Archive for the 'Broadcast Band' Category

Back To The Old Shack

Monday, October 27th, 2008

Deep in downtown Manhattan, there used to be a street of dreams– Courtland Street. The far western end of it was known as “Radio Row.” From what I understand, it was an old-fashioned electronics paradise. If I could afford one of those high-end time machines and could simply whoosh back to 1949 or 1958, one of the first things I’d do would be to jump on the Broadway IRT down to Chambers street and wander Radio Row– ogling the glowing dials, fondling those bakelite knobs, and tracing my fingertips over the bins and racks of cables and adapters and connectors. (And then… Coney Island!)

That end of Courtland Street is long gone. Tore it all down to build a couple of hefty skyscrapers back in the mid-60′s. Strangely enough, they actually fell down seven years ago (you probably heard about it) and there’s still just a big hole there with a bunch of men doing stuff. Heard they’re gonna make a “freedom tower” (whatever that is). But you can be sure that they’re not bringing back Radio Row.” But I wish they were. Electronics stores don’t fall over so easily.

Sadly, I didn’t grow up in New York. Never saw radio row. (Never had a sandwich at an automat either.) I’m from the land where the strip mall and the tri-level home were perfected, where the lawns were manicured and grownups beat you every now and then. And if you had a passion for patch cords, police scanners or little suction cup doodads that could record your phone calls, you didn’t have a radio row. You had “Radio Shack.” And you had to love it. And they sent you full color catalogs in the mail. In fact, they used to ask for your address every time you bought something. They knew you wanted the catalog. Probably the second best type of bathroom reading a boy could get for free.

Now you may think it silly to say anything reverential about a chain store. And for many, the name “Radio Shack” was kind of a punch line for any joke about shoddy electronics. And if you were lucky to have a classy radio shop in your town, or a hot and well-equipped electronics franchise in the neighborhood, you could easily look down your nose at all the knock off goods with silly brand names like “Realistic” and “Optimus.”

But what Radio Shack did do, they did very well. They served the working stiff and the average family, providing inexpensive and (somewhat) durable electronic gadgets and gear at reasonable prices– in a small “Sears” kind of way. But more uniquely, they were the neighborhood place to find all variations of audio receiver. And if you needed some part or piece or connector for a radio or sound system, you knew you could find it at your local Radio Shack. And it probably wouldn’t cost you a fortune. The Radio Shack chain was a practical American reality. Like having a gas station nearby. And with more than six thousand stores across the country, there was usually one just a short drive away– at the mall, the shopping center, or out on the highway. And while Radio Shack was always handy for batteries, tapes and wires, I was always profoundly aware that these little stores always had cool radios in stock. Especially shortwave radios.

In retrospect, your local Radio Shack didn’t really have the very best shortwave sets on the market, they always had a few really good ones. And in the days before more sophisticated anti-pilfering technology, the pricy/fancy radios were usually behind the counter or up on a high shelf over your head. For all the hundreds of times I visited Radio Shack outlets, I doubt I ever went out the door without at least briefly casting my eyes on the store radio shrine, and all the chrome and buttons and green digital display screens.

As I’ve been speaking of Radio Shack with atypical nostalgia (and using past tense) you may be working your way through this post looking for the obituary– a story of stores closing or some transformative merger at hand. Nope. In fact, you can stop looking for any definitive news about Radio Shack at all. Because the point here is more about definition, about how a huge chain of stores slowly stumbled away from its identity so far that it’s not much more than a tiresome "Rite Aid” of electronics.

As you might imagine, the Radio Shack chain started as not much more than a supply store for radio hobbyists and professional radio operators. Then back in the early 60′s they merged with a leather goods chain run by an ambitious dude named Tandy, and his vision made Radio Shack the ubiquitous hobby/technology mart we all knew and needed, and some of us loved (even if we wouldn’t admit it). In the late 70′s they started selling their own make of computer that did very well, and the chain flourished. It’s easy to forget what computers were like so long ago. There was no public internet and very little software available. If you had a computer you could crunch numbers, write programs, and most significantly you could play games with them (which were incredibly primitive by today’s standards). The point being it all fit in with the Radio Shack vibe– providing complex toys and all the accessories, for people who were serious (and even thoughtful) about having fun.

And then there were the radios. Radio Shack always had a wide variety. And a scan of the high-tech receivers on their shelves, or thumbing through one of their catalogs, gave you that big futuristic American feeling of technology on the march. And they had their own brand of radios. And the more elite and muscular models had bizarre features far beyond the understanding of most casual listeners. Radio Shack had radios for people who loved the gadgetry of radios and for people who wanted high-performance radios that could tune in signals from the other side of the world. Like me, and maybe you.

Through the 1990′s there were changes afoot in radio-land. Beginning with the end of the cold war, which for many years had generated the scintillating content that kept people listening to shortwave radio. Then the march of technology made the need for elaborate lo-fi radios less relevant by some measure–In 1992 the world wide web was opened for business, and the next years web (streaming) radio, became a reality, followed by the creation of the graphical web browser in 1994. And then the next year an executive from Ralston/Purina took the helm of Radio Shack. While Radio Shack had become much more than a supply store for radio freaks, putting a pet food magnate in charge of a huge electronics chain with a very unique (and some might say eccentric) heritage might have been kind of a mistake.

Although there was a change in logo that came with the new guy in charge, Radio Shack didn’t change all that much at first. But as the 1990′s were grinding to a close, a lot of Radio Shack customers began to notice that a few things weren’t right at their neighborhood "shack." Like the lack of radios.

I wasn’t able to find any definitive writing on what really happened to Radio Shack, but I did find this article in a retail trade publication from 2005 all about the new and improved version of the electronics franchise, called “The Stuff Shack.” And to read this insider write-up is to see just another example of how in our era of über-capitalism (is it over yet?) a retail entity which had long provided a valuable service to particular type of consumer abandoning their base clientele to pursue massive profits predicted by people with no fundamental understanding what made the business successful in the first place. In a nutshell:

“Earlier this year, the company announced plans to accelerate the rollout of a new product mix. The concept favors the chain’s seven best categories: wireless, accessories, power, modern home, personal electronics, technical and services.”

No mention of radios. Searching the document I found no instances of the words: “shortwave”, ”cables”, “adaptors” or “antennas.” These were all the reasons I usually went to Radio Shack. I really don’t think many people begrudged Radio Shack for carrying a bunch of big ticket items and pushing cell phones like candy, but when their stores got really slack about stocking the kind of goods they were famous for, and the handy friendly geeks at the counter were replaced by slick sales sharks, it became painfully obvious that the service Radio Shack provided for thousands of communities was abandoned in the name of tawdry short-sighted greed. And the article I just quoted had one big revelatory announcement– Radio Shack had just hired a new Chief Operating Officer, a visionary woman who had spent the spent the last thirty years climbing the corporate ladder at McDonald’s. (In her defense, I guess she did help “spearhead” the launch of McDonald’s salad products and shepherded the "McRib” concept to fruition.)

The fact is the vast majority of radio related items that used to be the heart of the Radio Shack catalog have been discontinued. I’ve actually been in Radio Shack stores that had only one or two shortwave radios in stock. And forget about asking the floor hustler staff on hand any technical questions about them, or almost anything else. As you might imagine, I’m not the only one dismayed by the dawn of the super slick “Stuff Shack”. (Check out some similar gripes here, here or here) So as a remembrance from the late glory days of Radio Shack, here’s a souvenir. It’s an informative starter kit for the fledgling shortwave radio listener.
   
Radio Shack Tape – The Sounds of Shortwave (1992) pt 1 10:53
(download)

Welcome to the world of shortwave radio!” beckons this cassette tape after teasing with a tasty little collage of HF turning. “Listening to Shortwave” offers a respectable overview of how shortwave radio words and how to listen. Certainly not the masterpiece created by pop producer Mitch Murray (Long Live Shortwave!) that I offered in this post, but this Radio Shack production is more contemporary and discusses the more modern digital tuners we use today. Although more experienced listeners won’t learn a lot listening to this tape, it really is a fairly thorough overview of the how and why of shortwave listening.

Side two is more fun, bringing home the “world at your fingertips” thrills that radio boys (of all ages) can still find so compelling. “So what’s out there?,” the announcer ponders, and then the production “hops around” the shortwave bands offering some radio flavor from some of the big players in international radio (BBC, DW, The Voice of Russia…). The samples aren’t amazing, but they’re good. Most offer tidy reception, although the sound is authentically rich with the inherent distortion that you grow to love as a shortwave listener. Not static, but the poetic audio artifacts of the technology and the planet it traverses. 

Radio Shack Tape – The Sounds of Shortwave (1992) pt 2 11:28
(download)

One thing that’s completely left out of the mix on this tape is all the evangelical stupidity and insanity that infests North American shortwave broadcasting. Probably because it’s a touchy issue, and as this package is also sales tool to market Radio Shack’s shortwave radios they wouldn’t want prospective radio buyers to realize the scope and disturbing nature of Christian dreck clogging up the shortwave dial in the states. So although it’s understandable, ignoring this reality makes this tape and booklet less than representational of "what’s out there."

The “bandscan” offered is really a collage and not an accurate representation of the noise and faint signals you’d run across in a typical trek through the kilocycles, but with so many changes in what’s available on the shortwave bands (and what’s offered) it’s hard not to feel a little nostalgic when you hear some of these snippets of shortwave broadcasting. But then again, 1992 feels like a long time ago right now. And at the end when the announcer talks about hooking your computer up to a couple of shortwave radio bulletin board systems (BBS) to pick up “a load of information” about shortwave schedules and propagation conditions.

Speaking of information– the accompanying book that came with this tape, “Listening to Shortwave,” is a much more thorough shortwave radio primer, with plenty of charts, graphs and illustrations that would make any shortwave tenderfoot smarter, wiser, and better at small talk at any hamfest or at the annual Kulpsville gathering. And as a lagniappe for stopping by The Radio Kitchen today (and reading this through to the end), I offer you your very own copy of “Listening to Shortwave” as a PDF file. (Which you can download by clicking here.) And you’re welcome.
When this kit was created, Radio Shack had specialized in shortwave radio for decades. And I’m sure they thought this starter kit would have a shelf life of a decade or more when they put it together. But time was not on the side of radio-heads at the Tandy corporate headquarters. The web opened up to the public that same year, and many things would soon change. The BBS systems that remained would be integrated into the internet, broadcasting around the world could soon be accomplished with a modem and a net connection, and in a year or two interloper food executives would start to turn a national hobbyist’s lifeline into a mega-chain “stuff shack” for couch potatoes and teenage girls.

And I’m not even going to mention the BBC, and Deutsche Welle and now the RADIO NETHERLANDS ( !) all abandoning their English broadcasts to North America in this decade. It’s just too damn depressing…

I probably never would have admitted the importance of Radio Shack in my life until recently. It was easy to make fun of the clips and coax and scanners– and some of the people you might see there (like me!). But ever since I was a kid, it was dependable– for radios I usually couldn’t afford as well as practical patch cords and adapters I had a hard time finding anywhere else. And once I started to notice the radios missing from their shelves, and to find more and more people behind the counter at Radio Shack stores who didn’t know a shortwave radio from a continuity tester ("But would you care to take a look at this humongous flat-screen TV?.") I realized I was beginning to grieve…

However, recent visits have led me to believe that the Radio Shack enterprise may actually be getting serious about reclaiming a little bit of their heritage. As I duck into RS outlets in my travels, I’ve been seeing a few of the new shortwave models on the shelves. I don’t sense they’re rebooting their brand again, but there seems to be a corporate move afoot to put a few radios on display at their outlets (as decorations perhaps?). If I had to venture a guess, it might just be that after years of customers coming into Radio Shack looking specifically for radios they might make a little cash if they had a few on hand… just in case. (I wish some of the great shortwave services of Western Europe would see it the same way, and beam some content over this way, just in case some of us might be listening.)

Here’s how the “Sounds of Shortwave” tape ends. I admit it’s hokey, but nonetheless, I approve this message:

“Just think of it. As you sit there listening to this tape, or flipping through the pages of the book, thousands of signals are zipping by you at the speed of light– voices and sounds from all over world just waiting for you to listen. All you need is a shortwave receiver, and some electricity to power it. And you’re off on a wonderful adventure in the magical world of shortwave broadcasting.

Happy listening!”

NOTE: My friend Doug Hammond just sent me this amazing link– a whole bunch of old Radio Shack catalogs online! Browse through the glorious yesteryear of Tandy Incorporated to your heart’s content. And you can help by contributing images of catalogs they don’t have yet. Amazing. Thanks Doug!

 

G4 No More & 1123 Skidoo

Wednesday, October 15th, 2008

Do you ever find yourself waiting for something to be invented? I take that back. What I really mean is– do you ever wait for a specific type of gadget to hit the market, so you can buy one? I’m not talking about science fiction, but just wishing for a practical tool to be created, built and sold; one that seems well within reach of current technology. I want an MP3 player/recorder with AM & shortwave radio. Is that too much to ask?

My desire is a utilitarian thing. A simple tool (and not too big) which will easily record and store MP3 recordings of reasonable quality from an onboard SW/AM radio. It’s not a crazy idea. Plenty of cassette boomboxes in the early 80′s did almost all that more (but took up more space). Of course, I want it to work well. And I’d prefer that I could also schedule automated recordings, like a VCR or a TiVo does for video. FM band? I don’t need it, but other consumers will probably want that too. This whole idea is not beyond today’s technology. Yet, I wait.

When I record radio for this blog, I use old-fashioned audio cassettes (which I then digitize). It’s still a reliable technology for which I have admitted affection. But in practical terms it using them eats up critical time and space in my already cramped and cluttered lifestyle. Unless I’m just recording a strong or local station, I generally have to rig together a tape deck and a favored shortwave portable with a patch cord. This can be more problematic than you think. Cords and connections may short out when moving the radio or antenna around to improve reception. (And I don’t know enough about electronics but there’s some kind of a buzz that seems to get into some kind of a feedback loop that at least seems to be caused by the patch cord.) And then everything takes twice as long as I end up dumping all the audio into my laptop, and then compressing them to MP3 for my archives. Recording straight to MP3 would just make sense for me. And while there’s probably not a mob of radio consumers who actively archive shortwave radio out there, as I do. However, the ability to schedule MP3 recordings of AM or shortwave would benefit all sorts of folks.

Actually, there is such a device. The Kaito 1121 (or DE1121) does record radio as MP3 files, but the online reviews have kept me from investing in one. Although the reception is supposed to be pretty good (as most of the Degen made radios), but firmware is supposed to be rather quirky and difficult to use. Sadly, it’s notoriously buggy and has only a half a gig of storage. The general consensus I’ve seen online is that it’s a cool concept when you can get it to work, but more research and development could have come up with a better product. And for all the excitement generated by the new and innovative shortwave receivers coming out of China, that’s a consistant problem. Instead of perfecting the engineering of their new radios, the Chinese companies end up putting them on the market too early and let the consumers find the flaws.

To be fair, those of us in the states who care about shortwave radio are happy the Chinese care. Almost every heritage brand name in consumer shortwave portables has gotten out of the business, or like Sangean and Sony they just keep selling their 1990′s era models (perhaps until they run out of stock). Unlike here, for people in China and around the globe (especially in the third world and isolated areas) shortwave is still a significant source of news and information. So for an ignored and oppressed minority like North American shortwave radio consumers, we look with hope to China via the web to see what the Chinese radio manufacturers like Degen, Tecsun and Redsun are putting out on the market overseas. And with the vast success of the MP3 format over the last decade (not for the record companies, but for electronic manufactures, their consumers and podcasters and more…), but the marriage of MP3 technology and shortwave reception hasn’t gone well. At least not yet.

Before the 1121, there was a great radio of the decade that was never was– The Degen 1108. There was a fanboy conga line booming along for a while a couple years ago, where more and more features were anticipated into the damn thing that it was eventually imagined as some great merging of the Sony 2010, the Bose wave radio and an iPod… only better. Okay, even I was stupid enough to join the Yahoo group for this fantasy radio. It never happened. I’ve never heard for certain, but it seemed like the project was simply killed without warning and the development work on the 1108 probably was cobbled together to put out the mediocre but interesting 1121.

Then there was the Grundig G4. Man, this thing sounded like a winner. Announced with a smattering of fanfare at the annual Consumer Electronics Show in Las Vegas a year ago, the G4 (otherwise known as the DE1122 in China if you’re keeping track) was going to solve some of the problems of the 1121. No nifty pull-out MP3 recorder like the 1121, but easier to navigate controls and firmware with an SD card slot wisely included to add digital storage if desired. And the MP3 technology was piggybacked on a radio that was already well-liked– the Kaito/Degen 1102. I blogged about the G4 not long after it was announced, and the post was followed by quite a number of comments and people interested in the radio continue to find that post. And now, it appears that the Grundig/Eton G4 radio has been discontinued. Wow.

Oh, you can still buy it. There seems to be quite a few around from online sellers like Amazon, ebay, Universal, etc. However, it’s been listed on Eton’s site as part of their “Past Collection.” And then Passport’s Receiver News blog announced the demise of the G4 last month. But while the radio did and does exist, as far as what most of us thought it would do, it’s practically a vapor-gadget like the Degen 1108.

Since I researched and wrote a post about it several months ago, I’ve occasionally strolled onto the web to follow up on the G4. Generally, when I’m interested in a radio I go to sites like eham or Radio Intel where almost any shortwave radio worth much gets a round of reviews and write ups from consumers and people who know radios. At this writing, there’s still not one review of the G4 on either site. Strange. And then there’s Amazon, where any electronic gadget usually gets quite a bit of feedback. Sometimes the people who write there are less than knowledgeable about shortwave radios, but there’s usually dozens of critiques to wade through. Last I looked at Amazon there were only three reviews of the G4. One very favorable (but short on feature specifics), and two panning the portable. Actually, one seems to have been written about a completely different radio. (In case you’re wondering, there seems to be no real quality control for Amazon reviews in general. Plan on reading some ignorant customer reactions, and figure that a few favorable write-ups are probably planted by the manufacturer.)

What I’ve finally learned is this– the G2/1122 is an overpriced dog. Period. The reception isn’t bad, but the original Kaito/Degen 1102 receiver is around half the price. The recordings are reportedly awful. Instead of recording MP3′s like its sister gadget– the 1121, the 1122 records down and dirty lo-fi wav files, like a budget voice recorder. Now I don’t want to get into a big discussion about digital recording and audio compression, but believe me this is a big mistake. The fact is, large full-fidelity wav files (like those ripped from a commercial CD) are HUGE. And when you try to make a wav file small by cutting way back on the resolution and sampling rate, instead of using a carefully long-developed compression algorithm like MP3, you create something that sounds pretty nasty. And while there are valid arguments for more efficient compression algorithms (ogg or AC4 for example), MP3 is ubiquitous now, and can be utilized in almost any contemporary application imaginable. The fact that all reviews I’ve read say the recordings made with the G4′s recordings sound muddy and godawful is not surprising. I understand the radios will actually playback decent MP3 files until the cows come home, but all it can create are buzzy and hollow sounding recordings like a twenty-five dollar digital voice recorder, and you won’t be able to play them back on most MP3 players on the market.

Meanwhile, it’s important to note that not only has there been a dearth of shortwave/MP3 devices on the market, but it’s been almost impossible to find an MP3 player with a mainstream medium wave (AM radio) receiver on board. Many, if not most, MP3 players now have FM radios but up until recently only a company called Pogo Electronics actually made an MP3 player/recorder with an AM/FM radio. They had their fans online, but storage was an issue with their “Radio YourWay” products. As I recall they used to have one with only 128MB of storage, and eventually graduated up to an LX model with a half a gig of room for files. I don’t recall that any of their players have had a card slot, and their latest model is listed on Amazon, although unavailable. And now I notice their website is gone too. Oh well. Bye Pogo.

The C. Crane “Witness” seems more promising. Although their toys are pricy, C. Crane does cater to the AM and shortwave radio geek in a more real and sincere fashion than Radio Shack these days. And they have comprehensive customer service. Their “Witness” seems to be a viable and well thought out AM/FM radio MP3 recorder, with the ability to pre-program the recording of up to 20 shows. Impressive if it works as well as they say. I’d like to get my hands on one, but at well over two-hundred dollars I’m just not ready to pay that much for an AM radio, or an MP3 device. I don‘t own an iPhone either.

And lately there’s been more rumors wafting across the Pacific about a MP3/shortwave combo toy in the works in China. And this time it’s not only a brand new design, but it’s also a real pocket shortwave/AM/FM radio and MP3 player. And it’s also a Degen product, one model number up from the failed 1122– the DE1123.

Honestly, most of what I’ve seen has been on Chinese language sites. So most of what I’ve known about the radio has been gleaned from photos and short cryptic feature lists in English. Then there’s been a couple updates at these two sites (the second requires a simple free membership login to read the article). But after the DE1108 radio mirage of a couple years ago, I wasn’t sure if this was a real product yet. Now I’ve seen it on ebay, so it seems to be both real and for sale in the real world. But again, it’s apparently not exactly what it should or could be.

So far, the good news is that the radio isn’t going to cost a lotta dough. About the price of the DE1103, which is less than half the cost of the CC Witness (with shipping from China). And it’s cute. Of course, we have no idea of how well the radio or recorder works, or whether it’s easy to operate. It actually sports a built-in speaker, but will undoubtably sound better through headphones. But the bad news? Only one gig of storage. And NO card slot to upgrade the storage yourself. But worse? Like the G4, according to the feature list on the ebay auction it only records crappy voice recorder quality (wav) files. Why? While it also plays MP3 files, who cares? Just about any digital toy will do that these days.

So we’ll see what happens. But if you wanna take a risk, you can go to ebay and buy one from China right now. But I’d advise waiting for the reviews to start coming in. And be aware that Degen and Tecsun occasionally improve their radios while in production and later models may be better buys and less buggy. In fact, I was just reading that the Tecsun PL200, otherwise known as the Eton 100 (link requires login) here, has recently been upgraded from a single conversion receiver to a dual conversion model with no public announcement or price increase. But on the other hand, there’s something more fundamental that makes the DE1123 interesting, and perhaps exciting as well. It’s a different kind of receiver, with a recently invented DSP chip serving as the brain and guts of the device. It’s known as the Si4734/35. And this chip, or just the technology it introduces, could reinvigorate shortwave radio for the masses. Or maybe it’s just my imagination on the loose.

The Si4734/35 is a first, squeezing a whole circuit board of an AM/FM/SW radio into a little teeny wafer. It’s kind of like shortwave radio crossed over into this century. Not only does DSP technology open up the possibilities of vastly improved noise reduction and other audio enhancements, but the incredible shrinking radio chip could bring shortwave functionality to almost any audio appliance out there (including pocket devices like MP3 players or cell phones). Almost any radio or audio appliance could have AM or shortwave radio on board with practically no sacrifice of space inside the machine, all at a low cost and with almost no extra labor (from what I understand there’s no need for tuning at the factory, which has always added to the cost of the production of SW receivers). There are certainly issues like RF shielding to avoid interference in the HF bands (I guess the CC Witness radio recommends that you shut off the display to reduce noise on the recordings), but these problems shouldn’t be that difficult to solve. But what’s really interesting about this chip, is that you’ll be able to actually upgrade the radio yourself, without breaking out a soldering iron or a repair manual. Just like almost any digital device with onboard memory, you’ll be able to flash the chip and upgrade the firmware (the software that controls the gadget) whenever a new version is available. This is a big plus.

So here’s what I don’t know (besides whether this chip is actually hot little receiver or a dud). When or if this radio will be marketed here as an Eton/Grundig, Kaito or C. Crane radio. But I’ll tell you one thing, Eton seems even more confusing and convoluted promotion and marketing schemes for their radios in action. They’ve been changing colors and nameplates at will and making about 36 different varieties of emergency hand-crank radios (collect ‘em all, trade ‘em with your friends). And right now on their front page they have these two “Porche designed” monstrosities that are supposed to be shortwave radios, as well as twelve other things. I don’t know who or what is the target market for these bizarre looking objects, but I’ll be they’re really expensive. And I’ll bet they fail almost as quickly as the G4 World Recorder.

And I also don’t know if the recorder can be upgraded to MP3 capability with a firmware upgrade, but it seems within the realm of possibility. There’s a number of open source projects online (like Rockbox for digital audio players and CHDK for Canon digital cameras) where sharp geeks and consumers have created completely alternate firmware for these gadgets, and they are constantly improving it. I love this whole concept, taking control of your gizmos and making them better and more useful.

Speaking of useful, between the economic meltdown and the (increasingly unlikely) threat of Sarah Palin possibly becoming one frail John McCain heartbeat away from the helm of our nation, I’m starting to think that it might not be a bad idea to have one of those emergency crank up radios around the house. I mean, you never know. If you can’t afford batteries, at least you’ll be able to crank out some armegeddon updates.

Okay, I’m letting my imagination run wild again. But don’t forget to vote.

And you can find a follow-up of sorts to this post right here.

Radio for Superpowers and the Super Stupid

Thursday, October 9th, 2008

Here’s some more transmissions out of my grab bag of Hudson Valley reception that I started going through in the last post. Reception was solid and the ambient RF noise was quite low. I wish I had more time to receive when I was there. As I mentioned a couple posts ago, the growing political friction between the US and Russia was sure to bring back some flavor of the cold war to shortwave listening. And as you can hear in this first extended clip, that’s already happening.

Voice of Russia – 9480kHz 0206 UTC 08-28-08  62:38

(download)

It’s the Voice of Russia, otherwise known as “Radio Moscow” back in the Soviet Era. For thirty years, they’ve maintained a 24-hour English language radio service, with an emphasis on reaching North Americans. And in this hour or so of the Voice of Russia from late August, you hear news and opinion presented Radio Moscow style– with the leading headlines and featured commentaries focused on ongoing political and military differences with the US and NATO. Of course, the main points of contention are the recent conflicts in Georgia and the two provinces Russia has since sucked away.

And despite all the changes in Russia and the new mob glamor of Moscow, their international English language radio service almost sounds like it’s popped out of a time capsule buried decades ago. The news sounders are ancient, and the announcers all sound so disciplined, clipped and old fashioned. Listen to the political “analyst” who skewers the west in the “News and Views” segment. He has that cigarette-roasted-larynx sound I kind of miss on the radio. You just don’t hear that warm Pall Mall “voice of authority” in amplitude modulation much these days. The AM dial used to be full of that sound. Too bad those smokers don’t live a little longer.

I don’t know enough about hardware or physics to know why, but it seems to me that Radio Moscow (and now the Voice of Russia) has always had a particular “sound” to their signal– a particular texture to the radio waves as they come ashore here. And it seemed to be kind of a closed shop, without much more than a handful of announcers who seemed to stay on the air for decades. I think I recognize a couple from my Radio Moscow listening back in the 1980′s.

And lets face it, any government putting up the dough for an external broadcasting service has a direct hand in the news and information it presents. Typically the slant is subtle, and the news and editorial content is a mixed bag. However the vibe of the broadcasting here is much more like you would have heard in the Soviet era, with unmistakable defiance toward America. I suppose you could get so swallowed up in Putin’s soulful stare that you might just miss that breakaway province-size chip on his shoulder. 

Then in the middle of this hour is one of their many sprawling mythic Russian history/heritage features, of which the Voice of Russia seems to have an endless supply (Who knows how old they are? And I wonder if they’re still producing new ones?) As usual the classical music is thick the voices are rich. When the orchestra is really flying and the boomy baritone guy jumps in, it’s as high fidelity as you’re going to get from five thousand miles away. And when the music is dense on the signal like this, you can really hear the ghostly pulsing of the skywaves rushing in and falling back. This is shortwave radio, done in a traditional style. The way mom used to make it. If they didn’t mention websites and email addresses, you might think it was 1979.

However, right before this side of the tape ends, the ever-chipper Estelle Winters chimes in with an update on all the happenings in fun and fab Moscow (or something like that). Alas, it’s actually 2008 and she just doesn’t have that grumpy Soviet sound.

Voice of America – 7340kHz 0312UTC 08-28-08  18:10

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Officially, the Voice of America is our country’s official propaganda channel on the shortwave dial. VOA fact, it started out as a division of the “Office of War Information” during World War II. Their original mission was to counter the worldwide presence of Nazi propaganda on shortwave (and later as a radio bulwark against the old “Iron Curtain” states). But these days the U.S. Government focuses specific foreign radio (and TV) services to states we don’t like so much (in their native language), like Radio Marti (for Cuba) and Radio Farda (for Iran). From what I’ve heard in recent years, the English language service of the Voice of America sounds rather dowdy and seems fairly apolitical these days (I wonder if their Russian service is more strident?). The presentation is a little dry and sparse, which is fine with me. But it does sound like there’s been some budget cuts over the last few years.

Of course the signal isn’t aimed our way, and the reception is somewhat hollow and fady considering the distance. The scratchy sound you hear in the beginning is me, adjusting the active antenna. It goes away… and comes back briefly as I try to clarify the signal a bit later. A better antenna or radio could have nulled out the other station bleeding in.

This is “Daybreak Africa,” a daily news-magazine program which typically is pretty heavy with news and issues on the African continent, but as the Democratic convention is coming to a close there’s a big focus here on what’s happening in Denver.

The U.S. Presidential election is big news around the world this time around, especially in Africa where many in the Sub-Saharan region feel a literal kinship with Barack Obama, whose father was born in Kenya. There’s a short feature from Senegal about how locals there view the U.S. election. The guy says he’s doubtful Americans would accept a President with African ancestry. Another man watches Obama speak a couple times a week on TV, and he thinks he’s both an eloquent speaker and a gentlemen. (Personally, I think the fact that our President for the last seven years is neither has everything to do with all the international interest in the election. Even more than Obama’s racial profile.) But of course, beyond the worldwide antipathy toward Bush and Cheney there’s a real excitement around the world that a member of an oppressed minority in America possibly getting the high office.

While VOA is official U.S. external radio service to the world, the unofficial (and much more prevalent) American radio services to the world comes from the vast number of Christian broadcasters, on both American soil and stationed around the world.

And while I’m there are a number of shortwave broadcasts from every continent featuring religious content, Christians far outnumber any belief system on American radio stations– local, national or international. And while it’s hard to begrudge “evangelists” (or whatever they are) from communicating or communing with their radio “flock,” there is an element of “fleecing” the weak and ignorant for money that’s distasteful (but hell, it works for public radio…). The really extra-creepy business about Christianity on the radio is the “missionary” factor. They’re out to convert everyone. Which is not only crass (if not gauche) in practice, but also a divisive mindset that is both anti-culture and anti-intellectual. And their mythology and anti-enlightenment rides atop the vast majority of short radio waves bouncing away from our continent into homes around the globe.

One of those afternoons upstate, I made a cup of coffee and turned on the shortwave radio and heard the following conversations. And maybe I’m more sensitive these days, but instead of chuckling off these two clowns, I found who the discussion both strange and depressing. So I started a tape, to share with you.

WWCR Nashville, TN – Warning with Jonathan Hansen 12160kHz 08-29-08  2028 UTC  7:34

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This clip features a couple of these defacto ambassadors of U.S. intolerance. Although the host and his guest bemoan the loss of “Judeo-Christian values” in America, make no mistake about it, these guys are authoritarian WASP trash. Period. The use of the word “Judeo” may be a polite nod to the Jewish roots of Christianity, but they don’t like the Jews any more than they like Catholics or Buddhists or thinkers. It doesn’t make a lot of sense, but in their minds the best elements of Judaism just gradually begat the Bible Belt-style Protestant movement of the U.S. of A, thanks to Jesus and the Pilgrims (and that swell bible King James wrote…)

What you’re actually hearing here is a radio/TV show called “Warning.” The host– Jonathan Hansen, a bush league doomsday evangelist. Of course, he’d rather you just call him a prophet. And if Protestant prophesy is your game, you gotta get out there and call for the painful and messy end to humanity.

A strong cult of apocalypticism that runs through Protestant America. It’s bad enough that they can’t quit talking about blood and fear and martyrdom, but the fact that guys like this gets a constant hard on by talking and thinking about suffering all the time should tell you everything you need to know. Although it’s an old game (or fetish?), there’s something particularly American about this strange and viral brand of Christianity. It all dovetails with the isolated xenophobia of pale-Americans and their old-fashioned heartland jingoism. Ultimately is that special American spirit, that we’re just better than everybody else, especially if you’re a Christian. And you get extra points if you become a follower of a doomsday nutbag, like Hansen. (If you’re a glutton for punishment, you might wanna check out his website. However, he doesn’t call it "Warning" for nothing. Watch out. Hansen is out to "shake you with a shake that has never shaken you before!" Sounds a little shakey…)

And finally, notice that same paranoia about the coming New World Order I discussed in the last post. While it’s equally as dark as the new high-tech paranoia of Alex Jones disciples or the UFO/alien obsessed, the Christian fear of the New World Order is even more bizarre in that they actually looking forward to more wars and famines and natural disasters. Things just never quite bad enough for these folks, the want more DEATH until sweet Jesus steps out of the sky to save the day. Or is it that they float up in the sky to meet him? I can’t remember how that all works.

Anyway, it doesn’t matter. Sometimes I think that the more you think about that garbage, the more you encourage them. Or perhaps get a little infected by the stupidity yourself. But the main thing, is that these people want to tribalize the world. The USA Jesus tribe versus everyone else: The foreigners. And the apostates and heathens and demons. And the Muslims. And especially all the brown people, everywhere.

I don’t want to go so far as to say religion is a disease. I understand it’s often a comfort and traditions are important to people. But I am convinced that evangelical Christianity is most certainly a personality disorder, if not an outright mental illness. There’s an old adage that used to get a lot more play a few decades ago– "God is Love." Which makes me think of John Lennon, and that idea kind of made sense to me. A god who might be something like "love" seems a lot more reasonable than a higher power who’s just an ill-tempered sky geezer on a power trip. Or maybe I’ve been looking at all this wrong way– taking the phrase literally somehow instead of enjoying it’s full Orwellian flavor– War is Peace; Freedom is Slavery; Ignorance is Strength: God is Love. Got it. Maybe that’s what the pope was talking about.

So, let’s end this post on a high note, with some music.

7190 Tunisia RTV 0615 UTC 08–29-08

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Here’s some Arabic music from the north coast of Africa, including a version of Happy Birthday in there somewhere. There’s some fading at one point and I try to adjust the antenna again, adding noise. Then the station comes back. It’s a half-million watts. Hard to stop this signal.

The reception is poor, and then OK again. The music is fine. And the best part? Mr. Hansen and his globetrotting missionary friend would surely dislike this show and this music.  And they’d rather you and I are perpetually unhappy– looking forward to death. So, I say– enjoy the music. Enjoy the noise. Enjoy life until death, for god’s sake. Get a clue.

And did you hear? Bill Maher has a new movie coming out.

Some August Tuning

Thursday, September 11th, 2008

In late August I went away. Not far, but I did get out of the city for a few days. Upstate– an inexpensive rental in the Hudson Valley between the Berkshires and the Catskills. Nothing special, but one of those little free-standing cottage deals that kind of makes you feel like you briefly have another “home” in the country. And as usual, I set up a listening shack in the corner.

While I almost never even touch the ubiquitous television while I’m lodging, the Democratic Convention was in full swing. And big election cycle events like the DNC can actually suck me head first into a cable-enabled television. It’s as close as I get to watching sports crap. And speaking of that, I was really pissed to learn that out of the three channels offered by C-SPAN, I couldn’t find one of them on the cable service where we were staying. I found that troubling. As I kept going through the hundred or so channels they did offer, I did notice one that seemed to be dedicated to replaying tennis games all night long.

rah rah rahSo, I was kind of stuck watching the convention padded with punditry and diversions. Nonetheless, it was somewhat inspiring, and there were good speeches. However, I really do miss Barbara Jordan. She was awesome.

Between the convention, having company come by, and tending the wants and needs of a resident four year old, my quality time with the receivers wasn’t all I hoped. Yet, the reception in general was very good and the hours (mostly late night) I was able to squirrel away were well spent monitoring the world. Armed with my Degen 1103 and it’s nearly identical cousin the Grundig G5, two tape decks and a Degen DE31 active loop antenna attached to the window (which I could switch between radios) I went to work archiving the most compelling amplitude modulation I could sort out of the sky on the fly.

Once I found a frequency (or band) that seemed to have some promise on one receiver I’d start recording that, and search for something else to grab out of the sky on the other radio. I tended to plug the antenna into whichever signal seemed to need the biggest boost. But when I had Australia coming in on the Grundig and found India on the Degen, I had a hard time trying to figure out what to do with the antenna.

As usual when I come back from some time out of the city, I now have a pile of DX recordings to consider. Typically after some thinking and listening I pluck out a few things under some thematic heading and work up a blog post in some logical or topical fashion. However, these things take time, and these days the national and world events that drive information broadcasting are transforming and mutating by the day. So this time, instead of spending so much ruminating and researching some focused reception into a post, I thought I’d just start posting some of the broadcasting I happened to find. Without thinking about it too much.

Recent conversations with David Goren (of the excellent “Shortwaveology” site) have persuaded me to pay a little more attention to the traditional “tropical” bands at the low end on the shortwave spectrum. Largely the domain of third world radio for local consummation, the three bands between three and five thousand kilohertz are reserved for the equatorial zones where routine electrical storms make medium wave broadcasting problematic. Traditionally, most of the stations you find on these bands are located in the third world offering programming for local and national audiences. I suppose that I haven’t spent as much time wandering through these frequencies because there’s not a lot of English language programming to be found down there (except for freaky christians of course, who are everywhere…) As you might guess, there’s not a lot of strong signals on the tropical bands. And like the rest of the SW bandspace, the tropical bands aren’t as crowded or interesting as they once were. But they are still there.

On my first night away (Wednesday after Joe Biden’s speech), I went through the 60 meter band, and didn’t hear all that much. Here’s a couple snippets of some far off exotic broadcasting. Some singing first.

Radio Rossii (Kyrgyzstan) 4050kHz 0339 UTC 08-28-08

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It’s only a minute, but the operatic singing is stellar and poignant over the static. And it sounds so ancient, like it’s preserved or fermented or something. Dried flowers perhaps. Or just the acquired taste of an ear nurtured by antique technology. Either way, I think it’s still an attractive moment of sound.

And I admit it’s a guess. This Russian service from Kyrgyzstan seems to be the most likely culprit. And from the downtempo vibe of this music it’s not hard to believe that Russia is somehow behind it. However, if you have a better guess or actually know what this is at 0340 UTC, please leave a comment informing us all below.

Togo… or Tanzania (or some other tropical "T" kinda place) 5050kHz 0350 UTC 08-28-08

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Okay, I don’t know what this actually is. But I believe it’s French with some type of African accent. The reception’s not bad but the signal is kinda crappy. Usually when I’m scanning I narrow the bandwidth, but here I think it was wide so I’m absolutely sure of the frequency. I thought a likely suspect might be Radio Lome at 5047kHz, but David told me he hadn’t heard them for a while, and I find no recent reception reports on them. Another possibility is Radio Tanzania is possible too, but it’s even further with a fraction of the power that Togo is supposed be transmitting.

And it would be swell if a couple of French speaking readers could translate some of this clip. And further information on this broadcast in general would be nice, if anyone has a better clue. 

Not everything on the tropical bands is faraway or sublime. There’s also the bizarre wasteland of American shortwave broadcasting spilling over on the lower frequencies. Like this…

WWCR Nashville, TN – The Alex Jones Show – 0500UTC 08-28-08 (a rebroadcast from the previous afternoon)

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WWCR. Lovingly known as "World Wide Crackpot Radio," but the big "C" is really shorthand for "Christian" (I.e., worldwide Jesus). Last I looked, they had four big transmitters covering the planet from North America. Their time is brokered and almost all the content is intended for believers, of one kind or another.

In all my radio blogging, I’ve resisted writing in any great detail about Alex Jones. Not that there isn’t plenty to say, but for me just initiating a discussion about Mr. Jones and what he does is kind of like stepping in a steaming pile of cultural excrement. But his show is occasionally fascinating. Kind of like looking at gangrene under a microscope.

While there have always been conspiracy nuts, doomsayers and righteous fanatics with microphones ever since broadcasting began, the meteoric rise of Alex Jones and his one-man paranoia factory could only happen in a dystopian political and media environment like the one that is rotting all around us right now. I like to think of it as necromodernism. Our culture, society, and the stories we tell, are overripe– with flavors that are often rich and complex. And tart with rot.

For all his boomy bluster, Alex Jones fancies himself an info-warrior, and is in fact the driving force behind a fear-based cottage industry gone worldwide. He’s not just the host of a daily national radio show and a weekly local TV show, but he also runs a few very popular paranoia websites and continues to pile up an arsenal of dark and denunciative documentaries and assorted viral presentations proliferating across the net.

But all his high-tech machinations, Jones is more of a reboot of the old John Bircher archetype. With a broad appeal toward "patriot" types, gun freaks, and the web savvy Ron Paul set (as well as the kind of folks who follow fringe media for specific new information about UFO’s or Jesus). But instead of calling out commies and the international Jewish conspiracy like back in the good old days, Jones and his followers are at war against "global elites." And from what I understand, the victory sought by Jones and his "infowar" is to defeat the elites from actually putting their evil "New World Order" into effect. Which would be bad. Apparently, worse than the way things are now.

And While I’m not an expert on this New World Order thing, I do know that it would trigger some kind of oppressive "one world" government (which may or may not originate from the UN), and then other bad stuff would happen. If these topics interest you, I’d advise you get a hold of shortwave radio and tune into all the American broadcasts you can find. If you can suffer through all the mind numbing Christian dreck you’ll eventually find out everything that’s known or prognosticated for this coming NWO problem.

Without getting into a mire by offering my opinion on the validity of all the sundry conspiracy theories that are under attack daily by the info-warfare of Alex Jones, not everything you hear on the show is completely ridiculous (except perhaps the windbag in charge). We live in dark times, and that’s the theme of his program. But fact and fantasy and fiction are all interchangeable once you start to accept the conspiracy canon of the Alex Jones, and there’s plenty of bad news out there ripe for assigning blame and calling out scapegoats.

Okay, the Alex Jones show does have a certain entertainment value, if you’re in the mood for that sort of thing. And while the program is devoid of wit or whimsey, it’s hard not to laugh now and then at the super-serious vibe of the show and the monster truck persona of the host.

However this sample is less harsh, with DIY filmmaker Jason Bermas (of the Loose Change documentaries) filling in for Jones as he lumbers around outside the convention in Denver with his infowar squad causing trouble (which I gather was also being streamed live on this website at the time). At the onset of this aircheck, Jones calls in to inform the audience that Ralph Nader was coming on the show (a relatively big name and normal guest for Jones). But more significantly there’s discussion at the beginning of the clip of a street altercation between Alex and right-wing media hack Michelle Malkin, which drives home my point.

Michele Malkin (and if you don’t know who she is, that’s good) is a vile right-wing media bitch, in the mode of Ann Coulter and Laura Ingraham. Yet as loathsome as she might be, when confronted on the streets of Denver by the info-warrior you almost feel sorry for the little monster. Take a look at this shining example of Jones confrontational activism here or here and see what I mean. Does that sad ruckus make you feel any more informed? Maybe some folks enjoy watching a big rude oaf annoying a nasty scrap of humanity like Malkin, but I don’t. And since Jones’ activist assault of Malkin, he’s been wearing the whole event as some badge of courage. Please

Alex Jones is a clown, an entertainer/activist/journalist/crackpot who seems at first impression an interesting character until you start to feel that just by paying attention to him you might be encouraging him to be even more of an asshole. And while it’s never been more important to take in a wide variety of sources for your media diet, be careful. Pigging out on the dark stream of junk doom churned out by Alex Jones could literally make you stupid.

Arising from the aromatic rot of necromodern culture is a family of conspiracy religions, most loosely based in Christian fear of demons or heretics. And Alex Jones is the self-appointed pope of his "Prison Planet" faction. Jones practice in particular is obsessed with the alleged occult practices of the global elite. Others are more concerned with space aliens or biblical prophesy. Yet I’m sure that the followers and acolytes of Alex Jones would consider the conspiracies that dominate his activism to be of a secular nature, or even a reasoned study of current affairs. That’s when you get into trouble.

Just like personality and gossip "news" that makes a mockery of the whole idea of being aware of the events of the world, looking at every event and issue in the news as a chess move by clandestine evil forces in their efforts to take over the world makes you truly foolish. Somewhere along the line you joined a cult.

I’m not saying that conspiracies don’t exist, or that ugly decisions by powerful people aren’t made in secret. What I am saying is that it’s stupid to believe in things you don’t as a fact. Perhaps comedian Marc Maron (a recovering conspiracy nut and unemployed talk show host) said it best:

"You act the same as a religious fanatic if you are a conspiracy theorist. You pick a series of unprovable "facts" that become dogmatic tenets and you commit your life to it. If anyone argues with it you say, "Well, I guess you just don’t want to open your eyes to the truth. You want to live in darkness. You don’t want to see the light." So, how are they any different?"

Exactly. And once you start dividing the world into people who are for or against the New World Order, it may just be a matter of time before you become convinced that the bad guys are actually shape shifting giant lizards masquerading as human beings.

And if it was just a shortwave radio phenomenon it wouldn’t be that big of a deal. But Jones is on a few dozen AM and FM stations, and more importantly he has a huge web presence with daily podcasts and 24/7 streaming. And the sad truth is, people who get on the internet to become more informed about some of the serious issues of our times could easily google their open minds right up to a prime feeding spot at Jones’ sloppy trough of murky fantasies and half-truths.

Just listen to the calls through the hour archived here. A lot of half a brain types proposing half-baked theories proposing all manner of sketchy and shady scenarios. A dose of "chemtrails" from overhead air flights has made a town sick. A cluster of old cold war movies on cable tv is trying to get us to hate Russians all over again. And then there’s Bruce in Connecticut and his "four minute shock treatment." You kind of have to hear it to believe it. Then as a bonus you get some of the quirky advertising of patriot style radio–mostly survivalist and apocalyptic fare.

I know, I started out this piece by saying I was going to post some shortwave broadcasting, without thinking about it too much. And then I went on an extended diatribe about conspiracy talk radio. And maybe you wonder why I find Alex Jones and his followers so alarming. Well, there is a personal side to the story. There was a friend I used to have. A good friend.  A journalist of sorts, and a smart and funny guy. Or so I thought.

And we had many things in common, including a somewhat voracious intake of alternative news and opinion on the web. And for years we both shared the guilty pleasure of sampling some conspiracy-style talk radio, like Coast to Coast back Art Bell was still the host and occasionally the more wacky shows on shortwave like Alex Jones or Bill Cooper’s "Hour of the Time. Eventually I began to realize that we might be taking the paranoia radio shows a little more seriously than I was.

And over time, when we would get in discussions about current affairs, he would shift the conversational focus to demons and "global elites" and the Illuminati and Skull and Bones and the Bilderberg Group. Pretty soon we couldn’t discuss politics or the war or almost anything in the news without my friend slopping up the whole discussion with theories and half-facts and rumors and bullshit. And I guess I really must have liked this guy, or I wouldn’t have spent so many hours in sad fruitless arguments trying to counter his non-logic and Alex Jones-style worldview. And when I wouldn’t buy into whatever conspiracy narrative he was pushing on me, he called me "a truth hater." That’s when I actually started to dislike this person, and not just feel sorry for him.

And it just got worse. Every time there was a natural disaster, he say it was part of an international plot (For example, Katrina striking the Gulf Coast was Japan’s revenge for the atomic bombs we dropped). And he’s also rather worked up about how the government spraying us with nano-bots that crawl into our bodies and cause trouble. And on any given day you might find him up on his roof with a video camera, looking for incoming craft. I’m not kidding.

It really does pain me that my charming old friend has become a morbid shell of himself, warning anyone that will listen about the coming New World Order. Perhaps right now he’s holed up in his dark one bedroom, watching Alex Jones doomsday videos. Or just staring up at the sky in anticipation of his own demise. And I don’t even think he’s mentally ill. He’s just really religious. Kind of like Tom Cruise. Just a little more necromodern.

And we don’t talk these days, so I don’t know which global elites are behind the hurricane that about to hit Texas. But that’s okay by me. I’m a radio guy. When I don’t like the show I turn the station. And my life is better for it.

Adultery, Betrayal & Confession– The ABC Exclusive

Thursday, August 21st, 2008

It’s not that often that you know the exact time a news story breaks. Obviously, massive acts of nature or great violence (earthquakes, bombings, etc) generally become information almost within seconds. However, many news items enter the media stream at a carefully chosen day and hour. After all, the news is first and foremost a “product” these days, and news providers, news makers and anybody with a hot tip all have financial and political interests to consider when letting a news story out into the wild.

An interesting case study might be former Presidential candidate John Edwards’ public confession the other day. I thought it was interesting that how the story was released to the world precisely at 3:00 p.m. Eastern Time (or maybe 2:58).

Everybody paying attention knows that late summer 2008 has three major events that are going to be big news and generate lots of stories around the world. Of course there’s a big presidential election going on here in the states, but it’s not until the party conventions are over and done in early September that the campaign warfare and election media overload really begins. Meanwhile, the other BIG news event began on Friday the allegedly cosmic 08/08/08– The opening ceremonies in Beijing.

I'm not much for spectator sports. Even the Olympics. But I did catch some highlights of those ceremonies. Wow. As big and amazing as anything I've ever seen. Lots of pomp. Yet disturbing, at least to me. And our President himself was there for all the fireworks.

But it was BIG. The Olympic opening had been the single most anticipated event around the world for weeks. And nobody's surprised at the estimate of roughly a billion people who tuned in for the TV mega-pageant. All in all, it was an opportune time to get the least bang for the bump for a major news event– like invading a neighboring country or explaining to a national TV audience why you've been lying about your sex life.

So the reason I'm wading into this sordid media quagmire is because I have radio moment of sorts to share– the sound this big news story actually breaking, live, on WABC here in New York. Although Disney sold off their talk stations recently, their ABC News network is still intertwined with the format of the former ABC stations for ten years as part of the deal.

WABC – Breaking News at 3:00 – 08-08-08

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This clip begins just before 3:00 p.m. on WABC. It’ the official hand-off time between Limbaugh and Hannity, where the right-wing radio rocks of Gibraltar almost touch. And as the media storm sweeps over the horizon, the thunderclaps begin. Boom! Rush Limbaugh emerges with just enough time to dish the dirt. Then, boom! Sean Hannity kicks in on cue, barely more prepared than Limbaugh: “All right, we’ve got some breaking news… “

Although the story is barely a minute old, Hannity promises to get to the “bottom line on that.” (After all, if anybody's going to go straight to the bottom of a story, it’s Sean). Despite the hot Edwards story, Hannity promised to hit hard on some Clinton non-story anyway. (Beating up on Bill Clinton? It's all they really know how to do when they're not being fed any juicy red meat from Republican headquarters that day).

And then– Boom, boom, boom-boom– ABC News with Bob Schmidt. A media cloudburst begins… As newsrooms around the country are suddenly scrambling in preparation to have the story by their next newscast, ABC news hits play on a breezy Barbara Britt piece on Edwards' predicament. If you know anything about this situation, you know the version (his version) of the story as it went out that Friday. This is followed by what would have been the lead story, the Olympics are underway!

So why the story launch at 3 o'clock? Well apparently the interview was conducted late that morning. ABC wouldn't need much time to slap a web item and a radio piece together and it was hours before the nightly news. But Edwards certainly would want to have himself, his family and Ms. Hunter secure when the story went out, and to have certain people in his circle informed before they heard it on the news. So while every mention of Edwards confession in the media that day would be a de facto promotion for Nightline that evening, the network probably agreed to give Edwards a head start to prepare for the media fallout.

And while I'm apt to add that the timing would also bump the story into Saturday's newspaper, which is as Rachel Maddow always says is the skinniest and least read edition of a weekly paper, I think that 24/7 cable news and the constant web news stream trumps the print reality these days.

The Nightline interview itself was a sad exercise. For such a full-throttle effort to get in front of a story, Edwards certainly seemed less than candid all through the thing. And what's worse, is he couldn't get out of "campaign mode," going as far as thanking Bob Woodruff for showing up to grill him (like he was invited to a TV debate or something). And why does the supposed fact that he had the affair while his wife's cancer was in remission. And why is important to me or anyone besides his wife if fooled around with Rielle Hunter (i.e. Lisa Jo Druck), but didn't actually love her. And yeah right, the baby's not his. Sure. It would probably be easier to get to the truth if the lady in question would come forward and spill the beans. But apparently she's hiding… somewhere. (The Virgin Islands?)

OK, I gotta admit it. There deeper you go into this story, it just gets dumber and creepier. And like so many sordid airings of celebrity dirty laundry in the public square, once you get a whiff it's hard to turn away. I really brought the whole thing up here blog because I was fascinated with the precision clockwork of the news cycle caught in a few minutes of radio. But I ain't proud that I ended up spending hours researching the kind of stupid celebrity scandal crap that clogs up the works of the news industry with indulgence, lifestyle porn and tragedy. So I'll cut off this discussion of the fall of John Edwards by leaving you with a few links of interest, if you need to know more.

This Newsweek writer's piece on his casual friendship with the lady in question during the Edwards affair speaks volumes. And the youthful shenanigans of Ms. Hunter (Druck) in downtown NYC in the crazy 80's was immortalized in some infamous and trashy fiction titles you may know. And lastly, if your really want to get a fly on the wall flavor of the last temptation of John Edwards, take a gander at the first "Webisode" Hunter produced. You can easily see (and hear) why they were taken down once he was busted by Mrs. E. Watching them may make you wonder how they ever ended up there in the first place. More Edwards dirt can probably be found at this trash compost than anywhere else, starting here and here. And there's more on the way…

And, I'm sorry to page six on you like this…

As far as the other big news of 08/08/08, besides the Olympics… the ongoing situation between Russia and Georgia (and NATO and the former Soviet satellite states and the U.S. and E.U…. everybody else) looks like it's going to get ugly. And that mess just adds more sorts of complexities and variables to an already unpredictable and turbulent (and corrupt) international situation that always seems to be on the verge of turning into something far worse. And something strange.

If you do own a shortwave radio, keep in mind that your connection to the rest of the world is less vulnerable to a cyberattack. And as far as keeping informed, the U.S. and most EU countries may have cut way back on shortwave broadcasting to the west, Russia and many of the states within its historic sphere haven't given up on old fashioned world broadcasting yet. And when the world's on fire, it's always best to not to trust any one version of current events, or recent history.

And then there's China. Proving every day that they can filter all the news and all the information (and entertainment) and suppress all the dissent AND be super-fantastic all at the same time. That really is incredible. I didn't see much of the Olympics, but it looked incredibly colorful and everybody seemed really happy.

Next week the Democratic convention in Denver. John Edwards won't be there. Last month his name was still mentioned as a possible VP pick for Obama. Instead, he may be trying to figure out if he's still married.

Ear To The Enemy

Tuesday, July 15th, 2008

Lately as I’ve been roaming the web looking for a news and punditry, a quote made famous in the old Godfather movies (and actually a translation from an ancient Chinese warrior) shows up again and again: "Keep your friends close, and your enemies closer."

While the more complex wisdom behind this adage is really beyond the argument of this post, the main point is accurate enough. You should keep an eye and an ear on your enemies (Or on those who are chosen to be your enemies.) And if you live in America, there’s no doubt which government our rogue executive branch has targeted as our nemesis– The Islamic Republic of Iran.

You’d think the U.S. would have its hands full occupying Iraq and Afghanistan under more than hostile circumstances. And the fact that a few thousand Americans lives (and exponentially more local innocents) have been lost in our savage efforts to maintain order in those countries might put the brakes on pending plans to destroy another nation. And if the whole idea sounds absolutely insane, it should. But that hasn’t stopped Cheney & Bush before. According to the most recent article (in a series) written by investigative journalist Seymour Hersh in the New Yorker, another onslaught of shock and awe (on Iran this time) is shockingly likely in the next few months. According to Hersh, there’s already plenty of super-secret undercover cross border mischief to get the mess in Iran warmed up and ready for our fireworks. The potential of literally setting the world on fire before or just after the next election here is quite real.

Sounding the alarm, Seymour Hersh has been making the rounds on the talk show circuit lately, and appeared on Air America’s Ring of Fire last week in an interview with Robert Kennedy Jr. Have a listen.

Seymour Hersh on Ring of Fire 07-05-08  18:14

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The United States has a big propaganda presence on both medium and short wave frequencies in Iran, with "Radio Farda" where American-made "information" is stuffed between hits for the kids (for a country where 70% of the population is under 30) for seven and a half hours each day– programming described in a staff memo at Radio Free Europe/Radio Liberty regarding the launch of the service: "a combination of popular Persian and Western songs aimed at attracting young Iranians to Farda’s news products." There’s also some semblance of a Persian service of Voice of America that’s still broadcasting for the Iranian grownups as well as VOA satellite TV service that’s attracted an audience (despite the fact that receiving satellite television is illegal there).

On the other hand, Iran has a much more difficult time attracting young Americans (or any Americans) to their official "news products." Last year, they started their own satelitte TV service in English for the U.S., it seems doubtful that its getting much viewership stateside. If you don’t have a dish (or can’t get it on yours), your not going to see much of "Sahar English TV." I’ve yet to see any videos show up on the web or Usenet, and their website is pretty minimal. The fact is, right now for most of us (outside of text gleaned from the web) the only viable media outreach from Iran that we can experience in English and unfiltered by U.S. media and the government is via shortwave. It’s a daily hour they call "The Voice of Justice."

It’s not uncommon to hear aging shortwave listeners bemoan the "old days" when the cold war made the hobby more exciting (I plead guilty…). Part of the reason is that back then we still lived a relatively bigger world (unlike today’s tightly networked reality) and intercepting communiques from overseas was a more exotic experience. And although there was no law against it, there was always a little thrill of the taboo– tuning in voices from behind the "iron curtain." And unless you sent away for a program guide or something, nobody in our government would be any the wiser of your listening habits.

Now in the age of Bush, instead of the iron curtain we have the hyperbole of the "axis of evil" (Iran, Iraq and North Korea) and John Bolton‘s "beyond the axis of evil" trio (Syria, Libya and Cuba). And I almost forgot Condi Rice and her "outposts of tyranny" and Dick Cheney‘s "Funky Four + 1"… (actually I made that last one up), but you get the idea. Since 2000, we’ve been governed by an administration that needs enemies, just like the in the good old days. And when it comes to making enemies, it’s one of the few ways the Bush regime is unquestionably proficient.

While almost any American with a shortwave radio ought to be able to pick up the English service of nearby Radio Habana Cuba at night, the broadcasts from the other "enemy" countries aren’t so easy to hear. In fact, the only official enemy nation I’ve been able to hear in English on shortwave in recent years has been Iran. And often the reception has been problematic at best. However, when I’ve been away from my Brooklyn RF noise nest I’ve been able to pick up their hour of English language programming on the 31 meter band at 9495kHz. When I recently spent a weekend at the Jersey shore I heard some dramatic old-fashioned propaganda that sounded remarkably like the old school cold war histrionics that we’ve all missed. However, a small error on my part (forgetting to release the pause button on the recorder) voided my chance to capture that little bit of theater to share with you.

Then I was passing along my tale of woe to fellow shortwave enthusiast David Goren (who happens to have better equipment and a better listening location than I), and he offered to record one of Iran’s next broadcasts to the U.S.A. and sent over a recording. And now, I can share the hour he recorded with you, here.

Iran’s Voice of Justice 9595kHz  0130 UTC  58:33

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I know the audio is shady at the beginning of this clip, but it drastically improves if you’re patient. And for starters, you can tell Iran isn’t any ordinary country. Kind of like Baptist dry counties in the American south, the whole country of Iran is a theocracy with democratic elements. After the comforting intro music the a few verses of the Qur’an are sung, and then spoken in English:

In the name of God, the most gracious, the most compassionate. Therefore declare openly what you are bidden and turn aside from the polytheists. Surely we will suffice you against the scoffers. Those who set up another god with Allah; so they shall soon know. And surely We know that your breast straightens at what they say; Therefore celebrate the praise of your Lord, and be of those who make obeisance. And serve your Lord until there comes to you that which is certain.

I can’t tell you what that I actually means, but as a nonbeliever almost any quote from scripture read aloud with conviction can easily give me pause and make me a little uneasy. With sacred text, you may be free to take what you want from it, but you always have a sense there’s some political message intended when a particular passage is passed along by a group of believers. It always feels kind of personal. (Hmmm, I don’t think I’m a polytheist, but I have been a scoffer…)

But in the end this bit of sober Islamic text is less threatening than most Christian mumbo-jumbo I come across. The point is, although a number of Mideast states call themselves "Islamic Republics," but Iran is more serious about it than most. More than any other major state on Earth today, Iran is a theocracy– a state under the rule of (the alleged earthly representatives of) a supreme being. You don’t see much of that kind of governance today, but in ancient times it wasn’t out of the ordinary. And there’s plenty of strange people in far right Christian circles who are friends of the Bush regime would like to turn the U.S.A. into a theocracy.

And while I think that’s a really bad idea for this country, just because a nation happens to run their affairs that way it doesn’t inspire me to advocate killing people or overthrowing governments. But others disagree (like this spoiled little objectivist boy-man, just look at his picture on the right). But it’s not kooky American theorists driving the issue, It’s the spiteful U.S. neocons worked into a lather by Israel and their super-bully American lobby (AIPAC) who are practically demanding that the U.S. attack Iran. And who’s surprised that the executive cyborg Dick Cheney has a big hard on to roar through Zarathustra’s old stomping grounds with American bodies, weaponry and hardware.

So, combine all this war talk with a couple of messy U.S. occupations next door and American’s previous misbehavior on the Persian Peninsula, you’ve got all the makings of a paranoid nation. And their shortwave broadcast to America, "The Voice of Justice," is where you can hear all about it.

When I’m able to listen to shortwave in a favorable location in the early evening, the nightly English hour from Iran is high on my list of broadcasts to seek out. Since 2003 (the year the U.S. invaded Iraq), Iran has produced two English language programs a day, one for America and one for the rest of the world. The "Voice of Justice" is for our ears. When there was only one English language broadcast, I recall more features on Islam and Iranian culture. I assume the other IRIB English broadcast is similar. But the VOJ is all business, hard core political business. The cultural and religious stuff has been pushed aside to make way for opinion and news regarding Iran’s relationship with the "Big Satan" and the "Little Satan," as well as the warfare that may engender. And as always, reports on American military and foreign policy blunders throughout the Middle East.

Here the news leads with an old story. Twenty years ago to the day (July 3, 1988) US forces blew a civilian airliner (Iran Air Flight 655) out of the sky, taking the lives of almost three hundred people (including 66 children). It happened in the middle of a melee near the end of the Iran-Iraq war, and the U.S. government has always maintained that it was an accident (although we ended up paying out over sixty million in compensation for the tragedy), but they’ve never bought that idea in Iran. Ahmadinejad says it testifies to America’s "inhuman actions."

Most of the content of the first half of this broadcast is news and official Iranian government views on world issues, ending with their usual interview of a western expert/pundit who offers opinions with which Iran agrees. This evening it’s Dean Baker, a lefty economist trying to make sense of McCain’s confusing tax policies. The second half is a carefully coordinated cavalcade of western opinion represented and rehashed for dramatic political effect. If you care to follow along at home, you can find some of the op-ed pieces discussed and amply quoted by clicking here, here, here or here.

The last time I wrote about Iran’s English broadcast they had a live audio stream up and running. But from what I can tell, that’s no longer the case. On the IRIB English language home page they actually have a podcast link, but I fed it into my aggregator a week ago and it seems to be a dead feed. I don’t know why. Despite the sundry glories of the world wide web the only way you can actually hear from the governments of our country’s arch-enemies (like Iran and Cuba) is to use a shortwave radio.

It seems ridiculous that I feel like I should say this (but we live in stupid times), but I’m not a fan of Mahmoud Ahmadinejad or the Castro brothers. And I’d rather live here in America, and think in general we have a far better system of government, but… I’m far more concerned about an American government that is ready and willing to attack and occupy other nations and the freaky minority of people in the media and out on the public highways who are willing to encourage and support the mass murder, hatred, mayhem and despair that wars bring upon the world. Even after almost seven years of this kind of bloodthirst on display, I still find it shocking and depressing that it seems to have no end. International conflict has always made the shortwave hobby more interesting, but in this era where you would think people would finally know better. And then you realize that you inhabit and support the nation (or one of the nations) who are making the world so much worse, so quickly and so often.

It makes you want to snatch up the pasty-faced objectivist boy-man and all the haunted and owlish neocon chickenhawks and drop the whole bunch of them into a horrific and hopeless skirmish full of IED‘s and human bombs and let them all try to swim out of the gore, to try to crawl their way back up the pearled shores of Barbara Bush’s saggy breast up onto those craggy Republican cheeks. And then to find hero’s welcome in the cool marble confines of her beautiful mind. Or something like that. (Imagine the smell in there– at first a strong floral covering odor, and then…).

I wish Bill Hicks was still around. While The Voice of Justice is almost as critical of the Bush dynasty, it sure ain’t funny.

New Orleans Road Trip 1988 pt 2 (Into The South)

Sunday, June 15th, 2008

This is the second installment of an edited collection of radio recorded on a 1988 roadtrip from Detroit to New Orleans and back. It was initially made (and edited) for my own entertainment and there was no log, and many stations are unidentified. However, twenty years later I think there’s enough radio history to make it worth sharing with you. The first post (and further explanation) can be found here.

In the 1980′s, I became infatuated with black radio. Not only was the music better than the commercial pop and rock stations at the time, but the overall approach was more sincere and spontaneous. And in Detroit we had the genius of Electrifying Mojo on WGPR, mixing Prince and the Gap Band with the B-52′s and all the George Clinton you could handle. But by the mid-80′s I was rediscovering AM radio, and when the funk and groove on the FM “urban” stations was overrun by sequencers, beatbox rhythms and banal production the AM dial was still a refuge for many of the heritage R&B where an oldies heavy contemporary soul/blues format had emerged. Through the 80′s around Detroit there were two retro-black choices on the AM dial– WCHB and WQBH, and they were the most popular presets in my car for a few years. (I have recordings I plan to post.)

My infatuation at the time with the last vestiges of soul broadcasting on the AM dial actually influenced the routing of the initial trip south, adding just a few more miles to trip by strategically driving through a few large southern cities. And this section of this aircheck montage contains the fruits of that plan, as my Buick wagon rolls by Nashville, Memphis and Jackson. 

While the old Mason-Dixon line never stretched this far west, the defacto border of where the American south begins in the Midwest would have to be the Ohio River. That’s where this segment of the trip begins, either right before or right after crossing the river at Cincinnati. It’s hard to say exactly where we were. The signals don’t stop at the river. And once you get within an hour of the river (which is also the Kentucky border) the locals may have a drawl and you’re more likely to find grits or hush puppies on a diner menu. As rust-belt kid, the gradual changes in culture and inclinations once you rolled deeper into the old confederacy was always kind of invigorating. Even exotic.

With no written records of the trip or the stations I recorded, I’m left to depend on memory and the re-edited recorded record. What I do know is that we entered Kentucky sometime in the mid to late afternoon and that by the time we got to Tennessee it was dark outside. The sun didn’t rise until sometime in Southern Mississippi or Louisiana. As I mentioned in the last post, my radio recording along the way was impulsive and intermittent. What you hear in this post is what I edited together from the rest of the nonstop drive to Louisiana.

1988 Trip to New Orleans (part 1) – Into the South  14:29

(Download)

If was going to pick a logo or a mascot for a radio station, I wouldn’t be thinkin’ of semi-aquatic rodents. But then again I’m not from Kentucky. This clip kicks off with a full promotional dispatch from “The Beaver” (WBVE) a country FM not far downriver from Cincinnati in Hamilton, KY. If you didn’t have anything to do that weekend you could have gone out to Campbell County Equipment to hang out with one of their DJ’s for day and taken home some Beaver bumper stickers or keychains. Perhaps a coffee mug! And if you got really lucky, you might have loaded up a new lawn mower in your trunk before the end of the afternoon.

I always find it kind of sad when a radio station never really captures the imagination of a community and keeps changing its call letters (and usually the format) to reboot its fate in the marketplace. This north Kentucky outlet at 96.5 MHz had already been through several sets of call letters and format changes by 1986 when it scabbed over into the incarnation you hear on this recording– “The Beaver” (“The Real Country Giant”) in September of 1986. A couple years later the station would switch to format again, and then call letters, and then format, and then call letters once more. Then, I think it may have even changed call letters one more time.  But right now the station is back to a country format as “The Wolf,” which seems to offer a little more animal charisma than a rodent. However, the beaver concept itself lives on. Another FM station in Kentucky grabbed up the catchy WBVE call letters, and is proudly “The Beaver.” And there’s a sister Beaver– WVVE, also in Kentucky. And you can hear country music on either one.

Then the next signal comes from Dayton– WING. And as you might guess, there’s a legacy that goes along with memorable call letters like that. From the mid-50′s until the 1970′s WING was the hottest radio station in that expanse of Ohio– a community media hub with hit music, regional and national news and DJ’s who were local stars. By 1988, the radio group had spun off the top-40 format to wacky Z-93 on the FM band (which I came across in the first post in this series) and WING was a hybrid oldies/talk station at the time. And in this brief clip you hear a promo that sounds kind of strange today:“news doesn’t happen in newsrooms, it happens out there"… (ya think?)

By the late 1980′s, the AM band had become desperate territory. Many stations left out in the cold by the massive listener migration to the FM band were desperately seeking a profitable programming niche that would keep luring listeners to their AM frequencies. And the point of this promo is to point out that WING still had a news department (with real reporters and everything). Which certainly counts for some bragging rights, compared to getting by with a canned oldies music format. This was the era when music radio stations were jettisoning their news divisions, leaving all news and news/talk stations in the market to continue to offer the headlines and the local stories. In fact, a few years later WING switched to a CNN-based news format, which sadly didn’t work out either.

Today WING and its 5000 watts at 1410kHz has met the pitiful fate of many forgotten frequencies– it’s another ESPN sports drone (with another two or three sports stations already on the dial). For many years, people loved this station and depended on it, now it’s an anonymous portal for gossip about spectator sports. I’ll never understand the appeal of that. This is the last verifiable station from Ohio in this trip south. The next few stations may also be from the Dayton/Cincinnati area, or they may have been recorded near Nashville, where I seem to have started recording again.

Want something good in your hair? This wacky ad for B.B. hair products was probably grabbed from a black AM radio station between Dayton and Nashville. I love the relaxed reverb baritone and cheap audience response bits straight out of a sound effects package. I believe B.B. stands for “Bronner Bros. Enterprise,” one of the large African American hair and skin care corporation based in Georgia. (However, the company’s website has recently disappeared.) This is followed by some canned feature about women in the workplace. Are you more likely to get that promotion if you’re hot and flashy? Or kinda fat? Apparently, both have their drawbacks.

Then you get some rural voices of the Caucasian persuasion. Like the Beaver people coming to the Equipment depot, this seems to be a radio remote already underway. These traditional pseudo-events are promotional orgies where a business sponsors a live radio broadcast at a retail site, and the radio station and the business both seduce listeners in for free crap and alleged bargains, while they sell their brand-name into the broadcast zone. It’s a radio tradition. Hard to say what service or goods these good old boys were selling, but it was a family operation. They helped each other. They had their problems, but they work good. That’s the way it should be.

The next ad confirms it, we were in Tennessee. John Watson, the owner of Jay’s Wilderness Outfitters wanted us to “come on in and browse around.” Makes sense. From the address (465 Bell Road) it appears that we were somewhere near Nashville. John is no longer luring browsers. There’s a cleaners there now. This is followed by an ID for Nashville’s WNAH and a short discussion regarding Smitty’s Restaurant, “now with two Nashville locations!” Today an ad like this would be pushin’ a grilled chicken salad or some other vaguely healthy foodstuff. But back in 1988, offering a big cheese burger, batter-dipped fries and jumbo soft drink for a buck fifty was a point of pride. The intro jingle and music under the announcer is a canned and corny “donut” production  where the announcer reads the Smitty’s commercial over the the instrumental break with finger snaps (the “hole” of the donut) of a generic pre-produced restaurant-style advertisement, that will end with more jingle or an announcer. It’s like "just add voice talent" instant spot production. And Smitty’s? I believe there are no longer any Nashville locations.

Then something more substantial, a "classic soul sweep" on WVOL. The song intro under the sultry female announcer sounds like typical 80′s style soul-blues from a label like Malaco. Then a barrage of wacky electro radio sounders, that are still part of radio production today. Then cut to a drop-in. The big baritone R&B voice of god intones– “W-V-O-L – Here yesterday, today and tomorrow.” Damn straight. This black music outlet is indeed still alive and well at 1470 AM. Not every heritage frequency has surrendered to sports, or right wing talk, or the Jesus problem. And you can hear their "Urban Oldies" format by going here. As I was writing this I tuned into "The Mighty 147" online and I heard the Dramatics, which still warms the heart of a middle-aged kid who grew up in the shadow of the Motor City.

This clip is followed by a low-pitched pitch man doing some serious promotional push for the Y-107 Visa Card from the radio station on "the cutting edge of innovation." This bit of bragging set off my internal radio sniffer, and thought I might have gotten a whiff of… Jacor! And a little research bears me out. This station was one of Jacor’s big success stories in the 1980′s, turning a bumbling-along ordinary adult contemporary station into an aggressive CHR (top 40) monster. And by 1987 it had become the number one station in Nashville. A pretty big deal. And the radio station Visa card? Long gone, just like Y-107. And I don’t know that radio station credit cards ever meant much in the scheme of things, but what it does tell me when I hear this brief promotional bit from the past is that it probably came from a sales and promotional staff on overdrive. And Jacor was always on overdrive.

And here’s where digging around in the past led me to the future, or at least today. The programmer that made Y-107 a smash in Nashville, Marc Chase, moved on to Tampa to create "The Power Pig," an even more aggressive and raunchy CHR powerhouse that also took the number one spot in Tampa and killed Q105, the previous CHR champion there. It was quite a time. I don’t know if Jacor had a bigger success story with a station make-over before they merged with Clear Channel, but it’s the one I know. And two of the men (Randy Michaels and Marc Chase) who made the Pig so big have both defected from Clear Channel (and so have others) to rejoin their old Jacor boss brash billionaire Sam Zell over at his Tribune Corporation (the 2nd biggest newspaper publisher in the U.S. and a major media operation which Zell recently purchased). Chase just came over recently (and brought a couple associates along), and Clear Channel is pissed off enough to file a suit against Tribune for stealing company secrets. And if you know anything about how Jacor used to operate, and then take a look at a recent flippant press release announcing bringing Chase on board and you get a feeling that Zell might be looking for a way to get in as a major radio player once again. So far, he only has one station.

Meanwhile, back to the radio. After the "outrageous FM" we have Marcia Griffiths chugging along with the "Electric Boogie.’ As a northern record collector, to me this song was just some side project from that odd funky disco album Bunny Wailer did in the early 80′s, "Hook, Line and Sinker," which I happened to like but went nowhere on the charts. However, the night I heard this on my way to New Orleans I discovered that this Marcia Griffiths dance number (produced by Bunny) had become a huge hit down south. And specifically the dance it created– "The Electric Slide," which was the hit. But no identification on this one. Certainly a black station, probably in Nashville. The DJ is buried pretty deep into the boogie as he signs off. And what an impressive bleepy electronic waterfall flowing around that WXXS, Memphis station ID. I’m not sure if WXSS was still R&B at the time, or had switched to gospel. But these days at 1030kHz in Memphis you’ll hear Español on WGSF.

After that, a happy bland mic break from a young lady on what I believe was the Satellite Music Network‘s "Heart & Soul" service back then. It was a syndicated oldies-based black hits format that had some success in the 1980′s. "Well you all tightened up now? Got some George Benson for ya right now…"

And now, Bill Mack, "The Midnight Cowboy" doing his long-running trucker show from 50 thousand watt WBAP in Dallas. One of the legendary big trucking radio DJ’s since the 70′s, Mack now has his own spot on the XM trucker’s channel, "The Open Road." But here’s he’s lusting after his producer’s feet. It’s well past midnight at this point, and we were probably tooling down 1-55 in northern Mississippi. Unfortunately, Memphis radio (still an interesting and vital scene) is barely sampled in this collage. I guess I was at the wheel by that time. Something I haven’t mentioned about this trip– by the midpoint of this nonstop drive from Michigan to New Orleans I had tired of repeatedly asking my friend to stop gradually veering the Buick toward the shoulder of the highway. I don’t know if it was white line fever or what, but it was driving me insane. The lesson I learned was to never go a roadtrip with someone until you’re familiar with their driving skills. I ended up doing most of the driving for the rest of the trip, and didn’t record nearly as much radio on the road as I had intended.

After the Midnight Cowboy you hear a WBAP Metrocel Cellular Phone promo (Those were big clunky "car phones" back then. Nothing like that shiny sliver of wonders you carry around these days…) and a couple bites of cracklin’ holy roller oratory, which is ubiquitous on the AM dial in the deep south. Then there’s a little harbinger of good things to come, a static-ridden station ID for 13-Kixie, WKXI– "Your power music station." Then there’s something about Martha Reeves and Ben E. King singin’ in Little Rock for a tour of historic houses. Then it’s "67 beautiful degrees with the Chi-Lites on Little Rock’s Favorite, K-Lite" (which I’m sure was on the FM band where there was a lot of "lite" radio back then). And ever so briefly, you hear a station ID for the great WDIA in Memphis.

This is followed by a little talk radio interlude. My best guess is that this is Ray Briem, an overnight talk host based in L.A. (KABC) who was doing a syndicated show around this time for the ABC Talk Network. (I’m not familiar with Briem and could find no clips online. Leave a comment if you can verify if this is him, or some other talk host.) And I believe the conversation is regarding the Civil Liberties Act of 1988, which was getting its finishing touches in the legislature around this time, and in a few months would pass with broad bipartisan support and the signature of President Reagan. The bill served as a giant apology to the thousands of Japanese Families living in America (a majority who were U.S. citizens) who were forcibly relocated into internment camps during World War Two, as well as providing them with over a billion dollars in reparations.

However, Betty doesn’t like the idea. Full of rum and rancor and barely able to complete a sentence, Betty’s angry half-thoughts have stumbled onto Ray’s late night radio show, and it’s not pretty. Instead of taking Betty to task or having fun with her ignorance, Ray just milks the call for all the outrage he can squeeze out of it– "We didn’t start that war Ray." And while Betty didn’t advocate dropping a few more A-bombs on Japan, and never referred to them as "nips" or "japs," but you know she probably has. And Ray (who’s apparently rather conservative and not in favor of allotting much cash to the cause) seems taken aback that Betty wouldn’t even sanction an apology to the victims. And if old Betty’s still up and around (which seems in doubt) she probably feels right at home in today’s era of terror-racism, border xenophobia, and the new growing fear of "they." After all, they attacked us.

Then, late late into the night, the whole kooky idea of recording radio in transit with a boombox really paid off.  Even if I wasn’t making these recordings I think the moment I turned in loud clear and clear Lightnin’ Hopkins while crossing the country in the middle of the night might have been etched in my memory anyway. But it’s nice to have the memory archived. Either way, it’s home cooked amplitude modulation of southern music and culture. It was the "Mid-South Power Connection, 13-Kixie."  This was the station I’d hoped to find. At the coolest darkest time of the night and after sixteen hours on the road, the Blues was all right.

The DJ, Paul Anthony Hickey, has a great night vibe and voice– clipped and warm, with a little urgency to keep you awake. Perfect. I find no reference to him on the web, but i like to think he’s still doing radio somewhere, possibly under another name. Following the talking blues of Lightning Hopkins, the funky Bar-Keys fueled blues of Detroit harp man Little Sonny kicks in hot and thick and the drums hit like a round of gun fire. And if you want to hear an example of why I still love the sound of music mutated through AM broadcasting, just listen to the intro to Sonny‘s "A Woman Named Trouble." And then if you compare it to the CD or vinyl and the keyboards, harp and drums will certainly sound more correct or real, but the compression and limiting of AM brings the funky sound up front and center– meaty, the way I like it. So clear, that we must have been pretty close to that 1K transmitter when this was recorded. And then there’s the beginning of a Jimmy Reed track. Jimmy Reed was made to be heard on an AM radio.

Anyway the recording is scoped, so you don’t get the full song. If I had made this collage today (instead of twenty years ago) I probably would have let Little Sonny play on. However, I did keep a lot of the flavor. I kept a couple commercials from the stop set that followed the music, and they’re both representative of a radio station that’s more connected to its community and culture than most are today. And speaking of meaty? If you like delicious home-cooked food (and who doesn’t) you might enjoy the ad for "Jobe’s Family Restaurant." Unless you’re a vegetarian, you may have a little Pavlovian response as you listen to this savory list of soul food fare. And yes, you could get your chitlins fried or boiled.

However twenty years after the fact, Jobe’s Family Restaurant is ancient history. Not only is there no references to it on the web, but the photo snapping vans of Google Maps’ "Street View" division archived the visual information from that strip of Jackson, Mississippi not long ago, and as you can see from the image at right, the lot at 1940 J R Lynch Street in Jackson has been stripped of its building. Looking at this blank sad piece of land reminded me of so many similar empty lots where the good times used to roll in Michigan cities like Detroit, Pontiac and Flint. That said, I’m sure you can still find plenty of home grown diners where you can order a hot greasy plate of ribs or fried chicken in Jackson, Mississippi. Just not at that piece of land on J R Lynch Street.

What can I say about the ad promoting the "Big Kickapoo Blues Festival." I lived in the deep south for a spell and was fortunate enough to attend a few of these big blues festivals in the summertime. The line-up at this one was typical– Little Milton, Artie "Blues Boy" White and Gary B.B. Coleman. Other regulars on a bill like this would be legendary artists like Denise LaSalle, Bobby Bland, Tyrone Davis, Johnnie Taylor, Betty Wright or Marvin Sease. It’s hard for me to tell you how much fun I had at these events, and the memories of total strangers sharing fried chicken, ribs, hard liquor and good times lives on somewhere at a cherished picnic table in my memory. Yes, there really is something about the south…

And WKXI is still broadcasting blues and soul in Jackson, although a few years ago a frequency swap with sister station WOAD moved them a hundred kilohertz down the dial to 1400 AM (which I guess would make them 14-Kixie these days). They used to have a website, and you can’t listen to them online either. But if you’re driving down I-55 that way you might consider turning on your AM radio.

As my friend and I approached New Orleans in the predawn hours, I had no idea that I’d actually be moving there in a few months and would end up spending the next ten years bouncing around the Gulf Coast. How that all happened is a rather convoluted tale that probably doesn’t really belong in a blog post. But beyond the personal journey, all my time in the south was also a radio journey for me. And thankfully, it came at a time when I was mindful of capturing some of that radio from the yawning jaws of time. And all those cassettes have provided a hell of a lot more pleasure than those old baseball cards I used to covet. And they’ve provided me the with options, like sharing them here with you. And it all began with this brief vacation.

The next few installments in this series will be recordings made within the city limits of New Orleans. And then eventually, some aircheck bits from the trip back north. So, if you’re in the neighborhood come back again to 1988 again and we’ll browse around the dial.

What’s Left On The Radio?

Friday, May 30th, 2008
It’s a funny thing. Just ten years ago our country was wasting so much time and resources pursing the impeachment of a Democratic President for lying about a clownish series of sexual liaisons with an intern. And the righteous hordes of right-wing talk hosts were having a field day barking at the President’s heels for his dishonesty and depravity. And how history repeats itself. Finally, the tables have turned!

These days, our country is wasting unimaginable amounts of time and resources attempting to impose "democracy" on other countries. And we have a Republican in the White House who’s a lying clown. Thankfully there are righteous hordes of left-wing talk hosts dogging the administration for all its dishonesty and depravity… Okay, not hordes. But there are some. And (for some reason) there’s no pending impeachment either. The bottom line is that this president probably hasn’t lied about anything quite as lurid as adultery or sexual hanky panky. All in all, it was just a matter of misspeaking here or there, some miscommunication or misunderstanding that stumbled our country headlong into an illegal war that cranks out thousands of dead bodies and stuff. Nothing like oral sex, and it’s more profitable. I guess I misspoke. History didn’t repeat itself after all. And sadly, the tables have yet to turn.

But there really are a cadre of liberal talkers across the land today, which really didn’t exist in the 1990′s. While the far right wing and the neocons are way ahead of the game (with many more hosts, affiliates, and listeners ), and all the syndicated warmongers, xenophobes and anti-environmentalists are sitting pretty on stations with the best AM signals in almost every market, more and more there are competing voices out there separating facts from fictions and directly challenging the mouthpieces of the powerful and malevolent all across the dial.

The truth is, commercial left-wing talk radio is an unlikely American invention– a relatively new creation born of necessity. And contrary to what you might read from conservative clowns and stooges around the web, it isn’t going away anytime soon. But it is a work in progress. Some of it is sloppy, some great, some is just satisfying as a prescription for your outrage burden. And sometimes it’s just good to actually hear it, because affiliates do come and go. And often the liberal talk stations have ended up with some of the shabbiest signals in their market. Even with some success with certain shows in some markets, Progressive Talk remains a series of politically powered radio experiments looking for a stable business model.

In this demented and urgent media environment, the “progressive talk” radio format became a reality as a reaction to (and a bulwark against) this expansive and oppressive dominance of right-wing talk radio on the AM dial. Actually, it’s been almost eight years since the UAW’s i.e. America first toyed with the idea, and roughly four years since Air America and Clear Channel made it real. And there’s been new energy and enmity crackling through the broadcasts, that’s to the protracted and convoluted race for the Democratic Presidential nomination. And the question remains, whether a radio format that combines activism and entertainment from a left wing perspective (which is often explicitly anti-corporate) can thrive in the marketplace.

As the struggle between Obama and Clinton became a nightmarish pissing contest in March after Edwards dropped out, most of the progressive talk hosts I heard avoided taking sides (although that’s less true every day). However, the callers and guests on the various progressive talk programs have been freely arguing and opining on behalf of their favorite candidate over the last couple months and it’s brought contention and controversy to a format that had previously been full of solidarity and goodwill. Of course, the left (and Democrats in general) always have been made up of a broader coalition than the conservative side of things. It’s one of the reasons that right-wing talk radio was on better footing out of the box twenty years ago. With little nuance and a steady focus on the enemy (Democrats) conservative talk has a simple appeal that works well, especially when the political agenda espoused has broad corporate support.

It’s no mystery that some conflict sweetens the plot, and there’s been plenty of narrative rich drama on display within the progressive talk format this year. And it’s changed the way I listen to non-RNC talk radio. I’ll just be honest here and admit that since Mrs. Clinton voted to give Bush a permission slip to attack Iraq (and gave a horrible equivocating speech on the Senate floor) it was enough (along with joining a "prayer cell" with some scary and powerful Republican women…) to make her less than appealing as a candidate to me. Then there’s the creepy factor– crowing that she should be the nominee because she has the “hard working” white vote, and that we need her in the race just in case Obama is assassinated. I guess I find her about as inspirational as a ripe catbox.

Then again, I understand Mrs. Clinton has her fans. I just don’t really know any personally. In fact, when the race between her and Obama started to turn weird, I was kind of fascinated with the emotional and angry Hillary supporters who would call in. I found myself listening to progressive talk for one of the same reasons I’d listen to Hannity or something, to hear people call up and defend the indefensible and express their admiration for politicians that are patently dishonest and frightening. Call it curiosity, but sometimes the confused humanity that calls into talk radio makes me shake my head in awe and wonder (and sadness…) And listening to the streams of opinion and thought from the variety of Democratic voters who call in and spout off is much more compelling to me than those cloying and prepackaged focus groups that NPR gathers together to talk about issues, elections and candidates. Maybe it’s not scientific, but I feel that I get a better sense of political opinion in the wild from call-in shows than housewives and trade workers hunted down by public radio microphones.

And for me, when your country is “preemptively” attacking and occupying sovereign nations with the help of the lowest form of humanity, war profiteers, sometimes public radio just doesn’t cut it. I don’t hear much attitude on “All Things Considered” or "Fresh Air." The news is important, but in desperate times a little outrage and a few laughs are in order. These needs are what led me to seek out streaming broadcasts of Mike Malloy and Randi Rhodes online six years ago, and sample all of Air America’s programming when they debuted here in New York four years ago.

And here’s where irony really enters the picture. At a time when I need (or perhaps) crave a diet of liberal talk radio more than before (to keep me informed, activated and hopefully able to chuckle in the face of the swine), my radio isn’t much help.  You’d think that the fact that I live in New York City, the “home” of Air America, would give me a ringside seat to all the radio action. Well it did, until the day before April Fool’s Day. That’s when WWRL Program Director Rennie Bishop dumped eight hours of Air America programming from the station’s daily schedule. They used to call WWRL Air America’s “flagship” station. That’s hardly the case now.

In fact, when Air America launched on WWRL they had already given up six or seven hours of their daily schedule to the station’s programmer, Rennie Bishop. While putting Alan Colmes in for Air America’s weakest talk show (This is America with Jon Elliot) wasn’t such a bad idea, leading the schedule with his already failing and ill-conceived morning show seemed a little selfish. And while he’s already been through two or three incarnations of that mess of a morning show in the last year, during the month of April the combination of Bishop’s butchering of the original schedule and a bit of unrelated happenstance left only two hours of Air America on WWRL untouched and as it was. All that’s left of the Air America programming you would have heard just last March (Monday through Friday) on WWRL is the first two hours of the Rachel Maddow. And the third hour of her show is gone with the rest of it.

But that “unrelated happenstance” was the big news nationwide– In April, Randi Rhodes was suddenly suspended from Air America Radio, which led to a quick and public split between the host and her network. Within hours of her decision to leave, Randi jumped ship to the fledgling Nova M Radio Network. The official story is that she didn’t yield to Air America’s demand that she officially apologize for saying something untoward about Geraldine Ferraro and Hillary Clinton during a comedy routine in California. But as this whole episode has played out in mid-March it now seems that this unexpected split-up was more of a sloppy and quick divorce between a highly paid and troublesome media personality and her cash-poor employers (who didn’t hire her in the first place).

If you don’t know the details on Rhodes split with AAR, you can read about it here and here, and see her talk about it with Larry King of CNN with this link. The funny thing is that after Rhodes’ “stand-up routine” in San Francisco (see it here) she continued her program on Air America until the network decided to be offended by her appearance in California. Have a listen to Rhodes’ triumphant return from San Francisco, where she even bragged about using the “F word” there.

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Then, a number of days later Air America had Sam Seder announce that Rhodes was “indefinitely” suspended for using a particular word that begins with “F” at her big comedy outing in California. Seder sounds a little confused by the whole thing, and was operating under the working assumption is that she’d be back in a few days.

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Seder was filling in for Rhodes during this week long disengagement between Air America and their most popular talk host. By April 10, it was over. And Seder again was given the official duty of announcing that Rhodes would never again appear on Air America. (Just imagine those smokin’ board meetings at Air America…) He took calls. It’s actually very rare to hear a radio station (let alone a radio network) allow their talent (or worse, former talent) to get on the air and openly trash the station. But like I said, progressive talk is unlikely and experimental. What you’ll hear in this clip is some messy and somewhat intriguing radio, including a phone-in walk-on from Seder’s former co-host, Janeane Garofalo. And while he used to defer to her wacky outbursts when they were a team, after Garofalo has put all her complaints against Air America on the table Seder quickly motions her call toward the exit.

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Now Rhodes has since moved on to Nova M, a fledgling progressive talk network started by the Sheldon Drobney, who was one of the original founders of Air America. Nova M really only has two significant talk show hosts, Rhodes and Mike Malloy. Interestingly, both of them were more or less cast off by Air America for controversial behavior. Right-wing talk hosts really never have this problem. (Unless you consider Don Imus right-wing. But he’s really more of a libertarian old grump…) And although Malloy and Rhodes tend to mouth off, they were actually the two Air America hosts who actually were radio veterans. The fact is, these two Nova M talk hosts probably have more collected years of experience behind the microphone than all the rest of Air America’s talent roster. Not only that, but they seem to have full control of their “flagship” station in Phoenix. So far, with a network run on a shoestring, Nova M has proven to be a more agile and thoughtful operation than the bloated and overwrought Air America.

Have a listen to Mike Malloy on the day Rhodes Air America suspension was announced. Not only does he express his anger at his former employers for screwing Ms. Rhodes, but he also recounts the strange day he was let go by Air America,.And what I find most enlightening of all in this screed is how Al Franken (the vastly overpaid AAR poster-boy who never figured out talk radio) insisted that no Malloy promos run during his program (which would make him both boring and gutless).

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One thing for sure, Malloy invests more raw id into his broadcasts than any liberal talk host you’ll hear. Once he begins to unload you can feel the burden lift and perhaps experience a chuckle escaping from under the load. Here’s an inspired Malloy roasting of Hillary Clinton that certainly warmed my heart.

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What you get in investing your time into Malloy’s show is to feel that warm glow of having your outrage voiced. Although Malloy can occasionally get a little hysterical for me, in general I find Malloy’s nightly rages medicinal, and look upon his complete and total disrespect for the "Bush Crime Family" as the most legitimate and clear-headed treatment of this administration than I hear just about anywhere.

And did you notice how Malloy passionately plugged Nova M’s “Founder’s Fund?” Nova M charges a little more than most radio operations for its podcasts, selling the fee as more of a contribution to the cause. And the podcasts and occasional online videos are just gravy. In fact the CEO of Nova M, young Clear Channel/Jacor vet John Manzo, has made this public-radio style “listener support” part of his business model to help his upstart syndication outfit afford experienced radio hosts like Rhodes and Malloy.

Meanwhile, Seder was left to hold down the Rhodes’ slot while the dispute between talk network and talk host carried on. Sam Seder has been the good soldier in the many battles between Air America and their disgruntled hosts, somehow staying loyal to the company and their former air personalities. After Malloy was fired, Seder actually had him come in as a guest on his program. And after Marc Maron and AAR parted ways, Seder continued to have him as a phone-in guest and still has a regular video webcast (on his website, not affiliated with AAR) with Maron. Not only that, but he’s been the only Air America employee to do fill-in slots (for Malloy) on the competing Nova M network.

When Air America launched, their big innovation (and often their downfall) was to take on a lot of talent from cable television comedy. Although this proved to be a big budget drain on the fledgling network (and SOME TV talent never translated well to radio), the successful transformation of comedian Marc Maron into a new breed of talk host was a real success story. He’s spontaneous and twisted and honest, and really funny. When “Morning Sedition” (the AAR show he co-founded) was kind of drowned in the bathtub in late 2005 by former AAR CEO Danny Goldberg. The show had a hardcore following, and a fan website remains where you can find a continuous stream of comedy bits and interviews from the defunct show. I’ve written plenty about the demise of this wonderful radio program, which you can read here and here.

The huge outcry against putting down Morning Sedition led Air America to let Maron put together an evening program out in California (where he had relocated) which they promised to syndicate once it got off the ground. Although he put out some great shows over several months in 2006, it remained a local operation and the network syndication never happened. Eventually after a few fill-ins for other hosts, Maron publically cut ties with Air America and concentrated on his comedy career. Let’s turn on the way back machine and have a listen…

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Thankfully Marc Maron has gotten the radio bug once again, and in April he filled in for Malloy on Nova M. And his fill-in coincided with Rhodes impending arrival at the network, and she called in while he was doing Malloy’s show.I expected a harsh tag-team trashing of Air America. But that’s not exactly what happened.

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While Maron is pointedly curious about Randi’s allegations of Air America bad behavior, if you listen carefully you realize that he never really jumps in with Rhodes to twist the knife. Why not? Well, this isn’t the same Maron (or reality) in 2008. They’ve been through a few management configurations since then, and Maron’s going through a divorce and trolling for a radio gig. And while he sympathizes with Rhodes, and is certainly curious about her what happened between her and the network, he doesn’t pile on. In fact, a less then a month after this conversation on Nova M, Maron did a three-day tryout for Rhodes’ old afternoon slot on Air America. More on that in a minute.

The real meat in this last clip is Randi’s description of a “lawyered-up meeting” she had with the new Air America brain trust that led to her suspension and subsequent move to Nova M. My guess is that you can take her at her word– that they claimed “buyer’s remorse” when they purchased AAR and inherited a very highly paid Randi Rhodes with an iron-clad contract, and that they bullied her to amend it. You gotta wonder why? Or at least what the catalyst might have been.

Whether you like Randi’s radio style or not (and I’ve been on both sides of that issue), if you listened much you’d have to admit that her show is charged with the very essence of her personality disorders and insecurity issues (and then there’s the drama). It’s kind of her appeal. I can also tell you that some AAR underlings I’ve spoken with in the past have hinted that Randi can be a rather unpleasant force of nature in the workplace. So, there’s that. But then again, that’s just part of doing business in talk radio. Talk hosts are a bizarre bunch by nature. But you gotta wonder whether it was just Rhodes’ hefty contract (in the high six figures per year I’ve heard) or whether she said or did something extraordinary to piss off the AAR chieftains. While Rhodes may have had the highest ratings in progressive talk, apparently it wasn’t worth the price (or the headaches) for the new owners.

In just a few days, Rhodes was back on the air broadcasting around the country from her old roost at WJNO in West Palm Beach. She still has her own home down there, and plenty of friends and family. And while she doesn’t have quite the affiliate reach she did with Air America, she already does have a majority of her old stations back in her camp. While it’s difficult to know how this will play out, right now Air America has lost a number of affiliates in the all-important afternoon drive slot (on the east coast), and some of their mojo along the way.

If you have the stomach for it, here’s a half hour of Rhodes’ victory celebration on her first day on the air at Nova M. There’s a big crowd in the studio, and the funny thing is this is sort of typical down there in Florida. Before she came to Air America, Randi always had sort of a “peanut gallery” with her on the air, adding little chuckles and affirmations and grunts to fill the quiet parts and accent her personality. It’s kinda weird, but she seems to like doing radio that way. And I guess in Florida it’s easy to find people to come around and hang around.

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And what’s Air America going to do without Rhodes? Not mourn, that’s for sure. Here’s Air America’s kooky and cosmic host of “Clout,” Richard Green. It’s a couple days after Rhodes and Air America have parted ways and he’s turned his show into “Healing Friday” for the evening and he’s taking calls from listeners so they can vent and share their feelings about Randi Rhodes departure. And this first caller is rather entertaining, she’s a middle-aged Hillary fan full of wine who’s quite upset about how Randi (and MSNBC and the media in general) aren’t giving the Clintons the respect they deserve.

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I’ve never been sure if I like “Clout” or not, but it’s not like any other show I’ve ever heard (but the Police bumper music is so tiresome). While I’ve never heard of Richard Green before he started doing a program on Air America, he seems artful at keeping close relationships with radio management types. In fact, he came in when the Green brothers took over Air America. And after I heard a show for a few days I assumed he was in the same family. Green often offers inside information on what’s going on at the network. And he says in this clip that he’s a loyal team player. And when Rennie Bishop moved Al Sharpton into the “Clout” time slot Green was quite good natured about in on the air. But more importantly, he was able to somehow make a deal with Bishop to remain on the air in the city by having his show time-shifted into a late night slot. Which is a better deal than Thom Hartmann got.

And you also hear Green announcing the stopgap solution to fill the Randi Rhodes slot– celebrity hosts! Oh oh… They’ve been through a number of them so far, and it’s been a mixed bag. Richard Belzer was bearable, but flat. Joy Behar? Rosanne Barr? Let’s just say they don’t seem to grasp the magic of radio. Lately it’s gotten better, as Air America has started giving a trial run to people who actually have some radio chops, including Ron Kuby and Ron Reagan. Not bad. Reagan’s a little too warm and cozy for my taste, but Kuby is a consummate radio professional and certainly deserves to find another gig since WABC gave him the boot. And somewhere in there they gave Sam Seder a tryout as well, even though he’s been on the network since the beginning. But his contract hasn’t been renewed, so his fate at AAR remains unknown at this writing.

However, my pick (by far) is Marc Maron. Somehow he buried the hatchet with AAR, and they had the divine wisdom to give him another shot. His tryout amounted to three buzzing afternoons of neurotic energy and wide-ranging monologues. I have to say that I like almost everything about Marc Maron as a talk host. Hearimg him back on the radio recently I realized how much I actually miss his voice, and his quirky all-over-the-map style never seems to leave me behind. I’m not completely sure why that’s true. But it is.

Here’s an opening monologue from his second afternoon back on Air America. It’s got just about everything I like about Maron– self-effacing humor, raw candid truth, nervous energy and just the right amount of anger and ego. If there was a twisted and scripted comedy bit in this clip you’d have just about all the attributes that make Marc Maron the most unique and funny progressive talk host out there. And he is out there.

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And the good news is that Maron was invited back this week for another run, this time for four days from AAR’s New York studios. On Tuesday he happened to mention that he’s thinking about moving to Portland, Oregon. Considering that’s where Hartmann’s show originates, perhaps a new Maron show may set up shop there as well. We’ll see…

Probably the hardest hit by Bishop’s purge is “The Lionel Show.” When Mark Green took the reigns of AAR last year and declared the launch of Air America 2.0 with a new website and a number of scheduling changes, it seemed like good news when the network announced they were bringing over talk radio veteran Lionel to take the late morning slot. At the time, Lionel was on the upswing after a few syndication deals had come and gone. But by the mid-2000′s, he was making real headway in the late night slot on the WOR network with perhaps over a hundred affiliates. More libertarian than liberal and more contrarian than ideologue, Lionel kind of evolved into the mode of the oncoming “progressive talk” trend, just by having a common sense antiwar attitude. And because it was late at night and Lionel is funny and he never used to be political, his talk show was syndicated on more right-wing talk stations than liberal outlets. And coming up in the rough and tumble Florida school of talk radio and his attorney instincts, Lionel was adroit at trapping, teasing and tormenting clueless conservative callers. And on a good night it was great fun. (And you can read what I’ve written about that incarnation of Lionel’s show here.)

On Air America, Lionel is at a disadvantage for a number of reasons. First, he’s on in the morning. And while his bacchanalia stories and bawdy sense of humor suit me fine, it’s not what many Air America listeners are used to, especially before noon. Late at night, and on stations that might not be so front-loaded with activist-oriented listeners, Lionel’s quirks made more sense. Listen to this clip from a Friday in late April. Mind you, this is the very beginning of the show. Nine in the morning. And in just over a minute he has a guest on the line to discuss flushing the sexual juices off your nether parts as a method of contraception.

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Put yourself in the mindset of a PD at a progressive talk station in a minor city out in the heartland. Does this sound like something you’d like to run in your morning schedule? And after the contraceptive tomfoolery, there’s “Drunk Dialing,” a regular feature on the Lionel show these days. Listeners are invited to call in and talk to an answering machine (preferably after tipping a few tumblers) and say silly things. And then his producers edit it into a burlesque series of dopey people acting foolish. To me, this always seemed like a parlor trick attempting to capture the atmosphere of a late night talk program when drunks and mentally incapacitated folks call up in real time and liven up a show. Not only does it sound forced doing it this way, but it’s another symptom of why the kind of show Lionel does (left to his own devices) doesn’t really belong in the middle of the day on a left-wing political talk network.

The important thing to remember is that progressive talk stations (or station who just carry some Air America programming) are free to pick through the AAR line up and choose the syndicated programming they like ala carte style, as WWRL just did. But most station programmers have more grace than Bishop, and don’t whore out thier prime hours to infomercial crap. There are other choices. Like Stephanie Miller for example, who is syndicated on far more progressive talk stations.

To be fair, Lionel’s show on Air America is more serious and political than he’s been in the past, and he’s had great guests and there are insightful moments and funny bits that aren’t naughty bits. But as far as Lionel on Air America, the writing’s already on the wall. And the fact that he wasn’t pegged to tryout for the afternoon drive hours seems to confirm it. It was already tragic when WWRL pulled the plug and Lionel lost his audience in New York, where he’s had his greatest successes, and unless he moves to another time and perhaps retools his show, it’s only a matter of time before Air America tries something new from nine to noon (eastern time). If I was consulting Air America, I would tell them to move him to an evening slot, or even late night where he was before. Then Lionel might have a chance to regain the affiliates (many beyond Air America) where he thrived while he was with the WOR Network.

While I think almost everything Bishop did to overhaul the WWRL schedule was misguided, moving Ed Schultz (with his respectable ratings track record) into the noon to three daypart has an undeniable logic you can probably understand, even if you don’t agree with the idea. But for me as a listener, taking Thom Hartmann completely off WWRL was the most painful change of all. It’s not that Schultz is  horrible (though not my cup of tea), it’s that Hartmann’s show can be such a daily gift. While there’s not as much "edge" as I might like in Hartmann’s style, his daily show is arguably more nutritious than any call-in radio show on commercial radio.

It was long suspected that Hartmann was on deck to replace Al Franken on Air America, once he got serious about running for the Senate. That finally happened last year, and what a relief it was. Franken’s slow and sloppy ego party had become the most smarmy and careless three-hours in radio. And it was costing the network a fortune. When Hartmann took his place it immediately made more sense. A writer and a thinker with a long list of respected books to his credit, Hartmann has a national conversation five days a week that is remarkably intelligent and without malice. He has many guests in small digestible segments, and always takes plenty of calls. And between smart screening, setting a respectful tones and good pacing, Hartmann’s show is bracing and thoughtful.  And conversationally he’s as apt to run with the news cycle as he is against it, depending on his mood and what he wants to talk about that day. Hartmann’s grasp of history and trends is impressive and topics and issues are often approached new ways with new ideas.

To offer a flavor of Hartmann’s program, here’s a recent "Brunch with Bernie" segment, which is a weekly Friday feature on the program. Almost every week, Vermont Senator Bernie Sanders talks with Thom about what’s happening in the legislature and other issues of the day and takes calls from listeners. As an independent and socialist who’s served the better part of twenty years on Capitol Hill, Sanders is the ultimate Washington insider and outsider with a unique take on American politics and social issues. A former Vermont resident and a declared independent as well, Hartmann is more political than partisan and his weekly hours with Sanders is always packed with insight and information beyond the headlines.

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And then the question becomes – can a brainy and thoughtful talk show host take on Rush Limbaugh in his time slot and beat him at his own game? He does in Portland, where his show is based, as well as Seattle. But WWRL’s signal in New York is mediocre at best (just listen to the WWRL clips on this post…), and it will be interesting to see if Ed Schultz makes any headway here in that same slot.

But while Schultz is basically a liberal makeover of the standard conservative talk host, Hartmann delivers something much higher grade. He’s full of passion and armed with facts and history and context, as well as ideas for change. Hartmann regularly debates with right-wingers on his show in short enlightening segments, without yelling or getting into the mud. As Hartmann says, he’s fair and not-quite balanced. Fine with me. While his show may be driven the daily diet of political news and topics like any other talk show, on other days he comes to the microphone armed with larger questions and perspectives to mull over with his audience. And almost without exception, the callers on the Thom Hartmann show are a curious and informed bunch.

I still think it was actually a good idea to dump the weak Air America late show (“This is America” with Jon Elliot) in favor of the quirky Alan Colmes show (marketed by Fox), but the fact that Rennie Bishop insisted on keeping his sad and clunky (and pre-existing) WWRL morning show as the daily lead-in to Air America’s programming on their “flagship” was kind of like a fart in your face every morning. And now the way things stand, turning on WWRL any random time of the day is more likely than not to be spew more radio flatulence than I can handle.

Thankfully WWRL’s “Sammy & Army Show” (yes, they really called it that) is history now. The roaring intellect of Republican shill Armstrong Williams and his sidekick– lefty sad sack Sam Greenfield have gone their separate ways by now. Mr. Williams is typical of many Republican operatives– an anti-gay activist who also seems to also have a big closet problem. While he may still deny that particular secret, the fact that he received a quarter million bucks from the Bush Regime to do a little dirty work (like sell the “No Child Left Behind Act” program to the African American community) has been public knowledge for quite a while. He apologized, but kept the money. And it made my stomach turn when WWRL incessantly ran their weekday schedule promo mentioning Armstrong Williams as part of the “best progressive line-up in America.”

Speaking of WWRL promos, the production in general on WWRL leaves much to be desired. And the writing for the in-house ads and promos is unfortunately not bad enough to actually be entertaining. But it’s close. Here you can enjoy one of the versions of the promo that’s been used on WWRL since the major programming overhaul.

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It’s set to the catchy mechanical disco of “Funkytown” with intermittent Nextel chirps. In fact, the Nextel chirps are heard throughout WWRL’s promotional spots and drop-ins. I guess digital blips are the latest thing in radio production. I hear all sorts of cell phone noises in radio spots these days. And NPR’s latest bid for the youth demographic, "The Takeaway" proudly inserts bleepy sounds between segments. I guess these little noises must do well in focus groups or something.

And did you notice how the morning infomercials are described as “a health and wellness presentation?” And that Al Sharpton’s program offers a daily dose of “unfiltered truth?” Euphemisms abound. And as many times as I’ve heard this promo, I still have no idea what the announcer is saying about the Alan Colmes show. And if you don’t live in New York, try to imagine what it’s like to hear this promo hour after hour and day after day for months. It’s not easy.

Like Air America’s first local station in New York (WLIB), WWRL was a black radio station with evolving formats in search of an audience when Air America came along. And WWRL’s Rennie Bishop has a vision of establishing a black & white talk radio teams who can "disagree without being disagreeable." Which doesn’t seem like a patently bad idea, but it’s been less than a compelling formula so far as WWRL has been through four biracial pairings without hitting pay dirt or finding a compelling talent duo. Currently Cos Carson (the black side of the last morning team after Richard Bey quit) is holding down the WWRL morning slot. Rather hyper and workman-like, Carson’s really the caliber of host you’d expect (or hope for) in high profile slot in a major market like New York. And Bishop’s inter-racial talk radio vision seemed to have a lot to do with the changes he made to schedule, anchoring it down with a couple of oversize talk hosts, one black, one white– Ed Schultz and Al Sharpton.

Plainly, Al Sharpton does not have the verbal skills or versatility to host a daily talk radio program. Nonetheless, when Syndication One was putting together an African-American talk network they thought they could cash in on Sharpton’s celebrity as an activist by giving him a talk show, and perhaps thought he might be a natural. Well, they made a mistake.

Frankly, only the most loyal disciple of the “reverend” could find much to love Sharpton’s ham-handed talk radio vibe. Hardly a fount of information or insight, Sharpton offers nothing more and nothing less than the particular social issues he is pursuing on that day, period. It’s not progressive talk. It’s Sharpton talk. Instead of rising to the occasion, as a talk host Sharpton sinks to the bottom of the punch bowl every day. How long will it go on? Maybe another year or two, depending on how deep the pockets are over at Syndication One.

Strangely, Sharpton’s program is preceded by a disclaimer that the station isn’t responsible for anything Sharpton says, just like ones that run before the vapid infomercial blocks that glut the WWRL schedule. I don’t think I’ve ever heard a disclaimer before a political talk show. I suppose this means that either the WWRL management really doesn’t want to be responsible for anything he says, or if Sharpton is actually paying for his air time, just like an infomercial.
 
While polluting the daily line-up with Sharpton’s show might not make much sense (that is, unless he pays for his time there), it’s not hard to see how Ed Schultz landed in the noon to three slot. Many stations who carry Air America’s lineup also shoehorn Schultz into their roster. After all, before Randi joined forces with Nova M Schultz was the most popular left-wing talk host outside of the Air America tent. And if you just came across his radio show you might think– “Why does he sound so much like Rush Limbaugh?” Well, he used to sound more like him. Years ago, Ed followed Rush’s lead in making fun of homeless people, and even considered running for office as a Republican. A few years ago he made the biggest career move of his life by simply transforming into liberal. I suppose that in the scheme of things there was a niche available for a blustery gun totin’, meat eatin’ left-wing talk host. It’s the "aw shucks" common man approach, which Air America has yet to appeal to in any real way.

From the time Randy Michaels attempted to move into WLIB in 2006 when Air America was breaking up with the radio station, there has been a movement to get the relatively popular Ed Shultz Show into New York City. And they’re awful happy to be here. Take a listen to the beginning of his show of Monday where Ed can’t stop celebrating his arrival here. As a comedic extra, you actually will hear the station start the Thom Hartmann show as it always had before, then silence, then someone shouts Ed’s name right before the engineer finds the right button on the board. And during the extended silence you can clearly hear how Radio Disney chomps on WWRL’s signal here in the city.

(download)          

I’m not so happy, but it’s a big victory for Ed Schultz. If I’m not a fan of Schultz, I must admit that I find his show much less of an irritation than Rhodes’ program. And as you hear in this clip, he does gets A-list guests– past and present presidential candidates and lots of big name Democrats and pundits. As this is Ed’s New York City debut, he actually introduces himself to the market. You get the flavor his personality and presentation. No fireworks. Big Ed’s radio schtick generally chugs along at an even pace with few surprises.

Despite our bad luck here in New York, I guess I’m optimistic about the progressive talk format in general. Perhaps because I’m pessimistic about the immediate political and cultural future. But Air America? It may be the biggest name in progressive talk, but the company’s been in financial trouble one way or another since the beginning. Let’s hope the folks who recently assumed power over there (but left Mark Green intact as CEO) have better luck than everybody else who’s tried to get Air America off the ground (and into the black). The network has never quite recovered from the dirty work of a couple of Guam-based Republican operatives who illicitly moved a bunch of money from a charitable operation into Air America’s coffers, and ultimately left AAR and left town leaving the network to pay back the ill-gotten cash while they were scrambling to find enough money to continue operations. As a bit of good news, the original AAR CEO Evan Montvel Cohen (the ass behind the whole scam) was actually arrested in Guam just the other day and charged with theft, forgery and other crimes, and remains under house arrest. Nice.

Then if you consider the big splashy over-staffed debut and all the financial treachery at the founding, you start to get an idea why the network has seen such rough times. And although it  remains the biggest brand name in the progressive radio business, with Rhodes gone the only significant daypart where Air America stands above their competitors (Jones Radio & Nova M) is Rachel Maddow’s slot from 6 to 9pm EDT. A lot rides on whether they will be able to find the right host and create a compelling afternoon drive package. But that alone isn’t going to be enough to get the network out of trouble.

Perhaps the greatest and most consistent flaw I hear in the overall sound of Air America’s programming is getting by on the cheap by using off-air staffers as co-hosts. While integrating subservient underlings and creative backstage types into a show can occasionally be fun and interesting, non-talent types rarely provide the chemistry and/or ego-balance that a real air-talent or partner can provide. Some hosts are better flying solo. Others benefit from having a sounding board, or just a partner on the air. And it shouldn’t be a surprise, it’s better to find a worthy co-talent and pay them accordingly, instead of letting the host try to milk some situation comedy out of banter with his or her producer.

Given their track record in taking on (and apparently succeeding with) Air America’s cast off talent, I’d bet that if either Marc Maron and/or Sam Seder are not integrated into Air America’s schedule sometime soon that they will end up over at Nova M. Possibly together. They’ve been working together on their own, and both have their own fan base in the progressive talk web-sphere. And while I’m offering suggestions (I had a pretty good scorecard the last time I tried this…) I’ll just repeat what I said about Lionel, that he might stand a fighting chance in a night slot. In the last slot he thrived, Lionel ran concurrently with Malloy, who certainly would attract a different kind of audience. And I’d bet quite a few of his old late night affiliates might be willing to take his show on again. Otherwise, when Lionel’s contract runs out he’ll probably be back on the block looking for yet another syndication deal.

But locally, it’s hard to be optimistic about WWRL. Once a radio station gets the strong stench of infomercial, rigor mortis is probably on the way. And WWRL’s schedule is loaded with snake oil. While cynical fake talk shows certainly bring in cash, they attract a demographic that is death during normal programming– the infirm and the aged. And beyond that, if Mr. Bishop really thinks the same people are going to listen to Shultz, Maddow and Sharpton, and perhaps enjoy endless hours of discussions on fish oil and the digestive track, he’s not thinking clearly. While Bishop does seem to have a vision, it seems as doomed and misguided as the "Sammy & Army Show."

And I don’t know where Air America might find opportunity on the AM dial in New York. Certainly the strongest underutilized frequency on the dial is the 50,000 watts of WQEW, the current home of Radio Disney. I mean, how many kids listen to AM radio? The New York Times sold this powerful NYC frequency to Disney a couple years ago. If the Times was actually as liberal as the right wing insists, it seems like they might have made Air America a reasonable offer. Instead, it’s a non-stop infomercial for Disney’s products and theme parks, which also happens to reach all the way to Canada and the Midwest after dark. 

To summarize, as a WWRL listener I feel like we’ve been seriously jerked around. And I don’t think I’m going to feel better about it anytime soon. Before Air America debuted here in 2004, I had to rely on the internet for the few liberal talk shows that were available. Now four years later, Bishop has finally created his masterwork– the worst progressive line-up in America. And personally I’m back to square one, and relying on the internet for my input of liberal talk all over again. In fact, I’ve ended converting an old computer with a wireless connection into a kitchen radio. WWRL used to be my main media source when I’m cooking, cleaning and hanging out at the dining room table. No longer.

I suppose that in the scheme of things, this is a bump in the road. How long can it be before we can stream internet streams in our cars? Or anywhere? But I’m a radio guy, and this is a radio blog. I mean, the public airwaves and all that. I prefer the convenience, the sound of amplitude modulation, and the fact that anybody within range of a transmitter can tune in for free. And where’s the piece of the broadcast band that’s supposed to be our birthright? Or just peace in general? How many radio stations are supporting that? I suppose that kind of summarizes where I’m coming from.

It seems like it was a long time ago (but it wasn’t) when I was fairly satiated through getting my radio news and information from NPR, or the BBC, or CBC, or any of the various sources on the shortwave band. And I would also glean a few shavings of fact and opinion from what I might hear on talk radio, which was increasingly of a right wing flavor (but not yet totally so). That media diet doesn’t work for me these days. Of course, getting news from international sources remains important, but public radio here at home has been shameful in the age of Bush. At least PBS has Bill Moyers speaking truth to power on the public TV airwaves. But I can’t think of anybody in all of NPR’s national talent roster who has begun to express the outrage and shame we should all feel as Americans (Daniel Schoor, is the only one there who seems to have balls in this regard.)

For example, there’s this sick angry feeling I get sometimes when I hear another news actuality of George W. Bush saying something incredibly stupid. It’s not just that his grammar and word choices are usually a mess, but that what he’s saying is patently a calculated lie he’s been spoon-fed by someone a little more intelligent. But he’s never challenged. And if he is, he makes up some non-response and there’s no follow-up to put him on the spot. And the NPR newscaster or show host will further reference the quote or talk about the responses to the quote, whatever.. But the simple facts are never noted– that the man speaks poorly at a third-grade level, or that what he just said was an obvious lie. No, they can’t say that. But Mike Malloy will. And just for fun, he’ll refer to Bush with nicknames like "chuckle nuts," bunny pants," and my favorite– "the giggling murderer." Call me crazy, but it’s something I crave now and then. I mean, if the congress can’t impeach him it seems our only recourse is to make fun of the rat bastard.

And if I didn’t make it clear, within progressive talk radio Malloy is the extreme. Other hosts are more diplomatic and less angry, but even a Hartmann, Rhodes, or Maddow are still likely to call a liar a liar, and a criminal a criminal, or point out any outstanding bit of hypocrisy without mincing words. And with the documented unpopularity of Bush, his policies and his ongoing wars, you don’t have to be a radical lefty or even a Democrat to have your anger verified, and to learn what is being hidden and obscured from us by compliant network TV news, newspaper chains and NPR. The need is there for a growing number of us. At least for now. And I’m not such a partisan. It’s just that I find living in a country directly responsible for so much indiscriminate death, torture , and  widespread despair profoundly depressing. And Then there’s the loss of our rights, the signing statements, the sinking economy and tragically bungling the disaster relief after Hurricane Katrina. The list of Bush Administration crimes and errors is much longer of course, and the side-effects of their policies– the spread of religious ignorance and intolerance and shameless xenophobia.

And so ends the blog post that couldn’t stop… I apologize for letting this burst of thought carrying on at such a length. But I’ve been typing this thing in circles for weeks, while election news and progressive talk itself has been going through a number of changes. I had originally planned on all this content becoming a series of posts here. Instead I decided just to boil down all the better parts into a full overview, and get it out before something else happens. And I’ll leave it that. I have other things I want to write about here besides all this pessimism and talk of Presidential politics. Although I’m sure I’ll return to these subjects again some time.

If you wanna check out (or keep up with) progressive American talk radio, but live in New York City or some other market where you’re poorly served or ignored by the liberal talk radio industry (such as it is), then you may have to either spend a little money and/or do a little research to listen. If you want to hear the shows broadcast live, and especially if you’re interested in participating in the programs that take calls, there’s two ways you can go. For many the most simple (and computer free) way to hear progressive talk shows is to subscribe to one of the two satellite radio services. Both XM and Sirius have liberal talk "stations" that feature the major hosts from Air America, Nova M and Jones Radio. Sirius also has a couple of their own shows with radio vets Alex Bennett and Lynn Samuels. Then again, the free digital solution is just to stream the shows live via the web. LTR (Liberal Talk Radio) is a good place to get started, with links to streams for just about every progressive talk show on the air, and information on when to listen. The site also has a blog ("The Latest Buzz") featuring the latest news and gossip surrounding left-wing talk.

However, for people with MP3 enabled lives the most convenient way to listen to these programs is to download podcasts. If you don’t know what podcasting is, you can look here or here, but suffice to say it’s a way you set up an online computer to automatically download radio programs after they’re broadcast. Then you can listen to them at your leisure on your computer or with your MP3 player. While you do have to pay for most of these podcasts, if you do they’re almost always commercial free

As I mentioned, Nova M has a "Founder’s Fund" which ostensibly supports the network financially and allows your podcasting software to download both Randi Rhodes and Mike Malloy for that one price. Air America has an "On Demand" service that gives you podcasts of just about all their programs. If you want Ed Schultz or Stephanie Miller, you have to pay for their podcasts individually. All that said, if you’re cheap and net savvy (or just want to sample some shows) there is software out there that will record the streams via scheduling like a VCR. Yes, it is possible to make your own podcasts.

However, two of my personal favorite programs are available as free podcasts– A daily podcast (with all the commercials) of Thom Hartman can be found here, and the best interview show in progressive talk, Air America’s "Ring of Fire" (with Mike Papantonio and Robert Kennedy Jr.) can be found here, and NO advertising! Lately, it’s the one show I never miss.

Although a lot can happen between now and November, at this writing we seem to stand a good chance of electing a decent human being to steer this country toward some semblance of sanity, but the chances of some high-profile war crime trials or a truth and reconciliation committee hearings or two seem pretty unlikely. And the right wing noise machine isn’t shutting down anytime soon. Yes, progressive talk will continue because we live in stupid times, in a country full of dumb people. But at least they’re hard working.

Speaking of that, it looks like Hillary’s long and tenacious campaign for the Democratic nomination has just about played out. Of course, that doesn’t mean she’ll admit it when it happens. But one can hope. And her bizarre campaign has certainly livened up the progressive talk radio scene, and made the call-in shows more dynamic than usual. However, once former first lady and the former first man have their big celebration of themselves at the party convention in Denver, it sure would be nice if they would dance their way off the world stage for a while. And maybe get a room or something. And you know, do not disturb…me.

Long Live Short-Wave!

Saturday, April 12th, 2008
Thirty years ago, listening to shortwave radio wasn’t such a eccentric thing to do. It was still the easiest way to keep up with the rest of the world. And more significantly, it was the primary way countries on each side of the cold war communicated their propaganda to the common folk on the other side of that “iron curtain.” For people out in the arctic, the desert, or in some African village or out on a mountainside, a shortwave was a necessity. And for us in the west it was a geeky guy’s delight– tuning in distant lands from the dark caves of our bedrooms.

Yes, shortwave was still a lot of fun in 1979 when the album I’m offering here was released. It’s called “Long Live Shortwave!,” and it’s a full LP by British pop music producer (and shortwave radio fan) Mitch Murray.

Long Live Shortwave! side A  28:20

(download)

Obviously Mitch spent some time on this project, including composing a disco theme (with a morse code intro!) called “Toys For Big Boys,” which opens and closes the album. Side one features the voice of Mr. Murray himself tempting listeners with the power and possibilities of shortwave radio listening– not just tuning in news, music and dramas from around the world, but also eavesdropping on amateur radio enthusiasts and signals from outer space.

Then it gets a little technical for some, breaking down the science of radio a bit and explaining the shortwave broadcast bands. If you don’t already know some of this stuff, your eyes might glaze over. But don’t worry, the funky disco music returns now and then to keep you alert. And not only that, but Murray provided a little booklet if you care to follow along. Here’s a scan of that booklet for you here, and here. And I also have both sides of the J-card for you (which includes some liner notes) right here, and also here. (And dig the subtitle: "At last! A superb album devoted to DXing.")

There’s actually quite a bit of information on shortwave listening on side one and really not much is out of date. The science remains the same. Antenna information and propagation science are explained briefly, and you may learn something if you like. In fact, side one is really dedicated more toward the shortwave hobbyist rather than the casual listener. But that’s probably why a guy might have this at the time– to learn something. Side one ends with longtime BBC personality, Henry Hatch, who had been DXing since the hobby really began. He offers a charming DX pep talk and some good advice for the hobbyist. I like the way he emphasizes on how weak the signals are after traveling around the world and how they need the utmost care and attention upon arrival. Makes you wanna warm some milk for the poor things.

And as I would, Hatch advises you to record your DX sessions on cassette.

Long Live Shortwave! side B  25:25

(download)

Side two is a twenty-five minute time capsule sampling the sound of shortwave radio at the dawn of the 1980′s. A bit of a nostalgia trip for old DXers. It’s a cavalcade of more than thirty ID’s and identifying (or interval) signals from shortwave broadcasters around the world. Thrill to the sound of the Radio Moscow once again and listen to plenty of baritone announcers and hokey period production music.

When I heard the sound of Deutsche Welle’s interval signal on this tape I thought, “Wow, it still sounds just the same”… and then I remembered that only within the last year the German shortwave service cut off their English broadcasts to North America. Probably won’t be hearing that again on the radio anytime soon. And then I just got pissed off all over again about all the western countries turning their backs on North American listeners. And that’s a big difference between shortwave listeners today and the polyester pants crowd who might have picked up a copy of this album a few decades ago. Their shortwave radios had a lot more voices speaking in English. And despite wearing more sensible trousers, we are not quite as happy today.

That’s it for this quick post. I hope you enjoy this DXing artifact from the 1970′s. I just got my hands on this thing, and my first thought was to share it here with you. And please don’t be alarmed by the lo-fi audio issues with the disco intro section of each side. I was only able to find this album as a cassette tape, and it appears to have been slightly munched in another player. The sound quality improves markedly after the first minute or so on each side.

If you’re keeping score at home, I’ll be back soon with one of these posts I have in the pipeline right now. Of course, there’s more radio from the past coming your way with part two of that 1988 road trip, and I’m right in the middle of an extended exposition on the perplexing and tangled state of progressive talk radio in the middle of this big and brutal election year.

As always, it’s good to hear from you. Thanks for listening.

New Orleans Road Trip 1988 pt 1 (Ohio)

Thursday, March 20th, 2008

Sadly, I was in love with radio for a long time before I realized that it might be a good idea to keep some of it for myself. It’s mind boggling for me to think of all the radio stations, radio shows, air personalities and programming formats that have passed on since I’ve been listening. While I don’t regret all that much of my life, I do wish I could have been a little more prescient and stored more radio on magnetic tape in the last few decades. Memory is good, but it’s not accurate and you can only share impressions.

When I was a kid I actually did record from the radio. But like the file sharing teens today, I was simply doing what came naturally– “capturing” music directly from the radio with my tape recorder to avoid paying for it at the store. It was before they made that kind of thing illegal. But all I wanted was the songs. I couldn’t care less at the time about the DJ banter, the commercials, the news– all the stuff that in retrospect makes an aircheck interesting in historical context.

My perspective changed in late 1983 when I went on 4000 mile road trip circumventing the Midwest. I brought a boombox along, and when we found time to put our mix tapes aside, we listened to the radio and now and then I dropped in a few blank cassettes to record some souvenirs. I’m not exactly sure what made me think to make those recordings during that trip (which I still have and plan to feature a bit of here one day), but I enjoyed them enough after the fact that I began a habit of creating and collecting “airchecks” that continues to this day.

 In the spring of 1988 I happened to go another extended automotive trek, this time driving a rusty Buick station wagon from the Detroit area (where I lived at the time) to New Orleans for the Jazz and Heritage Festival. And I brought cassettes and another boombox. And this post begins a series of posts here on the Radio Kitchen blog, featuring some of the more compelling and entertaining portions of radio I snagged on that excursion– a cross section of American radio in the late 1980′s.

As I’ve mentioned here before, I never understood why car cassette decks can’t simply record from the radio. Looking online, I guess Pioneer did make such a thing a few decades ago but if you think about it just about every other tape player made always came with recording potential. And car radios are often great for DXing. Anyway, I’ve never seen one. But on this particular trip, I tried to make my desire a reality by recording some radio on the road with the boombox (while my friend was driving). If you’ve ever tried to do this, you know it’s not all that easy. Especially recording AM radio, where you really have to hold the radio up to window level to get a reasonable signal.

After I got the tapes home I did something I’d never done before (or never did again). I combed through hours of raw (and rather random) source tapes and winnowed it down to a one-tape 90 minute compilation (with cassette to cassette-pause button editing). Unfortunately, most of the original tapes are long gone. This is a little different from other posts here, in that this aircheck scrapbook years ago for my own entertainment, with no logs or notes. While I believe that most (if not all) of these edits are in chronological order, the actual recording on the road was intermittent. I tended to turn on the recorder when we neared larger cities. That is, unless I was driving (when I didn’t record). While the cities and stations included in this homemade artifact is hit or miss as we crossed the country, the variety of radio I included from New Orleans on this tape is somewhat extensive and full of local flavor. But then again, most things New Orleans are full of local flavor.

I’m including these installments as "bandscans," even though almost none of it is technically a real time scan of the any particular band. They are however, compelling samplings of a time and of places that make for some compelling listening twenty years later. Also, for the first time I’ll be including some FM broadcasting in on this site. If you’ve read much here, you may know that my taste (and curiosity) in contemporary broadcasting is focused on AM and shortwave these days. But that wasn’t always the case. It wasn’t until the 1990′s that I lost my stomach for almost all FM radio.

So, here’s the first installment in this radio journey. We drove straight through, and I believe we left for New Orleans Wednesday April 27, 1988. But it might have been Thursday. I’m not sure, but either way it took around twenty-one hours or so to complete the trip. This first segment begins somewhere in early afternoon (northern) Ohio heading south on 1-75, and there’s quite a bit of material from the Dayton market through to Cincinnati. I’m going to post this in digestible chunks, and then when I get to the end of the whole 90 minute affair, I’ll provide a listen/download link for the entire archive as well. Here’s the first installment:

1988 Trip to New Orleans (part 1) – 1-75 in Ohio  9:34

(download)

A cuddly country pop snippet of unknown origin gives way to a frenetic commercial for household goods on sale. Based in West Virginia, Hecks’ Department Stores had spread to nearby Ohio and Kentucky since 1963. But the “Almost Giving It Away Place" had already filed for bankruptcy by 1987 and within the next couple years they called it a day and sold assets off to another couple retail chains that wouldn’t last much long either. A whole lot of regional discount outlets have disappeared since that time (smell the Wal-Mart?), and I miss hearing this kind of sales exhilaration for items like toilet paper and bleach.

A couple of quirky bits later (including some jesus optimism), you hear a punchy keyboard intro for “The Mike Sento Show” on Dayton’s 1290 WHIO (what great classic call letters!). It’s not just a talk show, it’s a “midday forum” I wish the tape gave us a little sample of Mike himself. Apparently, Mr. Sento doesn’t have regular talk gig right now, but he’s still around. Not so long ago he filled in for the dull-witted Mike Gallagher on his national program. (Not a good sign…)

And then there’s the "Van Man.” Bobby Layman. Apparently, Bobby was selling vans with a bit of a personal style. He measures “your needs” and “fits you to a van.” (Something snug with side-mirrors, perhaps?) But however Layman was fitting all those vans back then, he must have been doing something right. He now has his own Chevy dealership at the same address as the Columbus, Ohio "Van Man" headquarters advertised here. Catchy commercial.

Then there’s perhaps the greatest living legend in radio today— Paul Harvey, the one-man “Reader’s Digest” of radio. While not a mind blowing moment, this little capture is in classic Harvey style– clipped and slightly alien, in a warm and corny way. And he’s still at it! But he sounds reassuredly young in 1988 (When he was only 69). This particular program, his daily “News and Commentary” has been a radio staple since 1951. Enjoy it while it lasts. "Mr. Slow-Motion" Fred Thompson has been known to fill-in when Harvey takes time off.

Remember Fawn Hall? The Iran/Contra Hearings… Oliver North’s secretary… Shredding critical documents… and the her infamous testimony: "Sometimes you have to go above the law." She was still shining ripely in the middle of her fifteen minutes of fame in early ’88, and Harvey announces she starting to cash in it by co-hosting a syndicated talk show next month (which we can assume didn’t exactly set the world on fire). Since then, Hall actually had to kick a nasty crack cocaine habit in the 1990′s. Which is kinda ironic, considering her old boss Mr. North funded the Contras with cocaine cash.

“Race fans! Put this in your mind! The sheer spectacle of wheel standing super-charged funny cars with their front wheels up in the air and then showering sparks of titanium all the way down the quarter mile drag strip at a hundred and sixty miles per hour!”

Now, that sounds like entertainment. It’s the vintage boom and bluster of a classic drag strip radio spot for Kil-Kare Speedway in Xenia, Ohio. Do raceways still advertise like this? I hope so. When I was a kid CKLW and WKNR thundered with ads for the Detroit Dragway– boisterous announcers glorifying the exploits of drivers like Tom “The Mongoose” McEwen and promoting all the earth rumbling rapture to be found at the corner of “Sibley at Dix.” While the old Detroit Dragway is history, Kil-Kare Speedway which will soon celebrate 50 roaring years of fun in Southern Ohio. Bravo.

The racing spot is followed by some juvenile banter on an unidentified high school radio station (A likely suspect might be WKET, which isn’t far from 1-75). Too bad you can’t hear both sides of this little squabble, as one of the kids hogs the microphone. “Oh, save the whales Keith. Save the whales…”

Waterbeds. Remember waterbeds? From the seventies on, it seemed like every mile of suburban highway sprawl was decorated by two or three waterbed outlets stocked with all your splashy mattress needs. Local radio and late night TV were littered with waterbed store advertising as well. Things have changed. (When was the last time you’ve seen a waterbed?)

We miss the beginning of this commercial for “Henry’s Waterbeds,” but there seems to be a sports theme at play. The announcer hawks his wares in a loud and gruff testosterone fashion over the sounds of a simulated cheering throng. Which falls right in line with the general appeal of waterbed stores– to specifically lure men in to browse and buy household goods and furniture, thanks to the fact that the main attractions on the sales floor offered the promise of carnal hydraulics in the bedroom.

Rock and roll on the AM dial is almost as hard to come by as a highway waterbed outlet these days (or a drag strip for that matter). However, in the late 80′s the oldies format was still a big contender on the AM dial. But not for long. By this time the playlists for these stations had gotten so tight and so predictable that format burnout has assured the passing of many of these stations. Just like this snippet from that afternoon of Cincinnati’s 55 WKRC, a segueway from the Turtles’ “Happy Together” to “You Really Got Me” by the Kinks. How long can anyone continue to listen to those same three-hundred songs?

And like many former oldies stations, WKRC is now a run of the mill talk station carrying syndicated rightist dreck like Limbaugh, Hannity and kindred scum. And the dilemma is not unfamiliar. And just how long can anyone continue to listen to Republican party talking points from the same handful of windbags every day? Kinda of like a never ending chorus of “Hey Jude.” In radio, cynical programming and overt predictability will eventually breed listener contempt.

Next WLW, the Ohio Valley powerhouse. And at first sample, this bit of afternoon WLW sounds like boring and typical talk radio. It’s mid-day host Mike McConnell winding up an interview with "David" on the phone. He’s written an “insider’s guide” which contains valuable tips and secrets that can make anybody wealthy. It’s the wrap-up of the segment.

“Rich or old, young or poor, even if you have very little money and you have no credit or bad credit, don’t let that stop you.”

There’s a time check here, it’s almost 1:30 in the afternoon. I switch to another station. An AM signal with a stiff whine. It’s one of those soap opera update features (do stations still do this). It’s a somewhat inspired synopsis of the ongoing saga of the “Young and the Restless.”

Then back to WLW, coming out of the commercial break. Listen to all the promotional crap that happens before McConnell resumes the show. This is back when WLW was a Jacor station, and I’d posit that you hear the “Jacor effect” as soon as McConnell ditches the get-rich-quick author. Lame guests like David are some of the worst talk radio filler out there, but nowadays goofballs like this author would (thankfully) have to buy ad time or get into the infomercial business to sell his schemes to listeners. But before talk radio got wise and came up with other ideas, people selling bad books were common filler on the air. And here McConnell is a harbinger of the more savvy talk radio to come, smelling BS from his guest and turning his suspicion into what probably became a spirited call-in segment (which I wish we could hear…).

“Have you ever gotten a book through a situation such as this, through which you made money? Or that improved you in any way, shape or form? If so, I’d like to hear about it…”

While Jacor has since merged and dissolved into Clear Channel Communications, in their heyday they made a lot of headway in a number of radio markets with their inventive, subversive and occasionally vicious programming and promotion. While I wasn’t much of a fan of some of Jacor’s music radio projects, Jacor really did know how to manage and tweak a talk radio station into something profitable and compelling. At heart, Jacor was really a loyal cadre of competitive and provocative radio geeks who were major players in the radio business back in the 1980′s and 90′s. As far as talk radio, Jacor naturally attracted sharp and witty (and often abrasive) talk radio hosts who understood the nuances of exploiting the format for all of its emotional and entertainment potential.  By the 1980′s, Jacor realized that being nice, or being “respectful,” was really only important to their oldest listeners. And people who understood the business of radio (like Jacor) knew that talk radio was more than ready to shed its one time role (and continuing image) as a safe haven for old folks.

And although Jacor is no longer, the flavor of the upstart company is still a part of what makes WLW great, ever since Jacor radio maestro Randy Michaels turned it into a hot talk station in the early 80′s. And there’s been remarkably little turnover in air staff in the last two decades. In fact, Mike McConnell still holds down the same mid-day slot he’s had on WLW since the early 80′s. Which is very rare in the fast changing and incredibly cutthroat business of radio.

“Z-93 Where the hits always hit first. I’m Cat Summers with one of the hottest ladies around right now, just coming off her Academy Award for Best Actress. The new one from Cher, written and produced by Bon Jovi. It’s called “We All Sleep Alone” on Z-93.”

Well, that was a near perfect mic break from “Cat Summers” (My GOD, the greatest fake name in top 40 radio history?…) on Z-93 (in Eaton, Ohio). It’s really a perfect mic break– warm, succinct and pure smooth all the way to the post (where Cher starts to sing). It hits the pop culture buttons and says nothing. And the positioning statement– "Where the hits always hit first," is catchy enough. But by 1988 there was no bravery in corporate music radio, and you can be sure no song would make a playlist in a market like Dayton if it hadn’t been officially approved by consultants, sanctioned by some kind of payola, and blessed by some call-out research. Of course, the illusion remained for some that the DJ on the air had some say the music they would play.

Z-93 is the late lamented WGTZ transmitting from Eaton, Ohio a couple dozen miles west of I-75. Z-93 was born when they canned the beautiful music format on WGTZ in 1983, and it served as the major CHR (contemporary hit radio, or top 40) station for a large swath of southeastern Ohio, including Dayton and Springfield for over two decades. While this kind of radio ain’t my cup of tea, for years this station was local spot on the dial where kids and young adults went for the hits and the happy camaraderie of shiny jocks like Cat Summers. In November of 2007 the owners (Main Line Broadcasting) went out and fired all the DJ’s and flipped the station to the new "variety hits" format, otherwise known as the "Jack." Some people in Ohio are still pissed off

This leaves us at the crossing of the Ohio River that April afternoon in 1988, and as night falls we’ll sample some southern R&B radio along I-40 and then I-55. As I mentioned, the coverage from the road in either direction will be spotty, but once we get to New Orleans there’s plenty of broadcasting to hear from the Crescent City, back when it was all still there.