How I Love My Country

A couple weeks ago I went home. Not exactly, but close enough. I went to Michigan. We were subjected to the incredible hospitality of my brother and his family and had a great visit. I spent many hours in their suburban backyard listening to the radio with the recorder engaged, scanning the broadcast bands for my radio series on this blog. As I ford through those tapes and digest all the reception, I thought I’d share something special I found on the AM dial there– WCXI.

During past visits, I hadn’t paid much attention to WCXI. Years ago, a contemporary country station with those call letters at about the same place on the dial was a mainstay in the Detroit market, and when I came across it I just assumed it was the same station. It isn’t. The old WCXI ceased to exist in the early 1990’s, and their AM frequency (1130 kHz) is now the home of yet ANOTHER sports talk station. This WCXI, based out of Fenton, Michigan (just southwest of Flint) broadcasts at 1160 on the dial, and grabbed up the old call letters in 2000 to help brand their new “classic country” format in southeastern Michigan. And six years later, in an era where AM dial music stations across the country have been almost completely replaced by talk, news, sports and ethnic brokered programming, WCXI is bucking this trend and doing it the old fashioned way.

I don’t know exactly when classic country became a format, but I suspect it occurred in the early 1990’s, coinciding with either the rise of Garth Brooks or the runaway success of Billy Ray Cyrus and his “Achy Breaky Heart.” Country music was changing, and traditional artists and old classics were increasingly left behind on the newly popular “hot country” stations to make way for the new sound. While never a big player in the U.S. radio scene, the classic country format filled a niche out there for an (aging) audience who wanted to hear fiddles, pedal steel guitars, mandolins and rollicking Nashville rave-ups coming out of their radio. And who could blame them.

Well, a decade and a half has passed, and in the world of radio programming that’s a long time. A fringe format that appeals to middle-aged to older listeners doesn’t get a lot of oxygen these days, when advertisers have nearly abandoned trying to sell to anybody older than thirty assuming they are already “brand loyal” (and/or not as easily subject to marketing ploys). In fact, the most successful format for the older set, talk radio, is filled with ads for OLD people. Any talk radio listener quickly becomes familiar with a number of anti-aging supplements and local cancer and heart disease treatment facilities via advertising. Here in New York, I’ve always gotten a good laugh from the jingle for the “Hebrew Home For The Aged” with the lyrics– “This is the place you’ll remember…” I don’t think so.

Not so on WCXI. The advertising is almost embarrassingly intimate, and not cynically based on demographic studies and focus groups. Almost all the ads I heard on WCXI were live D.J.’s reading ad copy, not produced spots and nothing national. It’s advertising for adults, not just senior citizens, with ads for car repair outlets, shops, restaurants and assorted services. You can bet the ad time is CHEAP and the account executives have to work overtime to make a living. Instead of the usual national ad campaigns and overtly-ironic (i.e. Geiko Insurance, etc) jokey stuff, you get earnest appeals to patronize striving local businesses. For people who love this station, it’s easy to imagine they might be swayed by an ad on WCXI just as a way of supporting the music they bring into their lives everyday. It’s the way advertising was supposed to work.

And why or how in 2006 could a station playing grandad’s hillbilly favorites survive, and possibly thrive, north of the Mason-Dixon line? It probably has something to do with vehicles.

Much of the glory and tragedy of southeastern Michigan is based in the automotive industry. In the early to mid-20th century, the area thrived making cars and car parts for America and the world. Decades ago, when the U.S. was transforming from a rural economy to an industrial one, landing a job in the automotive industry was an unprecedented surefire ticket to a middle class life for unskilled workers. And not unlike today’s influx of immigrants across the Mexican border, many thousands of job hungry Americans from the south and southern midwest flooded into southeastern Michigan looking for profitable work they couldn’t find in their region of the country. I can trace my own origin to this migration as both my grandfathers came to Michigan from farming communities south of the state to build cars and trucks for the rest of their lives.

This migration brought a southern flavor to parts of lower Michigan. When I was younger, small towns like Ypsilanti and Walled Lake were jokingly referred to as Ypsi-tucky or Wall-tucky, in reference to the number of the twangy accents you might find there. I once met a teenage girl who was born and raised in Saline, Michigan who had a genuine Tennessee hills accent, despite spending her whole life an hour away from the Canadian border.

Of course, country and western music is now popular all over North America and around the world. But the older and more traditional stuff  is rarely heard on the radio these days (except for certain shows on non-commercial stations). While I don’t have the facts and figures to prove it, you can imagine that there are still some full-time classic country stations in places like Texas and across the south, and most are probably on AM. Then there’s WSM, the AM clear channel powerhouse in Nashville (which can be heard many nights across eastern North America). Still the home of the Grand Ole Opry every Saturday night, WSM almost shifted to a talk radio format, but loud protestations from fans of WSM’s country music heritage prevailed, the station did not become a run of the mill propaganda outlet.

Now, those of you who have followed some of my extended musings on this blog know that I listen to a lot of talk radio. (And if you’re as sickened and/or bored by all the right wing talk garbage flooding the dial as I am, you know how difficult this can be.) However, I still I have a soft spot in my heart (or my head) for AM music radio, specifically stations that program music originally made to be played on AM (or jukeboxes). Call me strange, or old fashioned (you wouldn’t be the first), but I sort of PREFER to hear old pop music on AM instead of FM, or in any digitally rendered scenario. I often find it jarring to hear an old song I grew up with in hi-fi stereo on an FM oldies station. It just sounds wrong. I enjoy the old hits in mono, as well as limited, compressed and modulated in an amplitude fashion. But I don’t experience them that way very often these days.

As I noted in an earlier post, there is not one full-time English language music station on the AM dial in New York City. And not only is music leaving the AM dial in general, but commercial radio formats across the board have dropped almost any songs recorded before the 1960’s or 70’s. So, it doesn’t take a psychic to realize that classic country stations like WCXI aren’t going to be around forever. And while I was recording faraway AM and shortwave reception by night, I was having a blast cranking up WCXI around the house and in the car during the day. Toward the end of my trip, I realized I really needed to capture some WCXI to take home.

So, here’s all the WCXI I managed to tape while I was in Michigan, all available below for your downloading and listening pleasure.

This is "Sweet Sue" filling in on Friday for the regular host, Brian, who apparently had some car trouble that day.

WCXI – 07-07-06 pt 1  47:03

(download)

WCXI – 07-07-06 pt 2  47:02

(download)

WCXI – 07-07-06 pt 3  47:02

(download)

I’m not sure if the DJ in the recordings below ever mentioned his name on these recordings. In fact, he sounds like he’s been on the radio for all of a month. But that’s okay, he tries hard enough and seems to get all the song titles and product names right. (The little bit of buzzing and whining interference you hear on these recordings thankfully dissipates quickly.).

WCXI – 07-08-06 pt 1  55:38

(download)

WCXI – 07-08-06 pt 2  56:27

(download)

As you can hear, WCXI is obviously a low budget operation. While the jocks are endearing, a lot of the air talent I heard on the station had a bit of a “minimum wage” quality– lots of goofs, repetition and cornball sentiment. But I gotta tell you, when I travel around the U.S. I kinda like to hear the sound of earnest amateur announcers on local radio. It can help flush some of the accumulated irony out of your media intake valves.

If you love old country music, or the sound of REALLY local smalltown radio, you may find a lot to love about WCXI. To get the full effect, take your MP3 player out in the car and hook it up to your stereo and take a drive down a lonely two lane road somewhere on a sunny day. It doesn’t have to be a flat tree-lined Michigan highway to have the same effect.

I also have another post about WCXI which includes almost four more hours of airchecks. You can find it right here.

 (This post originally appeared in Beware of the Blog.)

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2 Responses to “How I Love My Country”

  1. George Says:

    How the hell did I miss this one?

  2. BK Says:

    Great post about WCXI 1160AM in Fenton, MI. I moved to nearby Davisburg two years ago and found this gem and I listen on a crank-powered portable radio when I’m out working my acreage. The music oftentimes makes me laugh. More often I find myself humming the old gospel tunes the rest of the day.

    I probably don’t fit into the perceived demographic (I’m 45). Prior to finding WCXI, I listened almost exclusively to Canadian radio because I found the local Detroit FM obnoxious. Listening to WCXI feels like I’ve come back home. It’s wonderful.

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