The Radio Kitchen

Do you ever find yourself waiting for something to be invented? I take that back. What I really mean is– do you ever wait for a specific type of gadget to hit the market, so you can buy one? I’m not talking about science fiction, but just wishing for a practical tool to be created, built and sold; one that seems well within reach of current technology. I want an MP3 player/recorder with AM & shortwave radio. Is that too much to ask?

My desire is a utilitarian thing. A simple tool (and not too big) which will easily record and store MP3 recordings of reasonable quality from an onboard SW/AM radio. It’s not a crazy idea. Plenty of cassette boomboxes in the early 80′s did almost all that more (but took up more space). Of course, I want it to work well. And I’d prefer that I could also schedule automated recordings, like a VCR or a TiVo does for video. FM band? I don’t need it, but other consumers will probably want that too. This whole idea is not beyond today’s technology. Yet, I wait.

When I record radio for this blog, I use old-fashioned audio cassettes (which I then digitize). It’s still a reliable technology for which I have admitted affection. But in practical terms it using them eats up critical time and space in my already cramped and cluttered lifestyle. Unless I’m just recording a strong or local station, I generally have to rig together a tape deck and a favored shortwave portable with a patch cord. This can be more problematic than you think. Cords and connections may short out when moving the radio or antenna around to improve reception. (And I don’t know enough about electronics but there’s some kind of a buzz that seems to get into some kind of a feedback loop that at least seems to be caused by the patch cord.) And then everything takes twice as long as I end up dumping all the audio into my laptop, and then compressing them to MP3 for my archives. Recording straight to MP3 would just make sense for me. And while there’s probably not a mob of radio consumers who actively archive shortwave radio out there, as I do. However, the ability to schedule MP3 recordings of AM or shortwave would benefit all sorts of folks.

Actually, there is such a device. The Kaito 1121 (or DE1121) does record radio as MP3 files, but the online reviews have kept me from investing in one. Although the reception is supposed to be pretty good (as most of the Degen made radios), but firmware is supposed to be rather quirky and difficult to use. Sadly, it’s notoriously buggy and has only a half a gig of storage. The general consensus I’ve seen online is that it’s a cool concept when you can get it to work, but more research and development could have come up with a better product. And for all the excitement generated by the new and innovative shortwave receivers coming out of China, that’s a consistant problem. Instead of perfecting the engineering of their new radios, the Chinese companies end up putting them on the market too early and let the consumers find the flaws.

To be fair, those of us in the states who care about shortwave radio are happy the Chinese care. Almost every heritage brand name in consumer shortwave portables has gotten out of the business, or like Sangean and Sony they just keep selling their 1990′s era models (perhaps until they run out of stock). Unlike here, for people in China and around the globe (especially in the third world and isolated areas) shortwave is still a significant source of news and information. So for an ignored and oppressed minority like North American shortwave radio consumers, we look with hope to China via the web to see what the Chinese radio manufacturers like Degen, Tecsun and Redsun are putting out on the market overseas. And with the vast success of the MP3 format over the last decade (not for the record companies, but for electronic manufactures, their consumers and podcasters and more…), but the marriage of MP3 technology and shortwave reception hasn’t gone well. At least not yet.

Before the 1121, there was a great radio of the decade that was never was– The Degen 1108. There was a fanboy conga line booming along for a while a couple years ago, where more and more features were anticipated into the damn thing that it was eventually imagined as some great merging of the Sony 2010, the Bose wave radio and an iPod… only better. Okay, even I was stupid enough to join the Yahoo group for this fantasy radio. It never happened. I’ve never heard for certain, but it seemed like the project was simply killed without warning and the development work on the 1108 probably was cobbled together to put out the mediocre but interesting 1121.

Then there was the Grundig G4. Man, this thing sounded like a winner. Announced with a smattering of fanfare at the annual Consumer Electronics Show in Las Vegas a year ago, the G4 (otherwise known as the DE1122 in China if you’re keeping track) was going to solve some of the problems of the 1121. No nifty pull-out MP3 recorder like the 1121, but easier to navigate controls and firmware with an SD card slot wisely included to add digital storage if desired. And the MP3 technology was piggybacked on a radio that was already well-liked– the Kaito/Degen 1102. I blogged about the G4 not long after it was announced, and the post was followed by quite a number of comments and people interested in the radio continue to find that post. And now, it appears that the Grundig/Eton G4 radio has been discontinued. Wow.

Oh, you can still buy it. There seems to be quite a few around from online sellers like Amazon, ebay, Universal, etc. However, it’s been listed on Eton’s site as part of their “Past Collection.” And then Passport’s Receiver News blog announced the demise of the G4 last month. But while the radio did and does exist, as far as what most of us thought it would do, it’s practically a vapor-gadget like the Degen 1108.

Since I researched and wrote a post about it several months ago, I’ve occasionally strolled onto the web to follow up on the G4. Generally, when I’m interested in a radio I go to sites like eham or Radio Intel where almost any shortwave radio worth much gets a round of reviews and write ups from consumers and people who know radios. At this writing, there’s still not one review of the G4 on either site. Strange. And then there’s Amazon, where any electronic gadget usually gets quite a bit of feedback. Sometimes the people who write there are less than knowledgeable about shortwave radios, but there’s usually dozens of critiques to wade through. Last I looked at Amazon there were only three reviews of the G4. One very favorable (but short on feature specifics), and two panning the portable. Actually, one seems to have been written about a completely different radio. (In case you’re wondering, there seems to be no real quality control for Amazon reviews in general. Plan on reading some ignorant customer reactions, and figure that a few favorable write-ups are probably planted by the manufacturer.)

What I’ve finally learned is this– the G2/1122 is an overpriced dog. Period. The reception isn’t bad, but the original Kaito/Degen 1102 receiver is around half the price. The recordings are reportedly awful. Instead of recording MP3′s like its sister gadget– the 1121, the 1122 records down and dirty lo-fi wav files, like a budget voice recorder. Now I don’t want to get into a big discussion about digital recording and audio compression, but believe me this is a big mistake. The fact is, large full-fidelity wav files (like those ripped from a commercial CD) are HUGE. And when you try to make a wav file small by cutting way back on the resolution and sampling rate, instead of using a carefully long-developed compression algorithm like MP3, you create something that sounds pretty nasty. And while there are valid arguments for more efficient compression algorithms (ogg or AC4 for example), MP3 is ubiquitous now, and can be utilized in almost any contemporary application imaginable. The fact that all reviews I’ve read say the recordings made with the G4′s recordings sound muddy and godawful is not surprising. I understand the radios will actually playback decent MP3 files until the cows come home, but all it can create are buzzy and hollow sounding recordings like a twenty-five dollar digital voice recorder, and you won’t be able to play them back on most MP3 players on the market.

Meanwhile, it’s important to note that not only has there been a dearth of shortwave/MP3 devices on the market, but it’s been almost impossible to find an MP3 player with a mainstream medium wave (AM radio) receiver on board. Many, if not most, MP3 players now have FM radios but up until recently only a company called Pogo Electronics actually made an MP3 player/recorder with an AM/FM radio. They had their fans online, but storage was an issue with their “Radio YourWay” products. As I recall they used to have one with only 128MB of storage, and eventually graduated up to an LX model with a half a gig of room for files. I don’t recall that any of their players have had a card slot, and their latest model is listed on Amazon, although unavailable. And now I notice their website is gone too. Oh well. Bye Pogo.

The C. Crane “Witness” seems more promising. Although their toys are pricy, C. Crane does cater to the AM and shortwave radio geek in a more real and sincere fashion than Radio Shack these days. And they have comprehensive customer service. Their “Witness” seems to be a viable and well thought out AM/FM radio MP3 recorder, with the ability to pre-program the recording of up to 20 shows. Impressive if it works as well as they say. I’d like to get my hands on one, but at well over two-hundred dollars I’m just not ready to pay that much for an AM radio, or an MP3 device. I don‘t own an iPhone either.

And lately there’s been more rumors wafting across the Pacific about a MP3/shortwave combo toy in the works in China. And this time it’s not only a brand new design, but it’s also a real pocket shortwave/AM/FM radio and MP3 player. And it’s also a Degen product, one model number up from the failed 1122– the DE1123.

Honestly, most of what I’ve seen has been on Chinese language sites. So most of what I’ve known about the radio has been gleaned from photos and short cryptic feature lists in English. Then there’s been a couple updates at these two sites (the second requires a simple free membership login to read the article). But after the DE1108 radio mirage of a couple years ago, I wasn’t sure if this was a real product yet. Now I’ve seen it on ebay, so it seems to be both real and for sale in the real world. But again, it’s apparently not exactly what it should or could be.

So far, the good news is that the radio isn’t going to cost a lotta dough. About the price of the DE1103, which is less than half the cost of the CC Witness (with shipping from China). And it’s cute. Of course, we have no idea of how well the radio or recorder works, or whether it’s easy to operate. It actually sports a built-in speaker, but will undoubtably sound better through headphones. But the bad news? Only one gig of storage. And NO card slot to upgrade the storage yourself. But worse? Like the G4, according to the feature list on the ebay auction it only records crappy voice recorder quality (wav) files. Why? While it also plays MP3 files, who cares? Just about any digital toy will do that these days.

So we’ll see what happens. But if you wanna take a risk, you can go to ebay and buy one from China right now. But I’d advise waiting for the reviews to start coming in. And be aware that Degen and Tecsun occasionally improve their radios while in production and later models may be better buys and less buggy. In fact, I was just reading that the Tecsun PL200, otherwise known as the Eton 100 (link requires login) here, has recently been upgraded from a single conversion receiver to a dual conversion model with no public announcement or price increase. But on the other hand, there’s something more fundamental that makes the DE1123 interesting, and perhaps exciting as well. It’s a different kind of receiver, with a recently invented DSP chip serving as the brain and guts of the device. It’s known as the Si4734/35. And this chip, or just the technology it introduces, could reinvigorate shortwave radio for the masses. Or maybe it’s just my imagination on the loose.

The Si4734/35 is a first, squeezing a whole circuit board of an AM/FM/SW radio into a little teeny wafer. It’s kind of like shortwave radio crossed over into this century. Not only does DSP technology open up the possibilities of vastly improved noise reduction and other audio enhancements, but the incredible shrinking radio chip could bring shortwave functionality to almost any audio appliance out there (including pocket devices like MP3 players or cell phones). Almost any radio or audio appliance could have AM or shortwave radio on board with practically no sacrifice of space inside the machine, all at a low cost and with almost no extra labor (from what I understand there’s no need for tuning at the factory, which has always added to the cost of the production of SW receivers). There are certainly issues like RF shielding to avoid interference in the HF bands (I guess the CC Witness radio recommends that you shut off the display to reduce noise on the recordings), but these problems shouldn’t be that difficult to solve. But what’s really interesting about this chip, is that you’ll be able to actually upgrade the radio yourself, without breaking out a soldering iron or a repair manual. Just like almost any digital device with onboard memory, you’ll be able to flash the chip and upgrade the firmware (the software that controls the gadget) whenever a new version is available. This is a big plus.

So here’s what I don’t know (besides whether this chip is actually hot little receiver or a dud). When or if this radio will be marketed here as an Eton/Grundig, Kaito or C. Crane radio. But I’ll tell you one thing, Eton seems even more confusing and convoluted promotion and marketing schemes for their radios in action. They’ve been changing colors and nameplates at will and making about 36 different varieties of emergency hand-crank radios (collect ‘em all, trade ‘em with your friends). And right now on their front page they have these two “Porche designed” monstrosities that are supposed to be shortwave radios, as well as twelve other things. I don’t know who or what is the target market for these bizarre looking objects, but I’ll be they’re really expensive. And I’ll bet they fail almost as quickly as the G4 World Recorder.

And I also don’t know if the recorder can be upgraded to MP3 capability with a firmware upgrade, but it seems within the realm of possibility. There’s a number of open source projects online (like Rockbox for digital audio players and CHDK for Canon digital cameras) where sharp geeks and consumers have created completely alternate firmware for these gadgets, and they are constantly improving it. I love this whole concept, taking control of your gizmos and making them better and more useful.

Speaking of useful, between the economic meltdown and the (increasingly unlikely) threat of Sarah Palin possibly becoming one frail John McCain heartbeat away from the helm of our nation, I’m starting to think that it might not be a bad idea to have one of those emergency crank up radios around the house. I mean, you never know. If you can’t afford batteries, at least you’ll be able to crank out some armegeddon updates.

Okay, I’m letting my imagination run wild again. But don’t forget to vote.

And you can find a follow-up of sorts to this post right here.

Here’s some more transmissions out of my grab bag of Hudson Valley reception that I started going through in the last post. Reception was solid and the ambient RF noise was quite low. I wish I had more time to receive when I was there. As I mentioned a couple posts ago, the growing political friction between the US and Russia was sure to bring back some flavor of the cold war to shortwave listening. And as you can hear in this first extended clip, that’s already happening.

Voice of Russia – 9480kHz 0206 UTC 08-28-08  62:38

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It’s the Voice of Russia, otherwise known as “Radio Moscow” back in the Soviet Era. For thirty years, they’ve maintained a 24-hour English language radio service, with an emphasis on reaching North Americans. And in this hour or so of the Voice of Russia from late August, you hear news and opinion presented Radio Moscow style– with the leading headlines and featured commentaries focused on ongoing political and military differences with the US and NATO. Of course, the main points of contention are the recent conflicts in Georgia and the two provinces Russia has since sucked away.

And despite all the changes in Russia and the new mob glamor of Moscow, their international English language radio service almost sounds like it’s popped out of a time capsule buried decades ago. The news sounders are ancient, and the announcers all sound so disciplined, clipped and old fashioned. Listen to the political “analyst” who skewers the west in the “News and Views” segment. He has that cigarette-roasted-larynx sound I kind of miss on the radio. You just don’t hear that warm Pall Mall “voice of authority” in amplitude modulation much these days. The AM dial used to be full of that sound. Too bad those smokers don’t live a little longer.

I don’t know enough about hardware or physics to know why, but it seems to me that Radio Moscow (and now the Voice of Russia) has always had a particular “sound” to their signal– a particular texture to the radio waves as they come ashore here. And it seemed to be kind of a closed shop, without much more than a handful of announcers who seemed to stay on the air for decades. I think I recognize a couple from my Radio Moscow listening back in the 1980′s.

And lets face it, any government putting up the dough for an external broadcasting service has a direct hand in the news and information it presents. Typically the slant is subtle, and the news and editorial content is a mixed bag. However the vibe of the broadcasting here is much more like you would have heard in the Soviet era, with unmistakable defiance toward America. I suppose you could get so swallowed up in Putin’s soulful stare that you might just miss that breakaway province-size chip on his shoulder. 

Then in the middle of this hour is one of their many sprawling mythic Russian history/heritage features, of which the Voice of Russia seems to have an endless supply (Who knows how old they are? And I wonder if they’re still producing new ones?) As usual the classical music is thick the voices are rich. When the orchestra is really flying and the boomy baritone guy jumps in, it’s as high fidelity as you’re going to get from five thousand miles away. And when the music is dense on the signal like this, you can really hear the ghostly pulsing of the skywaves rushing in and falling back. This is shortwave radio, done in a traditional style. The way mom used to make it. If they didn’t mention websites and email addresses, you might think it was 1979.

However, right before this side of the tape ends, the ever-chipper Estelle Winters chimes in with an update on all the happenings in fun and fab Moscow (or something like that). Alas, it’s actually 2008 and she just doesn’t have that grumpy Soviet sound.

Voice of America – 7340kHz 0312UTC 08-28-08  18:10

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Officially, the Voice of America is our country’s official propaganda channel on the shortwave dial. VOA fact, it started out as a division of the “Office of War Information” during World War II. Their original mission was to counter the worldwide presence of Nazi propaganda on shortwave (and later as a radio bulwark against the old “Iron Curtain” states). But these days the U.S. Government focuses specific foreign radio (and TV) services to states we don’t like so much (in their native language), like Radio Marti (for Cuba) and Radio Farda (for Iran). From what I’ve heard in recent years, the English language service of the Voice of America sounds rather dowdy and seems fairly apolitical these days (I wonder if their Russian service is more strident?). The presentation is a little dry and sparse, which is fine with me. But it does sound like there’s been some budget cuts over the last few years.

Of course the signal isn’t aimed our way, and the reception is somewhat hollow and fady considering the distance. The scratchy sound you hear in the beginning is me, adjusting the active antenna. It goes away… and comes back briefly as I try to clarify the signal a bit later. A better antenna or radio could have nulled out the other station bleeding in.

This is “Daybreak Africa,” a daily news-magazine program which typically is pretty heavy with news and issues on the African continent, but as the Democratic convention is coming to a close there’s a big focus here on what’s happening in Denver.

The U.S. Presidential election is big news around the world this time around, especially in Africa where many in the Sub-Saharan region feel a literal kinship with Barack Obama, whose father was born in Kenya. There’s a short feature from Senegal about how locals there view the U.S. election. The guy says he’s doubtful Americans would accept a President with African ancestry. Another man watches Obama speak a couple times a week on TV, and he thinks he’s both an eloquent speaker and a gentlemen. (Personally, I think the fact that our President for the last seven years is neither has everything to do with all the international interest in the election. Even more than Obama’s racial profile.) But of course, beyond the worldwide antipathy toward Bush and Cheney there’s a real excitement around the world that a member of an oppressed minority in America possibly getting the high office.

While VOA is official U.S. external radio service to the world, the unofficial (and much more prevalent) American radio services to the world comes from the vast number of Christian broadcasters, on both American soil and stationed around the world.

And while I’m there are a number of shortwave broadcasts from every continent featuring religious content, Christians far outnumber any belief system on American radio stations– local, national or international. And while it’s hard to begrudge “evangelists” (or whatever they are) from communicating or communing with their radio “flock,” there is an element of “fleecing” the weak and ignorant for money that’s distasteful (but hell, it works for public radio…). The really extra-creepy business about Christianity on the radio is the “missionary” factor. They’re out to convert everyone. Which is not only crass (if not gauche) in practice, but also a divisive mindset that is both anti-culture and anti-intellectual. And their mythology and anti-enlightenment rides atop the vast majority of short radio waves bouncing away from our continent into homes around the globe.

One of those afternoons upstate, I made a cup of coffee and turned on the shortwave radio and heard the following conversations. And maybe I’m more sensitive these days, but instead of chuckling off these two clowns, I found who the discussion both strange and depressing. So I started a tape, to share with you.

WWCR Nashville, TN – Warning with Jonathan Hansen 12160kHz 08-29-08  2028 UTC  7:34

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This clip features a couple of these defacto ambassadors of U.S. intolerance. Although the host and his guest bemoan the loss of “Judeo-Christian values” in America, make no mistake about it, these guys are authoritarian WASP trash. Period. The use of the word “Judeo” may be a polite nod to the Jewish roots of Christianity, but they don’t like the Jews any more than they like Catholics or Buddhists or thinkers. It doesn’t make a lot of sense, but in their minds the best elements of Judaism just gradually begat the Bible Belt-style Protestant movement of the U.S. of A, thanks to Jesus and the Pilgrims (and that swell bible King James wrote…)

What you’re actually hearing here is a radio/TV show called “Warning.” The host– Jonathan Hansen, a bush league doomsday evangelist. Of course, he’d rather you just call him a prophet. And if Protestant prophesy is your game, you gotta get out there and call for the painful and messy end to humanity.

A strong cult of apocalypticism that runs through Protestant America. It’s bad enough that they can’t quit talking about blood and fear and martyrdom, but the fact that guys like this gets a constant hard on by talking and thinking about suffering all the time should tell you everything you need to know. Although it’s an old game (or fetish?), there’s something particularly American about this strange and viral brand of Christianity. It all dovetails with the isolated xenophobia of pale-Americans and their old-fashioned heartland jingoism. Ultimately is that special American spirit, that we’re just better than everybody else, especially if you’re a Christian. And you get extra points if you become a follower of a doomsday nutbag, like Hansen. (If you’re a glutton for punishment, you might wanna check out his website. However, he doesn’t call it "Warning" for nothing. Watch out. Hansen is out to "shake you with a shake that has never shaken you before!" Sounds a little shakey…)

And finally, notice that same paranoia about the coming New World Order I discussed in the last post. While it’s equally as dark as the new high-tech paranoia of Alex Jones disciples or the UFO/alien obsessed, the Christian fear of the New World Order is even more bizarre in that they actually looking forward to more wars and famines and natural disasters. Things just never quite bad enough for these folks, the want more DEATH until sweet Jesus steps out of the sky to save the day. Or is it that they float up in the sky to meet him? I can’t remember how that all works.

Anyway, it doesn’t matter. Sometimes I think that the more you think about that garbage, the more you encourage them. Or perhaps get a little infected by the stupidity yourself. But the main thing, is that these people want to tribalize the world. The USA Jesus tribe versus everyone else: The foreigners. And the apostates and heathens and demons. And the Muslims. And especially all the brown people, everywhere.

I don’t want to go so far as to say religion is a disease. I understand it’s often a comfort and traditions are important to people. But I am convinced that evangelical Christianity is most certainly a personality disorder, if not an outright mental illness. There’s an old adage that used to get a lot more play a few decades ago– "God is Love." Which makes me think of John Lennon, and that idea kind of made sense to me. A god who might be something like "love" seems a lot more reasonable than a higher power who’s just an ill-tempered sky geezer on a power trip. Or maybe I’ve been looking at all this wrong way– taking the phrase literally somehow instead of enjoying it’s full Orwellian flavor– War is Peace; Freedom is Slavery; Ignorance is Strength: God is Love. Got it. Maybe that’s what the pope was talking about.

So, let’s end this post on a high note, with some music.

7190 Tunisia RTV 0615 UTC 08–29-08

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Here’s some Arabic music from the north coast of Africa, including a version of Happy Birthday in there somewhere. There’s some fading at one point and I try to adjust the antenna again, adding noise. Then the station comes back. It’s a half-million watts. Hard to stop this signal.

The reception is poor, and then OK again. The music is fine. And the best part? Mr. Hansen and his globetrotting missionary friend would surely dislike this show and this music.  And they’d rather you and I are perpetually unhappy– looking forward to death. So, I say– enjoy the music. Enjoy the noise. Enjoy life until death, for god’s sake. Get a clue.

And did you hear? Bill Maher has a new movie coming out.

It’s not that often that you know the exact time a news story breaks. Obviously, massive acts of nature or great violence (earthquakes, bombings, etc) generally become information almost within seconds. However, many news items enter the media stream at a carefully chosen day and hour. After all, the news is first and foremost a “product” these days, and news providers, news makers and anybody with a hot tip all have financial and political interests to consider when letting a news story out into the wild.

An interesting case study might be former Presidential candidate John Edwards’ public confession the other day. I thought it was interesting that how the story was released to the world precisely at 3:00 p.m. Eastern Time (or maybe 2:58).

Everybody paying attention knows that late summer 2008 has three major events that are going to be big news and generate lots of stories around the world. Of course there’s a big presidential election going on here in the states, but it’s not until the party conventions are over and done in early September that the campaign warfare and election media overload really begins. Meanwhile, the other BIG news event began on Friday the allegedly cosmic 08/08/08– The opening ceremonies in Beijing.

I'm not much for spectator sports. Even the Olympics. But I did catch some highlights of those ceremonies. Wow. As big and amazing as anything I've ever seen. Lots of pomp. Yet disturbing, at least to me. And our President himself was there for all the fireworks.

But it was BIG. The Olympic opening had been the single most anticipated event around the world for weeks. And nobody's surprised at the estimate of roughly a billion people who tuned in for the TV mega-pageant. All in all, it was an opportune time to get the least bang for the bump for a major news event– like invading a neighboring country or explaining to a national TV audience why you've been lying about your sex life.

So the reason I'm wading into this sordid media quagmire is because I have radio moment of sorts to share– the sound this big news story actually breaking, live, on WABC here in New York. Although Disney sold off their talk stations recently, their ABC News network is still intertwined with the format of the former ABC stations for ten years as part of the deal.

WABC – Breaking News at 3:00 – 08-08-08

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This clip begins just before 3:00 p.m. on WABC. It’ the official hand-off time between Limbaugh and Hannity, where the right-wing radio rocks of Gibraltar almost touch. And as the media storm sweeps over the horizon, the thunderclaps begin. Boom! Rush Limbaugh emerges with just enough time to dish the dirt. Then, boom! Sean Hannity kicks in on cue, barely more prepared than Limbaugh: “All right, we’ve got some breaking news… “

Although the story is barely a minute old, Hannity promises to get to the “bottom line on that.” (After all, if anybody's going to go straight to the bottom of a story, it’s Sean). Despite the hot Edwards story, Hannity promised to hit hard on some Clinton non-story anyway. (Beating up on Bill Clinton? It's all they really know how to do when they're not being fed any juicy red meat from Republican headquarters that day).

And then– Boom, boom, boom-boom– ABC News with Bob Schmidt. A media cloudburst begins… As newsrooms around the country are suddenly scrambling in preparation to have the story by their next newscast, ABC news hits play on a breezy Barbara Britt piece on Edwards' predicament. If you know anything about this situation, you know the version (his version) of the story as it went out that Friday. This is followed by what would have been the lead story, the Olympics are underway!

So why the story launch at 3 o'clock? Well apparently the interview was conducted late that morning. ABC wouldn't need much time to slap a web item and a radio piece together and it was hours before the nightly news. But Edwards certainly would want to have himself, his family and Ms. Hunter secure when the story went out, and to have certain people in his circle informed before they heard it on the news. So while every mention of Edwards confession in the media that day would be a de facto promotion for Nightline that evening, the network probably agreed to give Edwards a head start to prepare for the media fallout.

And while I'm apt to add that the timing would also bump the story into Saturday's newspaper, which is as Rachel Maddow always says is the skinniest and least read edition of a weekly paper, I think that 24/7 cable news and the constant web news stream trumps the print reality these days.

The Nightline interview itself was a sad exercise. For such a full-throttle effort to get in front of a story, Edwards certainly seemed less than candid all through the thing. And what's worse, is he couldn't get out of "campaign mode," going as far as thanking Bob Woodruff for showing up to grill him (like he was invited to a TV debate or something). And why does the supposed fact that he had the affair while his wife's cancer was in remission. And why is important to me or anyone besides his wife if fooled around with Rielle Hunter (i.e. Lisa Jo Druck), but didn't actually love her. And yeah right, the baby's not his. Sure. It would probably be easier to get to the truth if the lady in question would come forward and spill the beans. But apparently she's hiding… somewhere. (The Virgin Islands?)

OK, I gotta admit it. There deeper you go into this story, it just gets dumber and creepier. And like so many sordid airings of celebrity dirty laundry in the public square, once you get a whiff it's hard to turn away. I really brought the whole thing up here blog because I was fascinated with the precision clockwork of the news cycle caught in a few minutes of radio. But I ain't proud that I ended up spending hours researching the kind of stupid celebrity scandal crap that clogs up the works of the news industry with indulgence, lifestyle porn and tragedy. So I'll cut off this discussion of the fall of John Edwards by leaving you with a few links of interest, if you need to know more.

This Newsweek writer's piece on his casual friendship with the lady in question during the Edwards affair speaks volumes. And the youthful shenanigans of Ms. Hunter (Druck) in downtown NYC in the crazy 80's was immortalized in some infamous and trashy fiction titles you may know. And lastly, if your really want to get a fly on the wall flavor of the last temptation of John Edwards, take a gander at the first "Webisode" Hunter produced. You can easily see (and hear) why they were taken down once he was busted by Mrs. E. Watching them may make you wonder how they ever ended up there in the first place. More Edwards dirt can probably be found at this trash compost than anywhere else, starting here and here. And there's more on the way…

And, I'm sorry to page six on you like this…

As far as the other big news of 08/08/08, besides the Olympics… the ongoing situation between Russia and Georgia (and NATO and the former Soviet satellite states and the U.S. and E.U…. everybody else) looks like it's going to get ugly. And that mess just adds more sorts of complexities and variables to an already unpredictable and turbulent (and corrupt) international situation that always seems to be on the verge of turning into something far worse. And something strange.

If you do own a shortwave radio, keep in mind that your connection to the rest of the world is less vulnerable to a cyberattack. And as far as keeping informed, the U.S. and most EU countries may have cut way back on shortwave broadcasting to the west, Russia and many of the states within its historic sphere haven't given up on old fashioned world broadcasting yet. And when the world's on fire, it's always best to not to trust any one version of current events, or recent history.

And then there's China. Proving every day that they can filter all the news and all the information (and entertainment) and suppress all the dissent AND be super-fantastic all at the same time. That really is incredible. I didn't see much of the Olympics, but it looked incredibly colorful and everybody seemed really happy.

Next week the Democratic convention in Denver. John Edwards won't be there. Last month his name was still mentioned as a possible VP pick for Obama. Instead, he may be trying to figure out if he's still married.

Lately as I’ve been roaming the web looking for a news and punditry, a quote made famous in the old Godfather movies (and actually a translation from an ancient Chinese warrior) shows up again and again: "Keep your friends close, and your enemies closer."

While the more complex wisdom behind this adage is really beyond the argument of this post, the main point is accurate enough. You should keep an eye and an ear on your enemies (Or on those who are chosen to be your enemies.) And if you live in America, there’s no doubt which government our rogue executive branch has targeted as our nemesis– The Islamic Republic of Iran.

You’d think the U.S. would have its hands full occupying Iraq and Afghanistan under more than hostile circumstances. And the fact that a few thousand Americans lives (and exponentially more local innocents) have been lost in our savage efforts to maintain order in those countries might put the brakes on pending plans to destroy another nation. And if the whole idea sounds absolutely insane, it should. But that hasn’t stopped Cheney & Bush before. According to the most recent article (in a series) written by investigative journalist Seymour Hersh in the New Yorker, another onslaught of shock and awe (on Iran this time) is shockingly likely in the next few months. According to Hersh, there’s already plenty of super-secret undercover cross border mischief to get the mess in Iran warmed up and ready for our fireworks. The potential of literally setting the world on fire before or just after the next election here is quite real.

Sounding the alarm, Seymour Hersh has been making the rounds on the talk show circuit lately, and appeared on Air America’s Ring of Fire last week in an interview with Robert Kennedy Jr. Have a listen.

Seymour Hersh on Ring of Fire 07-05-08  18:14

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The United States has a big propaganda presence on both medium and short wave frequencies in Iran, with "Radio Farda" where American-made "information" is stuffed between hits for the kids (for a country where 70% of the population is under 30) for seven and a half hours each day– programming described in a staff memo at Radio Free Europe/Radio Liberty regarding the launch of the service: "a combination of popular Persian and Western songs aimed at attracting young Iranians to Farda’s news products." There’s also some semblance of a Persian service of Voice of America that’s still broadcasting for the Iranian grownups as well as VOA satellite TV service that’s attracted an audience (despite the fact that receiving satellite television is illegal there).

On the other hand, Iran has a much more difficult time attracting young Americans (or any Americans) to their official "news products." Last year, they started their own satelitte TV service in English for the U.S., it seems doubtful that its getting much viewership stateside. If you don’t have a dish (or can’t get it on yours), your not going to see much of "Sahar English TV." I’ve yet to see any videos show up on the web or Usenet, and their website is pretty minimal. The fact is, right now for most of us (outside of text gleaned from the web) the only viable media outreach from Iran that we can experience in English and unfiltered by U.S. media and the government is via shortwave. It’s a daily hour they call "The Voice of Justice."

It’s not uncommon to hear aging shortwave listeners bemoan the "old days" when the cold war made the hobby more exciting (I plead guilty…). Part of the reason is that back then we still lived a relatively bigger world (unlike today’s tightly networked reality) and intercepting communiques from overseas was a more exotic experience. And although there was no law against it, there was always a little thrill of the taboo– tuning in voices from behind the "iron curtain." And unless you sent away for a program guide or something, nobody in our government would be any the wiser of your listening habits.

Now in the age of Bush, instead of the iron curtain we have the hyperbole of the "axis of evil" (Iran, Iraq and North Korea) and John Bolton‘s "beyond the axis of evil" trio (Syria, Libya and Cuba). And I almost forgot Condi Rice and her "outposts of tyranny" and Dick Cheney‘s "Funky Four + 1"… (actually I made that last one up), but you get the idea. Since 2000, we’ve been governed by an administration that needs enemies, just like the in the good old days. And when it comes to making enemies, it’s one of the few ways the Bush regime is unquestionably proficient.

While almost any American with a shortwave radio ought to be able to pick up the English service of nearby Radio Habana Cuba at night, the broadcasts from the other "enemy" countries aren’t so easy to hear. In fact, the only official enemy nation I’ve been able to hear in English on shortwave in recent years has been Iran. And often the reception has been problematic at best. However, when I’ve been away from my Brooklyn RF noise nest I’ve been able to pick up their hour of English language programming on the 31 meter band at 9495kHz. When I recently spent a weekend at the Jersey shore I heard some dramatic old-fashioned propaganda that sounded remarkably like the old school cold war histrionics that we’ve all missed. However, a small error on my part (forgetting to release the pause button on the recorder) voided my chance to capture that little bit of theater to share with you.

Then I was passing along my tale of woe to fellow shortwave enthusiast David Goren (who happens to have better equipment and a better listening location than I), and he offered to record one of Iran’s next broadcasts to the U.S.A. and sent over a recording. And now, I can share the hour he recorded with you, here.

Iran’s Voice of Justice 9595kHz  0130 UTC  58:33

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I know the audio is shady at the beginning of this clip, but it drastically improves if you’re patient. And for starters, you can tell Iran isn’t any ordinary country. Kind of like Baptist dry counties in the American south, the whole country of Iran is a theocracy with democratic elements. After the comforting intro music the a few verses of the Qur’an are sung, and then spoken in English:

In the name of God, the most gracious, the most compassionate. Therefore declare openly what you are bidden and turn aside from the polytheists. Surely we will suffice you against the scoffers. Those who set up another god with Allah; so they shall soon know. And surely We know that your breast straightens at what they say; Therefore celebrate the praise of your Lord, and be of those who make obeisance. And serve your Lord until there comes to you that which is certain.

I can’t tell you what that I actually means, but as a nonbeliever almost any quote from scripture read aloud with conviction can easily give me pause and make me a little uneasy. With sacred text, you may be free to take what you want from it, but you always have a sense there’s some political message intended when a particular passage is passed along by a group of believers. It always feels kind of personal. (Hmmm, I don’t think I’m a polytheist, but I have been a scoffer…)

But in the end this bit of sober Islamic text is less threatening than most Christian mumbo-jumbo I come across. The point is, although a number of Mideast states call themselves "Islamic Republics," but Iran is more serious about it than most. More than any other major state on Earth today, Iran is a theocracy– a state under the rule of (the alleged earthly representatives of) a supreme being. You don’t see much of that kind of governance today, but in ancient times it wasn’t out of the ordinary. And there’s plenty of strange people in far right Christian circles who are friends of the Bush regime would like to turn the U.S.A. into a theocracy.

And while I think that’s a really bad idea for this country, just because a nation happens to run their affairs that way it doesn’t inspire me to advocate killing people or overthrowing governments. But others disagree (like this spoiled little objectivist boy-man, just look at his picture on the right). But it’s not kooky American theorists driving the issue, It’s the spiteful U.S. neocons worked into a lather by Israel and their super-bully American lobby (AIPAC) who are practically demanding that the U.S. attack Iran. And who’s surprised that the executive cyborg Dick Cheney has a big hard on to roar through Zarathustra’s old stomping grounds with American bodies, weaponry and hardware.

So, combine all this war talk with a couple of messy U.S. occupations next door and American’s previous misbehavior on the Persian Peninsula, you’ve got all the makings of a paranoid nation. And their shortwave broadcast to America, "The Voice of Justice," is where you can hear all about it.

When I’m able to listen to shortwave in a favorable location in the early evening, the nightly English hour from Iran is high on my list of broadcasts to seek out. Since 2003 (the year the U.S. invaded Iraq), Iran has produced two English language programs a day, one for America and one for the rest of the world. The "Voice of Justice" is for our ears. When there was only one English language broadcast, I recall more features on Islam and Iranian culture. I assume the other IRIB English broadcast is similar. But the VOJ is all business, hard core political business. The cultural and religious stuff has been pushed aside to make way for opinion and news regarding Iran’s relationship with the "Big Satan" and the "Little Satan," as well as the warfare that may engender. And as always, reports on American military and foreign policy blunders throughout the Middle East.

Here the news leads with an old story. Twenty years ago to the day (July 3, 1988) US forces blew a civilian airliner (Iran Air Flight 655) out of the sky, taking the lives of almost three hundred people (including 66 children). It happened in the middle of a melee near the end of the Iran-Iraq war, and the U.S. government has always maintained that it was an accident (although we ended up paying out over sixty million in compensation for the tragedy), but they’ve never bought that idea in Iran. Ahmadinejad says it testifies to America’s "inhuman actions."

Most of the content of the first half of this broadcast is news and official Iranian government views on world issues, ending with their usual interview of a western expert/pundit who offers opinions with which Iran agrees. This evening it’s Dean Baker, a lefty economist trying to make sense of McCain’s confusing tax policies. The second half is a carefully coordinated cavalcade of western opinion represented and rehashed for dramatic political effect. If you care to follow along at home, you can find some of the op-ed pieces discussed and amply quoted by clicking here, here, here or here.

The last time I wrote about Iran’s English broadcast they had a live audio stream up and running. But from what I can tell, that’s no longer the case. On the IRIB English language home page they actually have a podcast link, but I fed it into my aggregator a week ago and it seems to be a dead feed. I don’t know why. Despite the sundry glories of the world wide web the only way you can actually hear from the governments of our country’s arch-enemies (like Iran and Cuba) is to use a shortwave radio.

It seems ridiculous that I feel like I should say this (but we live in stupid times), but I’m not a fan of Mahmoud Ahmadinejad or the Castro brothers. And I’d rather live here in America, and think in general we have a far better system of government, but… I’m far more concerned about an American government that is ready and willing to attack and occupy other nations and the freaky minority of people in the media and out on the public highways who are willing to encourage and support the mass murder, hatred, mayhem and despair that wars bring upon the world. Even after almost seven years of this kind of bloodthirst on display, I still find it shocking and depressing that it seems to have no end. International conflict has always made the shortwave hobby more interesting, but in this era where you would think people would finally know better. And then you realize that you inhabit and support the nation (or one of the nations) who are making the world so much worse, so quickly and so often.

It makes you want to snatch up the pasty-faced objectivist boy-man and all the haunted and owlish neocon chickenhawks and drop the whole bunch of them into a horrific and hopeless skirmish full of IED‘s and human bombs and let them all try to swim out of the gore, to try to crawl their way back up the pearled shores of Barbara Bush’s saggy breast up onto those craggy Republican cheeks. And then to find hero’s welcome in the cool marble confines of her beautiful mind. Or something like that. (Imagine the smell in there– at first a strong floral covering odor, and then…).

I wish Bill Hicks was still around. While The Voice of Justice is almost as critical of the Bush dynasty, it sure ain’t funny.

This is the second installment of an edited collection of radio recorded on a 1988 roadtrip from Detroit to New Orleans and back. It was initially made (and edited) for my own entertainment and there was no log, and many stations are unidentified. However, twenty years later I think there’s enough radio history to make it worth sharing with you. The first post (and further explanation) can be found here.

In the 1980′s, I became infatuated with black radio. Not only was the music better than the commercial pop and rock stations at the time, but the overall approach was more sincere and spontaneous. And in Detroit we had the genius of Electrifying Mojo on WGPR, mixing Prince and the Gap Band with the B-52′s and all the George Clinton you could handle. But by the mid-80′s I was rediscovering AM radio, and when the funk and groove on the FM “urban” stations was overrun by sequencers, beatbox rhythms and banal production the AM dial was still a refuge for many of the heritage R&B where an oldies heavy contemporary soul/blues format had emerged. Through the 80′s around Detroit there were two retro-black choices on the AM dial– WCHB and WQBH, and they were the most popular presets in my car for a few years. (I have recordings I plan to post.)

My infatuation at the time with the last vestiges of soul broadcasting on the AM dial actually influenced the routing of the initial trip south, adding just a few more miles to trip by strategically driving through a few large southern cities. And this section of this aircheck montage contains the fruits of that plan, as my Buick wagon rolls by Nashville, Memphis and Jackson. 

While the old Mason-Dixon line never stretched this far west, the defacto border of where the American south begins in the Midwest would have to be the Ohio River. That’s where this segment of the trip begins, either right before or right after crossing the river at Cincinnati. It’s hard to say exactly where we were. The signals don’t stop at the river. And once you get within an hour of the river (which is also the Kentucky border) the locals may have a drawl and you’re more likely to find grits or hush puppies on a diner menu. As rust-belt kid, the gradual changes in culture and inclinations once you rolled deeper into the old confederacy was always kind of invigorating. Even exotic.

With no written records of the trip or the stations I recorded, I’m left to depend on memory and the re-edited recorded record. What I do know is that we entered Kentucky sometime in the mid to late afternoon and that by the time we got to Tennessee it was dark outside. The sun didn’t rise until sometime in Southern Mississippi or Louisiana. As I mentioned in the last post, my radio recording along the way was impulsive and intermittent. What you hear in this post is what I edited together from the rest of the nonstop drive to Louisiana.

1988 Trip to New Orleans (part 1) – Into the South  14:29

(Download)

If was going to pick a logo or a mascot for a radio station, I wouldn’t be thinkin’ of semi-aquatic rodents. But then again I’m not from Kentucky. This clip kicks off with a full promotional dispatch from “The Beaver” (WBVE) a country FM not far downriver from Cincinnati in Hamilton, KY. If you didn’t have anything to do that weekend you could have gone out to Campbell County Equipment to hang out with one of their DJ’s for day and taken home some Beaver bumper stickers or keychains. Perhaps a coffee mug! And if you got really lucky, you might have loaded up a new lawn mower in your trunk before the end of the afternoon.

I always find it kind of sad when a radio station never really captures the imagination of a community and keeps changing its call letters (and usually the format) to reboot its fate in the marketplace. This north Kentucky outlet at 96.5 MHz had already been through several sets of call letters and format changes by 1986 when it scabbed over into the incarnation you hear on this recording– “The Beaver” (“The Real Country Giant”) in September of 1986. A couple years later the station would switch to format again, and then call letters, and then format, and then call letters once more. Then, I think it may have even changed call letters one more time.  But right now the station is back to a country format as “The Wolf,” which seems to offer a little more animal charisma than a rodent. However, the beaver concept itself lives on. Another FM station in Kentucky grabbed up the catchy WBVE call letters, and is proudly “The Beaver.” And there’s a sister Beaver– WVVE, also in Kentucky. And you can hear country music on either one.

Then the next signal comes from Dayton– WING. And as you might guess, there’s a legacy that goes along with memorable call letters like that. From the mid-50′s until the 1970′s WING was the hottest radio station in that expanse of Ohio– a community media hub with hit music, regional and national news and DJ’s who were local stars. By 1988, the radio group had spun off the top-40 format to wacky Z-93 on the FM band (which I came across in the first post in this series) and WING was a hybrid oldies/talk station at the time. And in this brief clip you hear a promo that sounds kind of strange today:“news doesn’t happen in newsrooms, it happens out there"… (ya think?)

By the late 1980′s, the AM band had become desperate territory. Many stations left out in the cold by the massive listener migration to the FM band were desperately seeking a profitable programming niche that would keep luring listeners to their AM frequencies. And the point of this promo is to point out that WING still had a news department (with real reporters and everything). Which certainly counts for some bragging rights, compared to getting by with a canned oldies music format. This was the era when music radio stations were jettisoning their news divisions, leaving all news and news/talk stations in the market to continue to offer the headlines and the local stories. In fact, a few years later WING switched to a CNN-based news format, which sadly didn’t work out either.

Today WING and its 5000 watts at 1410kHz has met the pitiful fate of many forgotten frequencies– it’s another ESPN sports drone (with another two or three sports stations already on the dial). For many years, people loved this station and depended on it, now it’s an anonymous portal for gossip about spectator sports. I’ll never understand the appeal of that. This is the last verifiable station from Ohio in this trip south. The next few stations may also be from the Dayton/Cincinnati area, or they may have been recorded near Nashville, where I seem to have started recording again.

Want something good in your hair? This wacky ad for B.B. hair products was probably grabbed from a black AM radio station between Dayton and Nashville. I love the relaxed reverb baritone and cheap audience response bits straight out of a sound effects package. I believe B.B. stands for “Bronner Bros. Enterprise,” one of the large African American hair and skin care corporation based in Georgia. (However, the company’s website has recently disappeared.) This is followed by some canned feature about women in the workplace. Are you more likely to get that promotion if you’re hot and flashy? Or kinda fat? Apparently, both have their drawbacks.

Then you get some rural voices of the Caucasian persuasion. Like the Beaver people coming to the Equipment depot, this seems to be a radio remote already underway. These traditional pseudo-events are promotional orgies where a business sponsors a live radio broadcast at a retail site, and the radio station and the business both seduce listeners in for free crap and alleged bargains, while they sell their brand-name into the broadcast zone. It’s a radio tradition. Hard to say what service or goods these good old boys were selling, but it was a family operation. They helped each other. They had their problems, but they work good. That’s the way it should be.

The next ad confirms it, we were in Tennessee. John Watson, the owner of Jay’s Wilderness Outfitters wanted us to “come on in and browse around.” Makes sense. From the address (465 Bell Road) it appears that we were somewhere near Nashville. John is no longer luring browsers. There’s a cleaners there now. This is followed by an ID for Nashville’s WNAH and a short discussion regarding Smitty’s Restaurant, “now with two Nashville locations!” Today an ad like this would be pushin’ a grilled chicken salad or some other vaguely healthy foodstuff. But back in 1988, offering a big cheese burger, batter-dipped fries and jumbo soft drink for a buck fifty was a point of pride. The intro jingle and music under the announcer is a canned and corny “donut” production  where the announcer reads the Smitty’s commercial over the the instrumental break with finger snaps (the “hole” of the donut) of a generic pre-produced restaurant-style advertisement, that will end with more jingle or an announcer. It’s like "just add voice talent" instant spot production. And Smitty’s? I believe there are no longer any Nashville locations.

Then something more substantial, a "classic soul sweep" on WVOL. The song intro under the sultry female announcer sounds like typical 80′s style soul-blues from a label like Malaco. Then a barrage of wacky electro radio sounders, that are still part of radio production today. Then cut to a drop-in. The big baritone R&B voice of god intones– “W-V-O-L – Here yesterday, today and tomorrow.” Damn straight. This black music outlet is indeed still alive and well at 1470 AM. Not every heritage frequency has surrendered to sports, or right wing talk, or the Jesus problem. And you can hear their "Urban Oldies" format by going here. As I was writing this I tuned into "The Mighty 147" online and I heard the Dramatics, which still warms the heart of a middle-aged kid who grew up in the shadow of the Motor City.

This clip is followed by a low-pitched pitch man doing some serious promotional push for the Y-107 Visa Card from the radio station on "the cutting edge of innovation." This bit of bragging set off my internal radio sniffer, and thought I might have gotten a whiff of… Jacor! And a little research bears me out. This station was one of Jacor’s big success stories in the 1980′s, turning a bumbling-along ordinary adult contemporary station into an aggressive CHR (top 40) monster. And by 1987 it had become the number one station in Nashville. A pretty big deal. And the radio station Visa card? Long gone, just like Y-107. And I don’t know that radio station credit cards ever meant much in the scheme of things, but what it does tell me when I hear this brief promotional bit from the past is that it probably came from a sales and promotional staff on overdrive. And Jacor was always on overdrive.

And here’s where digging around in the past led me to the future, or at least today. The programmer that made Y-107 a smash in Nashville, Marc Chase, moved on to Tampa to create "The Power Pig," an even more aggressive and raunchy CHR powerhouse that also took the number one spot in Tampa and killed Q105, the previous CHR champion there. It was quite a time. I don’t know if Jacor had a bigger success story with a station make-over before they merged with Clear Channel, but it’s the one I know. And two of the men (Randy Michaels and Marc Chase) who made the Pig so big have both defected from Clear Channel (and so have others) to rejoin their old Jacor boss brash billionaire Sam Zell over at his Tribune Corporation (the 2nd biggest newspaper publisher in the U.S. and a major media operation which Zell recently purchased). Chase just came over recently (and brought a couple associates along), and Clear Channel is pissed off enough to file a suit against Tribune for stealing company secrets. And if you know anything about how Jacor used to operate, and then take a look at a recent flippant press release announcing bringing Chase on board and you get a feeling that Zell might be looking for a way to get in as a major radio player once again. So far, he only has one station.

Meanwhile, back to the radio. After the "outrageous FM" we have Marcia Griffiths chugging along with the "Electric Boogie.’ As a northern record collector, to me this song was just some side project from that odd funky disco album Bunny Wailer did in the early 80′s, "Hook, Line and Sinker," which I happened to like but went nowhere on the charts. However, the night I heard this on my way to New Orleans I discovered that this Marcia Griffiths dance number (produced by Bunny) had become a huge hit down south. And specifically the dance it created– "The Electric Slide," which was the hit. But no identification on this one. Certainly a black station, probably in Nashville. The DJ is buried pretty deep into the boogie as he signs off. And what an impressive bleepy electronic waterfall flowing around that WXXS, Memphis station ID. I’m not sure if WXSS was still R&B at the time, or had switched to gospel. But these days at 1030kHz in Memphis you’ll hear Español on WGSF.

After that, a happy bland mic break from a young lady on what I believe was the Satellite Music Network‘s "Heart & Soul" service back then. It was a syndicated oldies-based black hits format that had some success in the 1980′s. "Well you all tightened up now? Got some George Benson for ya right now…"

And now, Bill Mack, "The Midnight Cowboy" doing his long-running trucker show from 50 thousand watt WBAP in Dallas. One of the legendary big trucking radio DJ’s since the 70′s, Mack now has his own spot on the XM trucker’s channel, "The Open Road." But here’s he’s lusting after his producer’s feet. It’s well past midnight at this point, and we were probably tooling down 1-55 in northern Mississippi. Unfortunately, Memphis radio (still an interesting and vital scene) is barely sampled in this collage. I guess I was at the wheel by that time. Something I haven’t mentioned about this trip– by the midpoint of this nonstop drive from Michigan to New Orleans I had tired of repeatedly asking my friend to stop gradually veering the Buick toward the shoulder of the highway. I don’t know if it was white line fever or what, but it was driving me insane. The lesson I learned was to never go a roadtrip with someone until you’re familiar with their driving skills. I ended up doing most of the driving for the rest of the trip, and didn’t record nearly as much radio on the road as I had intended.

After the Midnight Cowboy you hear a WBAP Metrocel Cellular Phone promo (Those were big clunky "car phones" back then. Nothing like that shiny sliver of wonders you carry around these days…) and a couple bites of cracklin’ holy roller oratory, which is ubiquitous on the AM dial in the deep south. Then there’s a little harbinger of good things to come, a static-ridden station ID for 13-Kixie, WKXI– "Your power music station." Then there’s something about Martha Reeves and Ben E. King singin’ in Little Rock for a tour of historic houses. Then it’s "67 beautiful degrees with the Chi-Lites on Little Rock’s Favorite, K-Lite" (which I’m sure was on the FM band where there was a lot of "lite" radio back then). And ever so briefly, you hear a station ID for the great WDIA in Memphis.

This is followed by a little talk radio interlude. My best guess is that this is Ray Briem, an overnight talk host based in L.A. (KABC) who was doing a syndicated show around this time for the ABC Talk Network. (I’m not familiar with Briem and could find no clips online. Leave a comment if you can verify if this is him, or some other talk host.) And I believe the conversation is regarding the Civil Liberties Act of 1988, which was getting its finishing touches in the legislature around this time, and in a few months would pass with broad bipartisan support and the signature of President Reagan. The bill served as a giant apology to the thousands of Japanese Families living in America (a majority who were U.S. citizens) who were forcibly relocated into internment camps during World War Two, as well as providing them with over a billion dollars in reparations.

However, Betty doesn’t like the idea. Full of rum and rancor and barely able to complete a sentence, Betty’s angry half-thoughts have stumbled onto Ray’s late night radio show, and it’s not pretty. Instead of taking Betty to task or having fun with her ignorance, Ray just milks the call for all the outrage he can squeeze out of it– "We didn’t start that war Ray." And while Betty didn’t advocate dropping a few more A-bombs on Japan, and never referred to them as "nips" or "japs," but you know she probably has. And Ray (who’s apparently rather conservative and not in favor of allotting much cash to the cause) seems taken aback that Betty wouldn’t even sanction an apology to the victims. And if old Betty’s still up and around (which seems in doubt) she probably feels right at home in today’s era of terror-racism, border xenophobia, and the new growing fear of "they." After all, they attacked us.

Then, late late into the night, the whole kooky idea of recording radio in transit with a boombox really paid off.  Even if I wasn’t making these recordings I think the moment I turned in loud clear and clear Lightnin’ Hopkins while crossing the country in the middle of the night might have been etched in my memory anyway. But it’s nice to have the memory archived. Either way, it’s home cooked amplitude modulation of southern music and culture. It was the "Mid-South Power Connection, 13-Kixie."  This was the station I’d hoped to find. At the coolest darkest time of the night and after sixteen hours on the road, the Blues was all right.

The DJ, Paul Anthony Hickey, has a great night vibe and voice– clipped and warm, with a little urgency to keep you awake. Perfect. I find no reference to him on the web, but i like to think he’s still doing radio somewhere, possibly under another name. Following the talking blues of Lightning Hopkins, the funky Bar-Keys fueled blues of Detroit harp man Little Sonny kicks in hot and thick and the drums hit like a round of gun fire. And if you want to hear an example of why I still love the sound of music mutated through AM broadcasting, just listen to the intro to Sonny‘s "A Woman Named Trouble." And then if you compare it to the CD or vinyl and the keyboards, harp and drums will certainly sound more correct or real, but the compression and limiting of AM brings the funky sound up front and center– meaty, the way I like it. So clear, that we must have been pretty close to that 1K transmitter when this was recorded. And then there’s the beginning of a Jimmy Reed track. Jimmy Reed was made to be heard on an AM radio.

Anyway the recording is scoped, so you don’t get the full song. If I had made this collage today (instead of twenty years ago) I probably would have let Little Sonny play on. However, I did keep a lot of the flavor. I kept a couple commercials from the stop set that followed the music, and they’re both representative of a radio station that’s more connected to its community and culture than most are today. And speaking of meaty? If you like delicious home-cooked food (and who doesn’t) you might enjoy the ad for "Jobe’s Family Restaurant." Unless you’re a vegetarian, you may have a little Pavlovian response as you listen to this savory list of soul food fare. And yes, you could get your chitlins fried or boiled.

However twenty years after the fact, Jobe’s Family Restaurant is ancient history. Not only is there no references to it on the web, but the photo snapping vans of Google Maps’ "Street View" division archived the visual information from that strip of Jackson, Mississippi not long ago, and as you can see from the image at right, the lot at 1940 J R Lynch Street in Jackson has been stripped of its building. Looking at this blank sad piece of land reminded me of so many similar empty lots where the good times used to roll in Michigan cities like Detroit, Pontiac and Flint. That said, I’m sure you can still find plenty of home grown diners where you can order a hot greasy plate of ribs or fried chicken in Jackson, Mississippi. Just not at that piece of land on J R Lynch Street.

What can I say about the ad promoting the "Big Kickapoo Blues Festival." I lived in the deep south for a spell and was fortunate enough to attend a few of these big blues festivals in the summertime. The line-up at this one was typical– Little Milton, Artie "Blues Boy" White and Gary B.B. Coleman. Other regulars on a bill like this would be legendary artists like Denise LaSalle, Bobby Bland, Tyrone Davis, Johnnie Taylor, Betty Wright or Marvin Sease. It’s hard for me to tell you how much fun I had at these events, and the memories of total strangers sharing fried chicken, ribs, hard liquor and good times lives on somewhere at a cherished picnic table in my memory. Yes, there really is something about the south…

And WKXI is still broadcasting blues and soul in Jackson, although a few years ago a frequency swap with sister station WOAD moved them a hundred kilohertz down the dial to 1400 AM (which I guess would make them 14-Kixie these days). They used to have a website, and you can’t listen to them online either. But if you’re driving down I-55 that way you might consider turning on your AM radio.

As my friend and I approached New Orleans in the predawn hours, I had no idea that I’d actually be moving there in a few months and would end up spending the next ten years bouncing around the Gulf Coast. How that all happened is a rather convoluted tale that probably doesn’t really belong in a blog post. But beyond the personal journey, all my time in the south was also a radio journey for me. And thankfully, it came at a time when I was mindful of capturing some of that radio from the yawning jaws of time. And all those cassettes have provided a hell of a lot more pleasure than those old baseball cards I used to covet. And they’ve provided me the with options, like sharing them here with you. And it all began with this brief vacation.

The next few installments in this series will be recordings made within the city limits of New Orleans. And then eventually, some aircheck bits from the trip back north. So, if you’re in the neighborhood come back again to 1988 again and we’ll browse around the dial.

Sadly, I was in love with radio for a long time before I realized that it might be a good idea to keep some of it for myself. It’s mind boggling for me to think of all the radio stations, radio shows, air personalities and programming formats that have passed on since I’ve been listening. While I don’t regret all that much of my life, I do wish I could have been a little more prescient and stored more radio on magnetic tape in the last few decades. Memory is good, but it’s not accurate and you can only share impressions.

When I was a kid I actually did record from the radio. But like the file sharing teens today, I was simply doing what came naturally– “capturing” music directly from the radio with my tape recorder to avoid paying for it at the store. It was before they made that kind of thing illegal. But all I wanted was the songs. I couldn’t care less at the time about the DJ banter, the commercials, the news– all the stuff that in retrospect makes an aircheck interesting in historical context.

 In the spring of 1988 I happened to go another extended automotive trek, this time driving a rusty Buick station wagon from the Detroit area (where I lived at the time) to New Orleans for the Jazz and Heritage Festival. And I brought cassettes and another boombox. And this post begins a series of posts here on the Radio Kitchen blog, featuring some of the more compelling and entertaining portions of radio I snagged on that excursion– a cross section of American radio in the late 1980′s.

As I’ve mentioned here before, I never understood why car cassette decks can’t simply record from the radio. Looking online, I guess Pioneer did make such a thing a few decades ago but if you think about it just about every other tape player made always came with recording potential. And car radios are often great for DXing. Anyway, I’ve never seen one. But on this particular trip, I tried to make my desire a reality by recording some radio on the road with the boombox (while my friend was driving). If you’ve ever tried to do this, you know it’s not all that easy. Especially recording AM radio, where you really have to hold the radio up to window level to get a reasonable signal.

After I got the tapes home I did something I’d never done before (or never did again). I combed through hours of raw (and rather random) source tapes and winnowed it down to a one-tape 90 minute compilation (with cassette to cassette-pause button editing). Unfortunately, most of the original tapes are long gone. This is a little different from other posts here, in that this aircheck scrapbook years ago for my own entertainment, with no logs or notes. While I believe that most (if not all) of these edits are in chronological order, the actual recording on the road was intermittent. I tended to turn on the recorder when we neared larger cities. That is, unless I was driving (when I didn’t record). While the cities and stations included in this homemade artifact is hit or miss as we crossed the country, the variety of radio I included from New Orleans on this tape is somewhat extensive and full of local flavor. But then again, most things New Orleans are full of local flavor.

1988 Trip to New Orleans (part 1) – 1-75 in Ohio  9:34

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A cuddly country pop snippet of unknown origin gives way to a frenetic commercial for household goods on sale. Based in West Virginia, Hecks’ Department Stores had spread to nearby Ohio and Kentucky since 1963. But the “Almost Giving It Away Place" had already filed for bankruptcy by 1987 and within the next couple years they called it a day and sold assets off to another couple retail chains that wouldn’t last much long either. A whole lot of regional discount outlets have disappeared since that time (smell the Wal-Mart?), and I miss hearing this kind of sales exhilaration for items like toilet paper and bleach.

A couple of quirky bits later (including some jesus optimism), you hear a punchy keyboard intro for “The Mike Sento Show” on Dayton’s 1290 WHIO (what great classic call letters!). It’s not just a talk show, it’s a “midday forum” I wish the tape gave us a little sample of Mike himself. Apparently, Mr. Sento doesn’t have regular talk gig right now, but he’s still around. Not so long ago he filled in for the dull-witted Mike Gallagher on his national program. (Not a good sign…)

And then there’s the "Van Man.” Bobby Layman. Apparently, Bobby was selling vans with a bit of a personal style. He measures “your needs” and “fits you to a van.” (Something snug with side-mirrors, perhaps?) But however Layman was fitting all those vans back then, he must have been doing something right. He now has his own Chevy dealership at the same address as the Columbus, Ohio "Van Man" headquarters advertised here. Catchy commercial.

Remember Fawn Hall? The Iran/Contra Hearings… Oliver North’s secretary… Shredding critical documents… and the her infamous testimony: "Sometimes you have to go above the law." She was still shining ripely in the middle of her fifteen minutes of fame in early ’88, and Harvey announces she starting to cash in it by co-hosting a syndicated talk show next month (which we can assume didn’t exactly set the world on fire). Since then, Hall actually had to kick a nasty crack cocaine habit in the 1990′s. Which is kinda ironic, considering her old boss Mr. North funded the Contras with cocaine cash.

“Race fans! Put this in your mind! The sheer spectacle of wheel standing super-charged funny cars with their front wheels up in the air and then showering sparks of titanium all the way down the quarter mile drag strip at a hundred and sixty miles per hour!”

Now, that sounds like entertainment. It’s the vintage boom and bluster of a classic drag strip radio spot for Kil-Kare Speedway in Xenia, Ohio. Do raceways still advertise like this? I hope so. When I was a kid CKLW and WKNR thundered with ads for the Detroit Dragway– boisterous announcers glorifying the exploits of drivers like Tom “The Mongoose” McEwen and promoting all the earth rumbling rapture to be found at the corner of “Sibley at Dix.” While the old Detroit Dragway is history, Kil-Kare Speedway which will soon celebrate 50 roaring years of fun in Southern Ohio. Bravo.

Waterbeds. Remember waterbeds? From the seventies on, it seemed like every mile of suburban highway sprawl was decorated by two or three waterbed outlets stocked with all your splashy mattress needs. Local radio and late night TV were littered with waterbed store advertising as well. Things have changed. (When was the last time you’ve seen a waterbed?)

We miss the beginning of this commercial for “Henry’s Waterbeds,” but there seems to be a sports theme at play. The announcer hawks his wares in a loud and gruff testosterone fashion over the sounds of a simulated cheering throng. Which falls right in line with the general appeal of waterbed stores– to specifically lure men in to browse and buy household goods and furniture, thanks to the fact that the main attractions on the sales floor offered the promise of carnal hydraulics in the bedroom.

Rock and roll on the AM dial is almost as hard to come by as a highway waterbed outlet these days (or a drag strip for that matter). However, in the late 80′s the oldies format was still a big contender on the AM dial. But not for long. By this time the playlists for these stations had gotten so tight and so predictable that format burnout has assured the passing of many of these stations. Just like this snippet from that afternoon of Cincinnati’s 55 WKRC, a segueway from the Turtles’ “Happy Together” to “You Really Got Me” by the Kinks. How long can anyone continue to listen to those same three-hundred songs?

“Rich or old, young or poor, even if you have very little money and you have no credit or bad credit, don’t let that stop you.”

There’s a time check here, it’s almost 1:30 in the afternoon. I switch to another station. An AM signal with a stiff whine. It’s one of those soap opera update features (do stations still do this). It’s a somewhat inspired synopsis of the ongoing saga of the “Young and the Restless.”

“Z-93 Where the hits always hit first. I’m Cat Summers with one of the hottest ladies around right now, just coming off her Academy Award for Best Actress. The new one from Cher, written and produced by Bon Jovi. It’s called “We All Sleep Alone” on Z-93.”

Well, that was a near perfect mic break from “Cat Summers” (My GOD, the greatest fake name in top 40 radio history?…) on Z-93 (in Eaton, Ohio). It’s really a perfect mic break– warm, succinct and pure smooth all the way to the post (where Cher starts to sing). It hits the pop culture buttons and says nothing. And the positioning statement– "Where the hits always hit first," is catchy enough. But by 1988 there was no bravery in corporate music radio, and you can be sure no song would make a playlist in a market like Dayton if it hadn’t been officially approved by consultants, sanctioned by some kind of payola, and blessed by some call-out research. Of course, the illusion remained for some that the DJ on the air had some say the music they would play.

Z-93 is the late lamented WGTZ transmitting from Eaton, Ohio a couple dozen miles west of I-75. Z-93 was born when they canned the beautiful music format on WGTZ in 1983, and it served as the major CHR (contemporary hit radio, or top 40) station for a large swath of southeastern Ohio, including Dayton and Springfield for over two decades. While this kind of radio ain’t my cup of tea, for years this station was local spot on the dial where kids and young adults went for the hits and the happy camaraderie of shiny jocks like Cat Summers. In November of 2007 the owners (Main Line Broadcasting) went out and fired all the DJ’s and flipped the station to the new "variety hits" format, otherwise known as the "Jack." Some people in Ohio are still pissed off…

This leaves us at the crossing of the Ohio River that April afternoon in 1988, and as night falls we’ll sample some southern R&B radio along I-40 and then I-55. As I mentioned, the coverage from the road in either direction will be spotty, but once we get to New Orleans there’s plenty of broadcasting to hear from the Crescent City, back when it was all still there.

This year I got lucky. It hasn’t happened since my parents bought me one of those flip-top multi-band portables in the early 1970′s, but this year I actually got a great radio for Christmas. I was the merry recipient of a little black Grundig G5. I already knew this was a sweet receiver before I turned it on. Not just because I’ve read plenty of swell reviews, but also because I basically already have one. But now that I’ve gotten my hands the G5 itself, I can see that’s not really true. While this Grundig basically has the same electronic guts (and reception potential) as the Degen 1103 I purchased almost two years ago, the G5 is really a different animal. And in short order, it’s already become my radio of choice. I like it. And just to share the wealth, here’s a tasty bit of reception recorded just a few hours after I unwrapped this little beast.

Radio Bulgaria 9700kHz 12-26-07  0131 UTC  23:05

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By my measure, the glorious minor-key wonders of these songs is reason enough to own a shortwave radio– just to be able to capture a bit of exotic music from an exotic faraway overseas transmitter. Okay, maybe the transmitter isn’t exotic, but you catch my drift. And while there is just a little fading here and there, there is no drift in this reception, as these 31 meter radio waves bounce over 4500 miles and across the Atlantic to my new portable. I believe the announcer is speaking French, but it hardly matters. This music is haunting and rich and seeped in electrical atmospherics of the planet. It’s Earth flavored.  

The exuberant manufacturing boom in China has also provided a real revolution in shortwave radio product development. The 1103 radios (and the improved G5/E5 versions) are just a couple chapters in the canon of new and compelling Chinese world band radios coming to market. The Degen (or Kaito) 1103 is best known in radio circles for blowing minds and frustrating others with its awkward interface, although almost everyone acknowledges that the receiver is a good value. Generally available for eighty to a hundred bucks, the 1103′s are damn sensitive and selective (with dual conversion to cut back on wayward images). And it scans the dial almost as gracefully as an analog set, moving through the frequencies in 1kHz steps with NO muting and very little chuffing. And perhaps the near analog scanning capability of this radio may have led to one of the oddities of its design. Most of the LCD screen is of the 1103 is filled with a pseudo-analog multi-band display, much like you see on less expensive non-digital receivers. It’s the same trick Sony tried in the 1980′s with the ICF-7600 & 7700. While it’s kind of entertaining and somewhat informative, the fake display is not very accurate (the motion of the LCD "needle" is jumpy and very un-analog), and there’s not much room for much information other than  the frequency. And all the text is quite small to make room for the imitation analog entertainment.

But the biggest complaint has been contrary ergonomics of operating  the radio itself. The worst of it is the lack of a dedicated volume control. Before you can adjust the audio level you have to push a button, which briefly turns the tuning knob into the volume control. Likewise, when listening you have to press a "time" button to briefly change the frequency display into a digital clock. Add to that the abnormal straight line format of the frequency input number buttons, and the fact that you can’t see the frequency and the time at the same time, and it all adds up to a quirky little radio. Yet I was quite pleased with mine and got used to the eccentricities.

But I gotta tell ya, after playing with the G5 for an hour or so I was clearly impressed. Side by side with the 1103 the reception seemed on SW and AM seemed about exactly the same, but there was even less chuffing when zipping through the frequencies. And when I was really looking for something to listen to, everything happened more quickly. It made me realize that with the 1103 I really did have to pause to think when I would punch up a frequency or change the volume. It’s just a smoother operation. But when I had to choose between these two radios, the E5/G5 was almost twice the price of the 1103. And it is NOT twice as nice. But it is better and a little bit more fun. However, the E5/G5 can now be found for a little over a hundred bucks. And it’s well worth that.

Now if you’re keeping score, you may have noticed that so far I’ve been talking about two different radios (that are very similar) and they both have slightly different brand names. Well, there’s now three companies main companies that are manufacturing this new wave of portable shortwave receivers (Tecsun, Degen and Redsun) but through the idiosyncrasies of trade and profit they end up with another brand name before they wind up on American store shelves. They become Kaito radios, or Eton or Grundig or something else. While the original Chinese branded radios aren’t generally sold on the web either, there’s a loophole of sorts that’s allowed a handful of dealers in China to sell them on ebay. And from what I can tell, they must be selling thousands. They all follow the same basic formula. All their auctions are "buy it now" (fixed price, no bidding), and including the somewhat expensive shipping from China still about twenty to thirty percent cheaper. And from what I’ve seen, all these Chinese sellers have excellent ratings on ebay. I assume there’s some risk, and I accept that as part of the bargain I guess. But I’ve never had any trouble.

However the biggest distributor or these Chinese radios in the states, the Eton Corporation, has been troubled by all these alien radios crossing the border to compete with their re-branded versions. So behind the scenes they seem to have worked out some "arrangements" with their Chinese affiliates. A couple of years ago some key Chinese radios that were popular on ebay suddenly were labeled with Chinese text, not in English as they had been. And some new models (or re-models), like the E5/G5, seem to have gone straight to market in North America and Europe with no versions branded by the actual manufacturer even going on sale in China. Another reason people might have been getting the Tecsun version of these radios is that in China they’ve been selling them in bright colors– red, yellow, blue, etc. Now Eton is getting splashy with the colored plastic too. Some of their new crank up survival radios (made by Tecsun) now come in all sorts of fancy shades.

And you know, bravo to Eton for their marketing schemes, for the most part. But sometimes it gets a little silly. Like calling the Grundig S350 (or the Tecsun BCL-2000) a "retro field radio" and carrying on about its "rugged body and military-style controls.” It’s freakin’ plastic for chrissake. And military style? It all sounds like a brainstorming session gone wrong. I noticed a picture of a G5 box which also described it as a "field radio." What does that mean? It makes me think of a war utensil, a camouflaged walkie-talkie or something. While this is silly, my biggest complaint is that Eton has gone so far as to actually rebrand their own rebranded radios. Why? For example my christmas present, that Grundig G5 was originally called an Eton E5. It’s just a different color than the E5, with a different logo. And both of them remain on the market. They did the same thing with the S350DL. It was originally a Grundig radio. Now it’s either a Grundig or an Eton S350DL. Using separate brand names for regional distribution is one thing, but it seems to me that the only good reason to multi-brand an item within a given market should be to differentiate an alternate feature set in some way, not a slight change in the way it looks.

But the good news is this– thanks to these Chinese radio companies and their distributor cohorts, old crackly shortwave gadgets are still alive in this era of small and fantastic gadgetry. While serious DXers and big radio enthusiasts always have new toys and new technology (showing up in seductive trade publication ads), because they consistently are willing to pay for it.  But for shortwave dabblers and casual listeners like me (and perhaps you), the array of more affordable radios had grown quite stale through the 1990′s. In that time a number of companies had gotten out of the shortwave business, and others (like Sony) were discontinuing models left and right, and weren’t coming out with anything really new. Much like the boring car designs of the 1990′s, the layout and functionality of the shortwave radios on the market was pretty universal and grey and boring. Unfortunately, I started to get an itch to start fooling around with shortwave listening again during those dark days.

I decided I needed to go out and buy a radio of some substance. Over, the years usually had a boombox around the house with shortwave reception, or a cheap Radio Shack (Sangean rebrand) portable in a drawer somewhere. But I’ve always looked longingly at the more expensive portables on the high shelf with their tempting green screens and scientifically accurate digital readouts, and wondered what it would be like to harness such power. So, this time I decided I was going to blow some real dough (relatively speaking) and get serious and invest in a digital shortwave receiver. In retrospect, I didn’t have all that much money to play with. But after some research my choice seemed to be between the Sony ICF-SW7600GR and the Sangean ATS-505. Fiscal realities led me to the 505. The cheapest of the two.

I should have saved up for the Sony.

A couple years later, the shortwave portable scene began to get back some of the cool factor that had always been its birthright  There’s something about a small and discrete global radio that appeals to the "boy secret agent" in a lotta guys. I suspect there were contributing factors– like the passing renewed interest in world radio after the 9-11 events, combined with our ongoing lover affair with small complex gadgets. In 2002 and 2003 a number of innovative and powerful SW radios went on sale. Radios like the Degen/Kaito 1102 & 1103, and the Tecsun BCL-2000/Grundig S350 were all groundbreaking for their price, and these and other SW radios that China starting to make were user-friendly for bandscanning– combining the best elements of analog and digital tuning. And all of these sets could be found for a hundred dollars or less. Casual shortwave listener/consumers like me could get a little giddy. And since that time, more interesting SW radios in that price range have gone on sale. And the prices are dropping.  

And what was kind of amazing to me, is that for next to nothing ($25 or so) you can actually get a real global radio made in China, that is just about the same size as an old transistor radio. And they’re not just feeble cheap toys. For example, I bought something called a Tecsun R-912, from China on ebay. It’s a multi-band analog cheapy that exists with a quite a number of model names that have slight design and color variations. In the U.S., the same little bad boy is called a WRX911. While this is a no-frills radio with a tiny speaker and a cheap thumb-wheel tuner, you get all the major shortwave broadcasters on it and it’s not a bad DX machine on AM as well. I’ve walked around the neighborhood with mine listening to stations as far away as Africa and Asia in my headphones. If I could send one thing back in time to me when I was a kid, it would be this little cheap and global radio wonder.

I’ve been remiss in offering up another bandscan since I kicked off this blog a couple months ago. So, here’s another. When I go about trying to choose a tuning session to present and discuss here, I like to offer one that features some compelling English language content, a few interesting overseas broadcasts and hopefully not too much RF noise and interference. However, this particular scan is noisy, there’s no great DX catches and the content is kind of ridiculous. But as I was recording this, I couldn’t help thinking about how strange human beings really are. Shortwave listening can do that.

Because I live in a very RF polluted environment, I do most of my shortwave listening and DXing when I get out of town. And while there was less radio noise than home at the cabin in the Catskill Mountains where I recorded this, it was still less than ideal. It was the Friday after Thanksgiving, and after a meal of leftovers I set up my little recording setup and started roaming around the bands.

I will say one thing about shortwave radio– if you want to hear thoughtful opinions on current events and learn more about the world we live in, then you can find all that and more from broadcasts originating from places like Europe, Asia and Africa. But if you’re more interested in listening to religious intolerance, ignorant diatribes and the kind of entertainment only mental illness can provide, then tuning into one of the many shortwave transmissions originating from the United States will certainly suffice.

Besides the Voice of America (the U.S. international service) there’s a couple dozen or so privately owned shortwave stations in the states, many with multiple transmitters. I believe that all but two of these are owned and operated by Christian organizations. Most are brokered outfits– selling chunks of time to churches, groups and preachers to scold and beg and talk about the bible. And to be fair, as shortwave listening in America has declined so drastically these days, Christian programmers and their listeners are by far the most viable financial resource for these stations. WBCQ in Maine, with their handful of SW frequencies have heroically cobbled together a creative and entertaining secular programming and cool music shows on their schedules (mostly on the weekend on 7415kHz), but the bulk of their on-air roster is the same holy-roller nonsense you hear on most U.S. shortwave stations.

Here’s a little sample from WBCQ’s weekend lineup. This was recorded not long before the bandscan I’m posting here. It’s nine minutes of a relatively new program on WBCQ– Bluegrass State of Mind, hosted by your buddy "Hawkeye" Danny Haller. I’ve never heard this show before, but this guy sounds great and the music’s mighty fine.

WBCQ – Bluegrass State of Mind 11-23-07  23:35 UTC

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Besides WBCQ, there’s not much on U.S. shortwave that ain’t about Jesus. There’s a few DX shows and Glenn Hauser’s "World of Radio," on a number of stations, but the only other format that gets any real traction on American shortwave radio are the paranoia and patriotism talk shows. There’s quite a number of these programs. And although they come in a variety of flavors, the’re generally populist conspiracy based presentations invoking fear and vigilance. Some of these programs come from a distinctly Christian perspective. Some do not. However, none of them are anti-Christian. That wouldn’t be a good business model for shortwave broadcasting in America.

Like the first bandscan I posted here, this is another amble through the 49 meter band– which is as close as shortwave gets to the reception dependability of the AM (medium wave) band here in the states. From around 5800 to 6300kHz, there’s almost always a lot of activity after dark. I rarely get anything farther than western Europe on this band. But it’s very popular for the Asian and European state broadcasters who relay their programming to North America via Canada and the Caribbean. But most significantly, it’s the most popular band for the sideshow barking of the evangelists, doomsayers and hellfire merchants of American shortwave radio.

49 Meter Band part 1 – Catskill Mountains, NY 11-24-07  00:17 UTC

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5755 – KAIJ – Texas, USA – Radio Liberty

5810 – EWTN Alabama

5810 – WHRI – World Harvest Radio

And what fresh hell is this? I guess this is one of the reasons I keep listening to shortwave– to hear bizarre America in all of it’s glory. This is as twisted as anything I’ve come on the radio in quite a while. Imagine you’ve picked up a preppy freshly scrubbed hooker, and once you get her up in the room all she wants to do is talk about "the father." That’s kind of what this sounds like. 

49 Meter Band part 2 – Catskill Mountains, NY 11-24-07  00:39 UTC

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6000 – Radio Habana Cuba

Sitting right in the middle of the popular 49 meter band with the round figure of six-oh-oh-oh, RHC has one of the most easily remembered frequencies in shortwave. From the eastern US, it’s always there at night. Usually clear. I believe they switch their English service on and off with their 6060 signal, and I’m never sure how that works. But here it’s Español, and a booming actuality of some man, from somewhere, saying something. And then I turn the station.

6005 – NHK Japan

6020 – Radio China International

The female announcer is all jazzed up over the upcoming “high-level” Olympics Games in Beijing. And she’s not just worked up about the opening ceremonies and all those athletic performances, but apparently the security work and favorable press commentary promises to be very “high-level” too. All in all, they’re expecting a “high level Olympics with distinguishing features.” Me too. As well as a few distinguishing health events once some international athletes get their lungs full of the high level of Chinese toxins floating around.

6030 – Radio Marti

6040 – Radio China International

6060 – Radio Habana Cuba

It’s Cuba, with worse than usual reception. But it’s a sonically interesting bit– Spanish announcer with odd-sounding Asian music splatter from another station (Do you hear some Yoko-style yodeling in there too?). Even if it doesn’t mean all that much, it’s rich aural eccentricities like this that keep shortwave radio interesting, as well as the psychodrama and the international reception possibilities.

6085 – Family Radio

That’s it for this bandscan. I promise the next hike up the dial will be another shortwave band, or perhaps a medium wave journey. These two chunks were not every thing I picked up on 49 meters, but is everything that seemed worth sharing. Believe me, you’re not missing much. And if you don’t usually turn the knobs on a shortwave set, let me assure you that the reception isn’t always as problematic and buzz-ridden as you hear in these archives. Then again, it can be much worse.

You don’t have to listen to the 49 meter band to know that the U.S.A. has a strange and superstitious dark side. But some of the crap you come across on that band sure does drive the point home. And sadly, shortwave signals still travel far beyond our borders. And this is what we broadcast to the world– our preoccupations with personal sins and lots of crackpot dogma. And thankfully, a little bluegrass.

From my casual and primitive DXing experience, many powerful shortwave stations from around the world can be picked up from Eastern North America, as long as the signal doesn’t originate from anywhere directly blocked by the massive mountains of the top three quarters of the North American Continental Divide. In other words, with a booming transmitter from the closer sections of Europe, Africa, the Middle East and South America are the most likely catches from overseas. Deeper into these zones and continents (and Asia in general) are difficult terrain for DXing rewards from here. That said, with my limited portable equipment I’ve been able to pick up signals from at least three of the major broadcasters from the Southern Orient– India, Australia and New Zealand. I’ve always assumed that these signals ride skywaves over the lower mountains of the Southwest and Central America. But I’m no expert.

I do know that all the overseas states located directly west of the tall Rockies who are serious about reaching US citizens via shortwave rent relay transmitter time from Canada, as well as sites in the Carribean and Europe). In fact, if you happen to come across international broadcasts  from Vietnam, China, Japan, South Korea, Taiwan or Thailand on shortwave in Eastern North America, you’re probably hearing a relayed transmission from several hundred miles away. But the recording I’m offering here is of reception from from far across the world. Considering the distance travelled, the reception here is fairly healthy. A little hairy, but practical. And there’s no local RF noise getting in the way. You really can hear the details it if you pay attention.

Radio New Zealand International pt 1 – 9615kHz – 07-07-07 0644 UTC 15:05

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This first bit is an interview with Canadian chemist and author Penny LeCouteur discussing her book about molecules that have changed the world. Of note here– the legacy of how James Cook and ascorbic acid made the south seas safe for European explorers and colonists.

Then the cassette came to an abrupt stop, and the part two of this recording begins with the flip of the the tape. At the onset of this archive the interview is aborted in mid-sentence and a female announcer formally announces that Radio New Zealand International is closing on this frequency. After twice insisting that I “re-tune to six-zero-nine-five kilohertz in the forty-nine meter band” (followed by a clipped “This is New Zealand”), it all sounds so damn official that I felt compelled to follow the instructions. Although I knew that just because RNZI was booming in on 31 meters didn’t necessarily mean it would come in so strong (or might even be heard) on the 49 meter band.

After the news, it’s the beginning of a program I can barely believe I’m hearing in 2007. A faux flapper-era theme song launches a “nostalgia packed selection of favorites” that will saturate the skies of Oceania for the next four hours. While I love a lotta old music, the whole idea of “nostalgia” can get a little silly. Although I must say that old Joe Franklin used to pull it off with some charm on WOR here in New York City before he gave up the show a few years back. It’s really an approach to radio that’s all but dead here in the states. But apparently not in New Zealand.

As you’ll hear if you brave through this chunk of pulsing and buzzy DX radio, there are a couple of corny numbers to wade through. But I gotta tell you, that sitting outside in the middle of the night with an artifact-drenched AM signal from the other side of the world filling my headphones, it felt reassuringly twentieth-century. Maybe you’ll hear what I mean. And the Paul Robeson and Mills Brothers seemed quite appropriate.

I guess a little nostalgia isn’t so bad.