.

Then again, the music-heavy trucking radio format on continent-covering AM stations (as created by Charlie Douglas and others in the 1970’s) is long gone anyway.  Beside’s the Road Gang on WWL, there were also semi-national overnight shows out of 50,000 watt AM giants WLW in Cincinatti and WBAP in Fort Worth. Now trucking radio on AM is like most of what you hear on the dial– syndicated talk radio, only instead of discussing politics or sports, its trucker talk. Which can be kinda fun, but it’s not like hearing rare Bill Monroe tracks at three in the morning.

But the funny thing about that triumvirate of trucking radio shows that used to rule the night, is that like some rock supergroup the big named hosts from each program joined forces a few years ago to invest their decades of radio into an truckin’ all the time national satelittle station. The "Truckin’ Bozo" from WLW and the "Midnight Cowboy" from WBAP have teamed up with Dave Nemo to host their own programs on the "Open Road" channel on XM Radio. Since I’ve never been near an XM radio, I’ve never heard "Open Road." And while I realize that time marches on, I still have an aversion to paying a fee to listen to radio.

A year or two ago I ran across a fellow traveler in the radio business, and in the course of our introductory conversation we discovered we had both worked in New Orleans, which somehow led to the topic of John Parker. I found out this man I just met had been a fellow board-op with John. Apparently, Parker never let on that he used to be one of the hosts of the Road Gang for many years. As I write this I don’t recall all the details of our conversation, what stuck with me is that although this guy really liked John Parker, in real life he wasn’t exactly the easy-going gentleman I heard on the radio. He noted that Parker could be moody and odd. Even an introvert. Or maybe he was just pissed off that since he couldn’t or wouldn’t move to Nashville with the Road Gang that he was reduced to babysitting knobs instead of talking to half of America? And the most significant fact gleaned from that conversation was that John Parker had actually stopped living not that long ago.

So, my little anecdote of radio glory ends on a sad note. Both John Parker and thoughtful overnight music programs like his on U.S. clear channel AM stations are really part of history now (OK, there’s still WSM…) DXing medium wave just isn’t as much fun. And personally, I guess I blew my chance to pick up the phone and thank him for all those nights of great music and radio fellowship.

So, if you never heard Parker on the Road Gang years ago, I humbly implore you to have a listen. And get a taste of what it was like to have Honest John Parker bumpin’ around in the dark, makin’ all that noise.

Adventures In Amplitude Modulation – Part 7

Monday, January 30th, 2006

Radio_shack_power_2 This post resumes where the last one left off, scanning the AM broadcast band in northern Michigan late at night August 23, 2001. I  recorded this at a campsite located on a peninsula jutting into Lake Michigan. Far from urban and residential radio interference and situated in the midst of a giant body of uninhabited water, it was a promising location for receiving distant stations.

For those who are interested in such things, my equipment was an adequate workman-like setup, using a Radio Shack ripoff of the GE SuperRadio and the Terk AM loop antenna. I’m not a fan of Radio Shack by the way. However, for many years their stores WERE practical dealers of relatively inexpensive radio gear– especially if you had the patience to wait until certain items went on sale. But as I mentioned in the last post, this has changed.

Located just 740 miles shy of the exact center of the continent, my picnic table was a good location geographically to scan AM broadcasts at night. And the time placement was significant too. This session of radio monitoring occurred at the late end of the summer news lull preceding the onslaught of the endless media storm of fear and terror that we still can’t get enough of.

On the hot seat that evening– Gary Condit. The spooky centrist Democrat from California suspected of murder had just faced the television scrutiny of Connie Chung that evening on ABC. You may recall, there was no issue more worthy of our attention at that time. You heard some of the talk radio discussion of that TV incident in the audio presented with the last post.

But before I get into this radio reception of that evening, I wanted to say something about the practice and appeal of DXing itself, and perhaps about the art of it as well.

Ge_superadio In writing about a relatively obscure hobby, like DXing, I guess I’m hoping these will primarily be read by people who would never do such a thing, but are still interested in lo-fi old fashioned mass media. But I’m trying to make sure I have an idea of what I’m talking about because these will also be read by folks who also search out distant radio stations (Many who probably know about DXing than I do). As I stated in my first post, I’m a casual DXer at best and it’s my amateur enthusiasm for the avocation that I hope to pass on to readers here, more than any claim of expertise or knowledge. And in writing about a little known and possibly dying craft, I’d hope that a few readers might expand their radio diet, and that others might renew their interest in fooling around this way.

A_happy_dxer Although I hinted about in an earlier post, I might as well be straight-out honest– DXing is an intimate act. It’s you and the radio. While it’s hard to imagine there aren’t people who DX “together,” I have yet to experience a significant journey through the frequencies with another engaged human being.

While there was a time when people sat around together transfixed to the radio listening to news, dramas and variety shows, but for decades radio has been reduced to a background application in social situations. If you want to accomplish some significant DXing you’re probably going to need to reserve some personal time to do any significant listening. Maybe you have friends who are very patient or are intrigued by a session of tuner adjustment and antenna manipulation AND all the strange noises that goes along with testing the limits of a receiver. But I don’t. And unless I happen to sign up for an outing with a DX club sometime soon, I don’t envision sharing this hobby in the future other than writing about it. That’s just the way it is. You may have noticed that the listening experiences I’ve posted here all generally begin after 11 p.m. In practice, I generally don’t get a chance to get to huddle around a receiver until after my better half and the little one hit the hay.

Super_909_1 In the end, what I’m saying that even if you have an interest in DXing, or have gone out and purchased yourself a respectable AM radio or shortwave set, unless you’re able to reserve some time to yourself in the evening to play with the radio (hopefully somewhat isolated from RF racket) you’re probably not going to have much luck with searching out distant radio stations. If you happen to be a loner without a TV, DXing might be a viable alternative to more traditional activities, like reading.

Also, like most geeky avocations, DXing is a decidedly male habit. Sure there’s exceptions. Some women read sci-fi and design software too. But you know what I mean. I saw a good illustration of this the other day. I was looking at radios on ebay, and saw an auction for a particular digital shortwave receiver I covet from time to time. According to the text, the guy had purchased this rather fancy portable for his wife, but she wasn’t crazy about having to "tune around" for the Shortwave stations. So now the radio is for sale, and the wife is much happier with her new subscription to satellite radio.  Me? I prefer to tune around. There’s no real adventure in punching up satellite stations.

Super_dxer_guy That said, there are many ways to DX. On shortwave, you can look at a schedule of broadcasts and specifically tune to the frequencies (many stations have multiple simultaneous transmissions), which is better suited to digital tuners. Or with AM you can hunt out distant stations you think you might be able to hear. Although I’ve had a some success DXing this way, unless you have a hot receiver and/or a great location you’re probably going to run into a lot of disappointment.

Or you can "tune around," and search out busy sections of the dial. I find analog tuning best for radio exploration of this kind. And obviously I like to record what happens. I consider every dial scan I glean this way to be a unique media archive, and strange as it may seem I listen to most of them a number of times. Like the slave of any bad habit, I’ve grown to appreciate the side-effects, the musicality of distant radio reception and the poetics of capturing swatches of broadcasting. Each recording is unique and an artifact of its time and place.

And speaking of the glory of DXing, I was honored to see that these posts referred by some DXers to Glenn Hauser (of World of Radio) and mentioned in his “DX Listening Digest.” Nice to know that a few serious DXer’s are actually reading these. However, Mr. Hauser bemoans that I made a couple mistakes on the log of my first AM DX post. Of course, he was right, and I made the corrections. However, there is quite a bit of outdated information on radio stations on the web, and it’s not hard to make a mistake when coming across an Dx_outpostunfamiliar station. Although Radio Locator is easier to use, I believe that this site has more accurate listings. In that spirit, I’m always open to corrections, tips, comments and suggestions via email. And comments are good too.

I’ll get back to shortwave listening (or SWL as practitioners like to say) in future posts, but for now I’m going to reconvene where I left off– back to the Michigan picnic table somewhere around midnight in August 2001. It was pre-Patriot Act America, and the headlines were full of Gary Condit. The last station heard in the previous post was clear channel WSB at 750 KHz in Atlanta.

Segment 2 – Northern Michigan Radio 08-23-01 (760 to 900 AM)  29:04

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This dial scan begins at the tail end of my reception of WSB, but quickly segues into…

760 – WJR Detroit, MI

Trucker show, country music. No ID, but I’m pretty sure about this one. Then things get more difficult…

770 to 830 – (Hmmmm…)

Like I said, I’m fairly loose about DXing and rarely log my listening. And trying to ID the next few frequencies that I received at an unfamiliar locale is baffling to me four years later. I never thought I’d be writing about these tapes.

Young_art_bell It’s just after one o’ clock in the morning, and Coast to Coast with Art Bell is just kicking in after the news. Coast to Coast is an overnight staple on hundreds of stations, so between one and five a.m. eastern time it pops up on the AM dial all over the place.

Just turning the dial slightly from WJR, there’s a weak signal bearing Art Bell, and I believe this is WABC in New York. But then another nudge of the dial (or rotation of the loop antenna) brings in a loud clear copy of a replay of an ancient “Fibber McGee & Molly” radio show. And no amount of internet detective work has provided an obvious candidate for this signal. There is a station at 770 in Calgary (CHQR) running 50,000 watts which does run Fibber McGee and Molly at that time, but because of the two American clear channel stations at that frequency they have a directional pattern at night, and it’s AWFUL far away (like 1400 miles) and it seems unlikely that it would come in this well.

Art_bell_studio_shot_1998_1 Anyway, this is where things get a little loose, because I’m moving back and forth on the dial for a minute, instead of moving in one direction. (Probably trying to get my bearings and testing out my loop antenna for the first time in a promising DX location). What you hear is some country music mixed with a LOT of Art Bell on different stations. In this section of the dial, his Coast to Coast program runs a few 50,000 watt stations in this part of the world– 770 (WABC), 800 (CKLW), 810 (WGY) and also at 840 (WHAS). I believe that I hit all of those here and eventually end up at WHAS coming in nicely. The country station is clear too, and seems to be at 830 KHz. This IS a country station at that frequency in Alberta, but…

Going either unfound or unidentified in this part of the dial, two other clear channel stations I would think would be quite readable– 780 (WBBM) in Chicago and 83 (WCCO) in Minneapolis.

Correction from 02-10-06: I think I figured out some of what was going on here. Although WBBM is an all news radio station, they do feature an hour of old time radio exactly at this time on weeknights. They call it "When Radio Was." That explains the Fibber McGee & Molly. Also, the country music in the middle of all the Art Bell is likely from CIGM in Sudbury, Ontario at 790 KHz.

840 – WHAS Louisville, KY

It’s Coast to Coast AM, with the creator of the program, Art Bell. You heard Bell’s hearty reading of his commercial load in the jumble before this. Now it’s on to the matter at hand– a new crop circle.

Crop_circle_081901 If you’re not familiar with Art Bell, though the nineties his overnight talk show went from being carried by a small network in the southwest to become the biggest program in its time slot in North America. At some point on, Bell went from being a maverick right wing talk host to creating a program specializing in topics supernatural, conspiratorial and unusual. And did I mention the aliens? It’s all there.

From his compound in the Nevada desert, Bell was doing a five hour show five nights a week and a three hour weekend program by the late 90’s. And then when you consider that he spends some of his off time chatting on his ham radio, the guy’s truly a compulsive broadcaster. And he’s had a erratic career in the meantime. Bell has “retired” from radio three times since 1998, and has been through a series of bad luck and tragedies over the years. The worst was the untimely death of his wife just a few weeks ago. Bell’s show is now owned by Clear Channel Communications and as the Coast to Coast franchise there’s been a number of other hosts. These days Bell just does the show on the weekends and George Noory is in charge during the week.

Here’s an extended clip that’s typical Art Bell. There’s breaking news in the paranormal world. A crop circle has appeared in England that looks like the “Face on Mars.” And the message? “Soon.” The guest is non-stop chatterbox and fringe science guru, Richard Hoagland.

850 – KOA Denver, CO

Talk radio giant in the west. I believe this still the furthest west AM band catch I’ve received in Michigan. It’s not a strong signal and there are few stations pulsing underneath, but it is 1100 miles away. I remember once I was in Alabama talking on the phone to a friend in California one night. We were both able to pick up KOA at the same time. That’s coverage.

It’s a small dramatic talk radio moment going into an ID and spot break. The topic? Mr. Condit and Ms. Levy. Talk radio was overloaded with Condit outrage that night. Unless you were following the crop circle situation.

Cjbc_tower 860 – CJBC Toronto, ON

Sounds it’s being broadcast from a tower down the road, but it’s coming from almost 300 miles away. I’ve heard a wide variety of music over the years on this French language CBC outlet– jazz, rock, classical, and some great ethnic stuff. Tonight it’s some lovely French pop.

870 – WWL New Orleans, LA

“The wind chill factor was probably about ninety below zero. The fuel in the fuel tank …looked like Vaseline.”

It’s the Road Gang trucker show with Dave Nemo, which I believe was the first all night trucking radio program. As I mentioned in an earlier post, Nemo has moved on to XM satellite radio and he’s sorely missed on the AM radio dial. When Nemo was playing non-stop classic country through the night and talkin’ truckdrivin’ this was the one of the best listens when driving in the dark across the eastern half of the U.S.

On this night Nemo is taking calls from aging truckers as they share harrowing tales of sub-zero trucking. I could listen to old geezers tell tales like this all night. And not a word about Condit.

870 or 880 – (Art Bell again)

This station is another mystery to me. I believe it’s at 870 KHz in a null from WWL (picked up by turning the antenna.) Again, it’s the ubiquitous Coast to Coast program here with Bell and Hoagland continuing the update on the mysterious crop circle.

Bell mentions his website, which was an extremely popular and huge site filled with information on strange topics. Lots of pictures. However, artbell.com is long gone now. Bell took it down when Clear Channel/Premiere officially took over the show. Now they have their own site. For a while, the original webmaster was selling CD-ROM’s of Art’s website online, and I’ve even seen the whole thing posted on Usenet.

880 – WCBS New York, NY

Traffic and weather on the 8’s. Construction on the LIE, Lincoln and Holland look great. 58 degrees. Top stores coming up. Something about a congressman and an intern. Tell your friends!

890 – WLS Chicago, IL

Condit_levy “Chandra and I never had a cross word.”

It’s ABC News, and a little Canadian news as I dip into CHML a couple of times. ABC features their sound bites from Connie Chung’s TV inquiry. And even the ABC news anchor seems angry at Condit. It’s bad enough that Bin Laden has gone missing all this time, but why hasn’t this man been brought to justice by now? Oh yeah, the other big story– A crazy Ukranian killer on the loose.

900 – CHML Hamilton, ON

Hah! The lead headline in Hamilton? The Ontario Teachers’ Federation elected Hamilton teacher Pearse Shannon as its 58th President. Gary Condit is four or five stories into this Canadian newscast. And then there’s Bubba O’Neal, with sports.

More of this next week.

Thanks for listening.

(This post originally appeared in Beware of the Blog.)