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	<title>Comments on: A Brooklyn Radio Triptych</title>
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	<link>http://theradiokitchen.net/a-brooklyn-radio-triptych/</link>
	<description>Adventures In Amplitude Modulation</description>
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		<title>By: prof</title>
		<link>http://theradiokitchen.net/a-brooklyn-radio-triptych/comment-page-1/#comment-2051</link>
		<dc:creator>prof</dc:creator>
		<pubDate>Thu, 04 Jun 2009 11:24:04 +0000</pubDate>
		<guid isPermaLink="false">http://theradiokitchen.net/a-brooklyn-radio-triptych/#comment-2051</guid>
		<description>Yeah, I&#039;d love to have a 2010 Travers. Maybe someday...

Oh, and what you saw was a post I&#039;m working on in draft form. I clicked the wrong &quot;save&quot; button before I went to bed and I accidentally published a half-written unedited mess. It should be finished and up in a day or two.</description>
		<content:encoded><![CDATA[<p>Yeah, I&#8217;d love to have a 2010 Travers. Maybe someday&#8230;</p>
<p>Oh, and what you saw was a post I&#8217;m working on in draft form. I clicked the wrong &#8220;save&#8221; button before I went to bed and I accidentally published a half-written unedited mess. It should be finished and up in a day or two.</p>
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		<title>By: Travers</title>
		<link>http://theradiokitchen.net/a-brooklyn-radio-triptych/comment-page-1/#comment-2047</link>
		<dc:creator>Travers</dc:creator>
		<pubDate>Wed, 03 Jun 2009 15:38:08 +0000</pubDate>
		<guid isPermaLink="false">http://theradiokitchen.net/a-brooklyn-radio-triptych/#comment-2047</guid>
		<description>I now live in a RF &quot;noisy&quot; apartment myself and have finally found the perfect setup for shortwave; my Sony 2010 looked up to that Kaito Loop antenna (KA-31).  With the loop hung up by a window and the Sony 2010 on the kitchen table I nabb signals left and right!  I&#039;ll say the ICF-2010/KA-31 setup brings me up to 80% of what I use to receive on a HF communications receiver and a 60 ft wire in the countryside.  I won the Sony 2010 on ebay and has improved my &quot;shortwaving&quot; many folds.  I still use my DE-1103 while traveling (2010 is a rather large &quot;portable&quot;) but 90% of my listening is on the 2010 now.  Highly recommended if you can find it at a decent price.

O did you pull a post about a religious station on AM-1710 ?  I thought I read something about that here but maybe it was another blog.  Thought I&#039;d ask ...</description>
		<content:encoded><![CDATA[<p>I now live in a RF &#8220;noisy&#8221; apartment myself and have finally found the perfect setup for shortwave; my Sony 2010 looked up to that Kaito Loop antenna (KA-31).  With the loop hung up by a window and the Sony 2010 on the kitchen table I nabb signals left and right!  I&#8217;ll say the ICF-2010/KA-31 setup brings me up to 80% of what I use to receive on a HF communications receiver and a 60 ft wire in the countryside.  I won the Sony 2010 on ebay and has improved my &#8220;shortwaving&#8221; many folds.  I still use my DE-1103 while traveling (2010 is a rather large &#8220;portable&#8221;) but 90% of my listening is on the 2010 now.  Highly recommended if you can find it at a decent price.</p>
<p>O did you pull a post about a religious station on AM-1710 ?  I thought I read something about that here but maybe it was another blog.  Thought I&#8217;d ask &#8230;</p>
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		<title>By: prof</title>
		<link>http://theradiokitchen.net/a-brooklyn-radio-triptych/comment-page-1/#comment-1958</link>
		<dc:creator>prof</dc:creator>
		<pubDate>Thu, 28 May 2009 07:10:20 +0000</pubDate>
		<guid isPermaLink="false">http://theradiokitchen.net/a-brooklyn-radio-triptych/#comment-1958</guid>
		<description>Wood paneling, eh? I wonder if they still have shag carpeting over at the Voice of Russia studios as well?

But seriously... I suppose the studios over there in Moscow might have a little more a &quot;live&quot; sound in some way Richard but there&#039;s some fat warmth and/or compression that I hear in the transmitted voices that makes me think of tube equipment and some kind of electronics magic. Maybe it&#039;s an old state secret, and the &quot;wood paneling&quot; idea is just a red herring to throw us off the trail!

Speaking of that, I remember that when I was a kid I sent away for a program schedule from Radio Moscow. And not only did they send the schedule, but they continued to send me stuff like that for a while. And I recall there was often some odd smearing and wrinkling around the seal of those envelopes, as if the contents were &quot;inspected&quot; before they were sent along to my suburban mailbox.</description>
		<content:encoded><![CDATA[<p>Wood paneling, eh? I wonder if they still have shag carpeting over at the Voice of Russia studios as well?</p>
<p>But seriously&#8230; I suppose the studios over there in Moscow might have a little more a &#8220;live&#8221; sound in some way Richard but there&#8217;s some fat warmth and/or compression that I hear in the transmitted voices that makes me think of tube equipment and some kind of electronics magic. Maybe it&#8217;s an old state secret, and the &#8220;wood paneling&#8221; idea is just a red herring to throw us off the trail!</p>
<p>Speaking of that, I remember that when I was a kid I sent away for a program schedule from Radio Moscow. And not only did they send the schedule, but they continued to send me stuff like that for a while. And I recall there was often some odd smearing and wrinkling around the seal of those envelopes, as if the contents were &#8220;inspected&#8221; before they were sent along to my suburban mailbox.</p>
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		<title>By: Richard in PA</title>
		<link>http://theradiokitchen.net/a-brooklyn-radio-triptych/comment-page-1/#comment-1866</link>
		<dc:creator>Richard in PA</dc:creator>
		<pubDate>Mon, 25 May 2009 03:26:56 +0000</pubDate>
		<guid isPermaLink="false">http://theradiokitchen.net/a-brooklyn-radio-triptych/#comment-1866</guid>
		<description>Hello, Professor!

Regarding the Voice of Russia and their &quot;sound&quot;, I remember reading one time that they claim it&#039;s their wood-paneled studios that provide their distinctive character - if you listen carefully, there&#039;s a characteristic decay component in the sound that suggests the walls aren&#039;t the typical sound absorbing material that might be used.

Richard C. in Allentown, PA</description>
		<content:encoded><![CDATA[<p>Hello, Professor!</p>
<p>Regarding the Voice of Russia and their &#8220;sound&#8221;, I remember reading one time that they claim it&#8217;s their wood-paneled studios that provide their distinctive character &#8211; if you listen carefully, there&#8217;s a characteristic decay component in the sound that suggests the walls aren&#8217;t the typical sound absorbing material that might be used.</p>
<p>Richard C. in Allentown, PA</p>
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		<title>By: Ross Comeau</title>
		<link>http://theradiokitchen.net/a-brooklyn-radio-triptych/comment-page-1/#comment-1778</link>
		<dc:creator>Ross Comeau</dc:creator>
		<pubDate>Fri, 22 May 2009 19:28:48 +0000</pubDate>
		<guid isPermaLink="false">http://theradiokitchen.net/a-brooklyn-radio-triptych/#comment-1778</guid>
		<description>Hi &quot;Professor:&quot;

Enjoyed this blog, and your last one too. Although I&#039;m a DX&#039;er first (and second), I find myself listening a lot these days when I get the rare chance to even tune the dials. Interestingly, we seem to listen to the same stations, possibly because those are the most readily heard non-religious, non-militia stations available. RDF Portugal is a Sunday morning favorite, and I&#039;ve always loved AIR. I agree with you about the clarity (or lack of) of the announcers compared to the music. 

73&#039;s

Ross Comeau</description>
		<content:encoded><![CDATA[<p>Hi &#8220;Professor:&#8221;</p>
<p>Enjoyed this blog, and your last one too. Although I&#8217;m a DX&#8217;er first (and second), I find myself listening a lot these days when I get the rare chance to even tune the dials. Interestingly, we seem to listen to the same stations, possibly because those are the most readily heard non-religious, non-militia stations available. RDF Portugal is a Sunday morning favorite, and I&#8217;ve always loved AIR. I agree with you about the clarity (or lack of) of the announcers compared to the music. </p>
<p>73&#8242;s</p>
<p>Ross Comeau</p>
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